246 | Do I Need to Self-Produce to Sell My Writing? (ft. Emily Brundige)

245 | How To Pivot Genres and "Re-Brand" Yourself As A Writer (ft. Carla Banks-Waddles)

244 | Brent Forrester's (The Office, The Simpsons) Comedy Writing Masterclass

243 | If You've Ever Wanted To Quit Writing, Listen To This.

Indie Film Craft 1 | Tyler Nilson and Michael Schwartz (The Peanut Butter Falcon, Los Frikis) Discuss Authentic Collaboration

ANNOUNCEMENT: New Bonus Spinoff Show For Filmmakers Drops In Feed THURSDAY!

242 | Welcome To Wrexham Showrunner John Henion Discusses Theme As A Central Creative Throughline

241 | Bob's Burgers Executive Producers & The Great North Creators Discuss Adult Animation

240 | George Saunders' Storytelling Masterclass

239 | Wicked Co-Writer Dana Fox on Why You're Avoiding Your Writing

238 | How To Create and Maintain a Screenwriting Career Outside of LA or NY (ft. Will Fetters and Chris Sparling)

237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece

236 | Liz Feldman (Dead To Me, No Good Deed): Writing is Self-Destruction, Self-Reflection, and Self-Correction

235 | Mike Jones (Soul, Dream Productions) Returns: What Makes a Great Act 3?

234 | Why Fairy Tales Are The Foundation For Modern Storytelling (ft. Kelly Younger)

233 | TV Development: Everything You Need To Know (ft. Glen Mazzara)

232 | A Writers' Assistant Deep Dive (Part 2)

231 | A Writers' Assistant Deep Dive (Part 1)

230 | Sing Sing Writer Clint Bentley: Creating Character Arcs Based On Real Lives

229 | The Screenwriting Life: Joy, Pain, & Legacy (TSL 2024 Supercut, Pt. 2)