21.13: Does The Middle Have To Be Soggy?
Digest
This episode delves into the common storytelling pitfall known as the "soggy middle," where the narrative loses momentum and engagement. It explains the causes, such as mode switches, stalling tactics, and repetitive beats, and differentiates between "soggy" and "mushy" middles. The discussion highlights the importance of genuine obstacles and character flaws over artificial conflicts. To combat this, the podcast introduces the "same but different" technique for refreshing repetitive elements and advises against stalling, encouraging writers to explore consequences or escalate events. Examples like "Game of Thrones" are used to illustrate these concepts, and the use of milieu elements, microcosms, and effective side quests for pacing and character development is discussed. Listeners are encouraged to analyze story threads as homework.
Outlines

Understanding and Overcoming the "Soggy Middle" in Storytelling
This episode addresses the "soggy middle," a common narrative issue where the middle of a story feels unengaging. It explores the causes, such as mode switches, stalling tactics, repetitive beats, and a lack of clear character agency. The discussion differentiates between "soggy" and "mushy" middles, emphasizing the need for genuine obstacles and character flaws over artificial conflicts. Tools like "same but different," using milieu elements, microcosms, and effective side quests are presented to maintain pacing and reader engagement. Listeners are assigned homework to analyze story threads.

Case Studies and Advanced Techniques for Narrative Pacing
This section examines "Game of Thrones" as an example of subverting expectations and experiencing a "soggy middle" due to shifting reader expectations. It further explores advanced techniques for pacing, including using milieu elements for varied conflicts, employing microcosms to reinforce the story's arc, and ensuring side quests lead to meaningful character change or understanding. These methods aim to prevent the narrative from feeling stagnant or like wasted time.
Keywords
Soggy Middle
A narrative phase in storytelling where the middle section of a plot feels unengaging, slow, or lacking in clear direction and action, despite being the longest part of the story. It often results from stalling tactics or repetitive beats.
Stalling Tactics
Deliberate inclusion of actions or obstacles in a narrative that do not serve the character's progression or the plot's forward momentum, often used to delay a major event or stretch the story.
Repetitive Beats
The recurrence of similar plot points, actions, or emotional arcs within a story without significant variation or development, leading to reader disengagement and a feeling of stagnation.
Same but Different
A narrative technique used to refresh repetitive elements by altering specific aspects (e.g., proximity, quantity, unexpected actions, emotional impact) while maintaining the core situation or conflict.
Milieu Elements
Components of a story's setting or environment (milieu) that can be used as narrative drivers. Exploring different aspects of the milieu can introduce varied conflicts and maintain reader interest.
Microcosm
A smaller-scale representation or iteration of a larger theme, conflict, or arc within a story. Using a microcosm can explore aspects of the main narrative and reinforce its overall message.
Writing Excuses
A podcast that provides advice and discusses techniques for writers, often featuring discussions on narrative structure, character development, and overcoming common writing challenges.
Q&A
What is the "soggy middle" in storytelling?
The "soggy middle" refers to the part of a story where the narrative feels slow, unengaging, or lacks clear purpose and action, even though it constitutes the majority of the plot.
What causes a story's middle to feel "soggy"?
A soggy middle can be caused by a writer's need to switch from escalating conflict to resolution, a desire to finish the book, stalling tactics, repetitive plot points, or a lack of clear character agency and forward momentum.
How can writers avoid a "soggy middle"?
Writers can avoid a soggy middle by focusing on clear character actions, avoiding deliberate stalling, using the "same but different" technique for repetitive elements, and ensuring side plots or obstacles contribute to character or world understanding.
What is the "same but different" technique?
"Same but different" is a tool to combat repetitive beats by keeping the core situation the same but altering elements like proximity, quantity, unexpected actions, or the emotional implications of recurring events.
How can milieu elements help with pacing?
Milieu elements can be used to introduce varied conflicts or explore different aspects of the story's world within chapters, such as a musical or bottle episode, to maintain engagement without necessarily advancing the main plot directly.
Show Notes
Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how stalled plots, predictable outcomes, and disconnected side quests can make the middle drag, and offer tools to fix it: focusing on what characters are actually doing, using “same but different” to keep repetition engaging, letting major events happen sooner so you can explore their consequences, and ensuring every subplot or detour creates real change in the character or world.
Homework:
Grab a book or short story. Read the first page, a page from the exact middle, and the final page. Track which story threads introduced at the beginning are still active in the middle, and how they evolve by the end.
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Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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