Hsu Ya-Ting, director of “Island of the Winds”, first encountered the Lesheng Movement as a college student. Captivated by the story of Lesheng Sanatorium residents facing eviction, she initially documented their struggles for her graduation project. Deeply touched by their spirit and resilience, Ya-ting was moved by how openly they shared their stories and actively fought to protect their land. Despite the complexities of political and medical issues surrounding the eviction, she felt compelled to tell their story. After years of reflection and growth, she returned to Lesheng to craft “Island of the Winds”. During the 69th BFI London Film Festival we discovered this film that functions not only as a documentary but also as a beacon of hope, echoing its own message of resilience.

Forging International Collaboration

Producer Huang Yin-Yu joined the project later, recognizing the need to make their story accessible to an international audience. She emphasized the importance of clear communication and a shared understanding of the film’s core message. With her experience in Japanese cinema, Huang facilitated collaborations with Japanese editors and French co-producers, enriching the film with diverse perspectives. Through workshops and pitching forums such as Docs by the Sea and Berlinale, the team gained support and recognition — culminating in winning an award at Cannes Docs.

Capturing the Weight of History

Creating “Island of the Winds” was a deeply personal and emotional journey for Hsu Ya-Ting. As she spent more time with the residents, her involvement grew beyond that of a filmmaker to that of an advocate. She documented difficult moments, such as residents facing pressure to relocate, which strengthened her dedication to the project. Over time, her role blurred the lines between filmmaker and friend, grappling with how to portray moments of loss and grief with respect. Ya-Ting aimed to capture not their fragility, but their unwavering spirit. The heavy weight of their history and her responsibility to share their story became central to her filmmaking process.

Democracy and the Power of Being Oneself

Hsu Ya-Ting hopes “Island of the Winds” reminds audiences of the importance of fighting for what they believe in. The residents of Lesheng taught her that even when circumstances seem fixed, individuals have the power to shape their destinies and voice their truths. She believes true democracy lies in the freedom to be oneself, regardless of social status or external pressure. This resilient spirit is embodied in the film, showcasing the residents’ unwavering commitment to their home and beliefs.

A Voice for the Land

Huang Yin-Yu wishes for “Island of the Winds” to shed light on Taiwan’s grassroots civil rights movement and its ongoing fight for democracy. She underscores that the film is a testament to the voice of the land and the importance of understanding those who fight to defend their rights. By spending two hours with the residents of Lesheng, viewers can deepen their appreciation of their resilience and the significance of their story.

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