267 | The Elevator Pitch + Austin Film Festival Prep Workshop (REBROADCAST)

266 | Emmy-Winner Jeff Hiller (Somebody Somewhere) on the Myth of the “Big Break”

265 | KPop Demon Hunters Directors: Maggie Kang & Chris Appelhans on Balancing Heart, Humor & Music

264 | Akiva Goldsman (A Beautiful Mind, I Am Legend, Star Trek): Turning Writing Into a Job (and a Life)

263 | Feature Film Story Engine Checklist: 8 Elements to Turn a Situation Into a Movie (REBROADCAST)

Indie Film Craft 5 | How a Celebrity-Free Microbudget Feature Premiered at SXSW (ft. GG Hawkins)

262 | Writing (and Directing) Intimate, Personal Films That Feel Cinematic (ft. Sorry, Baby's Eva Victor)

Indie Film Craft 4 | How to Make Your Script Undeniable to an Indie Producer (ft. Julie Waters)

261 | Clarity, Subtext, and Want vs. Need: Kaz Firpo on Crafting Great Screenplays

260 | From Barf Draft to Next Draft: 5 Steps to Take Now

259 | Costume As Character: What (& What Not) To Include in Your Screenplay (ft. Courtney Hoffman)

258 | From Assistant to Executive Producer: Frida Perez on Co-Creating The Studio

257 | Getting Repped in a Post-Strike Industry - Part 2 (ft. Daniela Gonzalez & Garrett Greer)

256 | Getting Repped in a Post-Strike Industry - Part 1 (ft. Daniela Gonzalez & Garrett Greer)

Indie Film Craft 3 | How to Get Life Rights As an Indie Filmmaker (and Make the Biopic Indie Audiences Actually Want) ft. The Bragg Brothers

255 | From Finalist to Staffed: How Austin Film Festival Helped Us Break In (ft. Sylvia Batey Alcalá & Mac Smullen)

254 | "I'm Stuck": What to Do When the Writing Just Isn't Working

253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)

252 | Creating a Complex Protagonist with a Simple Goal ft. Kim Rosenstock (Dying for Sex)

251 | Writing with Your Partner (in Life & Work): Joe Forte on Collaboration, Mentorship, and Creative Retreats