Annie Hall: Erotic? Neurotic? Or Erratic?

Philosophical Feminism for Beginners: A Beauvoirian Perspective on “Une Femme est une Femme” (1961)

Mindf*cked With a Capital M: Postmodernism in Mulholland Drive (2001)

Perceptions, Personas, Parasocial Relationships, and Perfect Blue (1997)

The Ethics of Playing God: Psychological Manipulation in Atonement (2007)

“Attendre en Vain” Superstition and Mortality in Cléo from 5 to 7 (1962)

“Different Class!” Applying Marxist Critique to Trainspotting (1996)

The Fine Art of Existential Dread: Scorsese gets Kafkaesque in “After Hours” (1985)

“Symbiosis or Shared Psychosis?” Jungian Archetypes in Persona (1966)

“Daddy Issues?!” Family Dynamics, Nepotism, and Patriarchy in The Godfather (1972)

“Female Hysteria?” The Male Gaze and Romanticisation in The Virgin Suicides (1999)

“Eat the rich!!” Materialism and Detachment in The Great Gatsby (2013)

Complex Complexes: A Psychoanalysis of Blue Velvet (1986)

The Film Doctor (Trailer)