李明學
李明學反轉生活周遭物件的使用方式，轉換其外觀造型或被觀看的角度，在探索當代藝術的可能性上，創造出輕盈的另類解讀。他以幽默的手法，重新檢視媒體、教育與社會框架下，對各種事物／物件的慣性理解。

遙望的空洞
2020｜互動響應式網頁
人們總傾向相信「呈現」所帶來的一切，無論是透過視覺上所謂的「有圖有真相」，或是任何有形的證據紀錄，都是「眼見為憑」所衍生出的意識形態。講究科學邏輯的「呈現」，攻佔了人們大部分的生活，然而，作為「呈現」反面的「缺席」所連繫的無形情感，抑或是稍縱即逝的無法描述，卻成了一個難以遙望的空洞。令人感到可怕的是，這種空洞並非不存在，而是人們的視而不見。
https://martian.beauxarts.tw/artwork/james_minghsueh_lee_distant_hollow


James Ming-Hsueh LEE
His work often spotlights on the objects found in all sorts of stores. With a penetrating sense of humor, he reexamines and challenges the conventional understanding of ‘things’ indoctrinated by the media, education and society. Through reversing the concept of objects--correct usage, appearance or human perception, the artist is able to offer refreshing and amusing interpretations so as to explore other possibilities of contemporary art.

Distant Hollow 
2020｜Interactive and responsive web page
As always, people are inclined to believe what the “presentation” brings about, whether by visual effects, as the saying goes — “Pictures don't lie,” or by recorded evidence of any physical form: each bears an ideology derived from “To see is to believe.” The “presentation” with a meticulous logic of science has invaded most people's lives, and yet, in contrast to the “presentation,” the “absence” connected to invisible emotions or fleeting descriptions beyond words becomes a distant hollow hard to glance over. It is frightening that the hollow is not non-existential, but people chose to ignore it deliberately.
https://martian.beauxarts.tw/artwork/james_minghsueh_lee_distant_hollow