Bonus Episode - MILKMAID REVELATIONS: JUNG’S EROTIC STAMP COLLECTION
Swiss Jungian scholar Jager Schmallzenburger has recently released news of the discovery of Jung’s erotic stamp collection. Found tucked into the wall behind a bookcase, the box of stamps features uniquely rendered images of milkmaids from countries around the world. The milkmaid, symbolic of the archetypal feminine in the flower of fulsome youth, has long been prominent in the mythopoetic imagination of man. No one had previously realized that Jung, in addition to his many other interests, was also a passionate philatelist, and his dedication to the image of the milkmaid puts a decidedly Jungian stamp on this universal and compelling image. Although Schmallzenburger is currently engrossed in researching the images comprising The Milkmaid Collection, various Jungian journals are vying for publication rights. Interest is high and Schmallzenburger’s findings and photographs are expected by the end of the year.
Here's the dream we analyze:
“I am running down a back ally and see a slightly opened door. I’m running for my life and jump inside bolting the door behind me. Inside it’s the back room of a smokey bar. I try to walk confidently through the room to find the front door. A short, bearded man in a three-piece suit looks intensely at me while he slowly pulls a huge blunt out of his pocket. It’s at least 8 inches long and really thick. He nods and asks if I’d like a hit. I’m tempted but I need to get out the door. He places the blunt on a small low table and takes out a cigar knife, just like my grandfather's, and chops off the tip of the blunt. For some reason, I feel faint. As he clamps the blunt in his teeth, I run out the door. I’m home in the kitchen with my fiancé but now she looks different having gained a huge amount of weight. I sit at the dining table while she slowly peels a banana - strip by strip. It takes forever but I keep staring at it. All pealed now she smiles. I know she’ll make me a banana split. She walks to the counter, winks, and throws it in the blender. I scream and try to turn off the blender but it’s too late. I’m upset and try to leave but long black ropes wrap around my leg and pull me across the kitchen floor. There’s a huge hole in the floor. The strands pull me in. I’ll know I’ll drown so I fight real hard. I wake covered in sweat.”
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