This week on The MCA Prodcast Pat Murphy talks to Anastasia Leng, Founder & CEO of CreativeX, a technology company that powers creative-decision making for the world’s best brands by helping them to measure creative efficiency, consistency, representation, and impact across all creatives worldwide.

In this episode Anastasia talks us through the birth of CreativeX and how it works to measure creativity against a number of benchmarks – providing data in both pre and post-production. “I don't think you can do one without the other”, Anastasia says. Post production data can evaluate the success of a campaign and inform content decisions going forward, whilst pre-production data ensures your content teams are all ‘marching to the beat of the same drum’.

Anastasia talks us through how CreativeX’s tech works; tagging content with micro-data, then grouping tagged content together under themes such as format, content, accessibility, suitability for certain platforms etc. This can then be correlated with performance data to see which tags led to greatest success. You could discover how many of your ads contained dogs, for example, or how diverse your cast has been, or how consistent your brand identity is across campaigns and so much more. This data can then be assessed to see how the campaigns performed in terms of building brand awareness and ultimately, increasing sales.

One element that is hard to measure is creative excellence, as the barometer or measure of success will be different for each brand. However, Anastasia says there are macro themes that tend recur across the board: “ads that have a combination of representing the brand well, cutting through with consumers and ultimately achieving business impact.”

Anastasia also shares her perspective on how the jobs market might change with the advent of AI, and what life lessons she plans on passing on to her children. An aspiring fiction writer too, she reveals how she regularly exercises her writing muscle. 

Watch Anastasia’s favourite ad: Snowbird – 1 Star 

Hosted by Pat Murphy

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