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ninhurt
Author: ninhurt
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Description
It shouldn't sound perfect, it should sound dirty, and it should make you feel uneasy, with moments that make the hairs on the back of your neck stand up.
Producer/remix/mashup artist primarily focused on reworking Nine Inch Nails tracks. I like to explore how the sounds from different eras can be merged and mixed together to create something new, but familiar.
A big thanks to moto-jayce for all track artwork - https://www.reddit.com/user/Moto-Jayce/
All credit and respect to Nine Inch Nails and Trent Reznor for allowing us to create these remixes.
Producer/remix/mashup artist primarily focused on reworking Nine Inch Nails tracks. I like to explore how the sounds from different eras can be merged and mixed together to create something new, but familiar.
A big thanks to moto-jayce for all track artwork - https://www.reddit.com/user/Moto-Jayce/
All credit and respect to Nine Inch Nails and Trent Reznor for allowing us to create these remixes.
59 Episodes
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La Ciudad (Not Very Important edit) by ninhurt
Fall In Love with the Sound by ninhurt
This Version of You (To Have You Back) by ninhurt
As Planned (Things Don't Always Go...) by ninhurt
"Somewhat Damaged" by Nine Inch Nails, reworked with "It's Only" by Odesza
A remix of a remix, using my "isn't everyone" remix as a base I played around with Odeszas new track "Behind the Sun" and this is the result (for better or worse).
"1121" by Halsey with vocal from "God Given" by Nine Inch Nails and other elements from "In This Twilight" also by Nine Inch Nails.
"Whispers" by Halsey with vocals and elements from "Vessel" by Nine Inch Nails.
Instrumental edit of "Lilith" by Halsey, with samples from "The Only Time" by Nine Inch Nails.
Music video >>> https://youtu.be/pQmlsp1_1r4
For anyone interested, here are the changes and additions I made to this track;
- isolated and layered Trent's vocals in some areas
- applied some EQ tweaks to brighten the whole song a bit, to me it sounded a little muddy, though this was no doubt intentional
- added the "resonator" from "Me, I'm Not" to the intro and pre-chorus
- added "Me, I'm Not" hats
- added "Me, I'm Not" echo tone + ebow
- added "The Great Destroyer" drum FX to most of the track other than the "March of the Pigs" interlude and applied some EQ tweaks to brighten them a little
- added "The Great Destroyer" glitch-drums, chopped and changed to try and fit better
- chopped and stretched Trent's scream/yell in a few places
- chopped and layered the piggy vocal, burn it all down, and tick tick tick(ing)? vocals
- added the "Closer" guitar to the pre-chorus
- added modular stuff from "Me,I'm Not" at the first chorus break
- added the mod guitar from "Me,I'm Not" to the chorus and upped the pitch slightly, towards the end it is layered with one track pitched up one octave
- added vocals from "March of the Pigs" as a break between the first and second chorus
- removed the second verse, not because I don't like it but it wouldn't work with the "March of the Pigs" vocal section
- added some extra hats and noise from "The Great Destroyer"
- added some extra gain for good measure
I absolutely love the new song NIN+HEALTH have put together, this was a quick edit to try and give it a different angle, some more highs and more NIN :)
A homage to Nine Inch Nails and Trent Reznor - Samples approx 25 to 30 tracks from NIN and HTDA spanning their discography.
"the space in between" by how to destroy angels mixed with samples from nine inch nails' "terrible lie".
"the space in between" by how to destroy angels mixed with samples from nine inch nails' "terrible lie".
how to destroy angels' "too late, all gone", remixed.
An edit of nine inch nails' "your touch".
"Nothing Can Stop Me Now" remix, remastered for a clearer, crispier sound.
nine inch nails' "the line begins to blur" remixed
FM Travel's "Bleep", remixed.
Find the original track here - https://soundcloud.com/elia-berr/bleep
Thanks to FM Travel for sharing his stems with me for this mix.
Billie Eilish meets Nine Inch Nails (and Atticus)
Closer to The Big Come Down?





















Good job mate, keep em' coming.