Aloysius J. Pig 0:04
Yeah, so everybody is gonna come on in, watch your step. Try not to knock anything over. You. Come on in, come on in, come on in. We’ll get we can get more there’s more room in here in the studio. And we can look around a little bit.

Rufus T. Rufus 0:18
Now,

everybody Aloysius J pig here, he’s given us a tour, and

I Rufus T roof isn’t just here, you know, just as for more managerial perspective, and I just kinda, you know, just want to make things go smoothly as we move into this next phase of our project. Yes. And just make sure you avoid the wires. There’s a lot of wires everywhere, but you can see the part that stood here in the things the plugs in everything’s just, you know, just what we were saying. Just be very careful as you come into this space, this studio here, where we do make the recordings for the band

Turkey, I admit it, but you do have a good point. Yeah, yeah, he

Aloysius J. Pig 1:12
does have a good point, you know, with the bumper podcast thing that we’re kind of moving on from that against, but for right now, it’s fine. You know, it doesn’t confuse anybody. This is a studio where we record a bumper podcast, we’re recording a podcast and we’re just trying to figure out what we’re doing here moving forward

Manager 1:36
maybe be your manager.

Rufus T. Rufus 1:39
Now hold on one second. Because I’m, I mean, I’m the lawyer but I’m also the manager of the podcast and the whole the whole headquarters here. Just

Aloysius J. Pig 1:50
let him Let him talk. Alright, this Hold on

Rufus T. Rufus 2:03
No, apologies. You just started to be over here, I suppose taking notes and making sure everything stays above the board and that nothing is going to impact the bottom line. You know what I’m saying? Yeah, I

Aloysius J. Pig 2:17
think everybody knows what you’re saying. All right. So back to the matter at hand. So this is the studio we used to record a bumper podcast here. I’m Aloysius jpg gets full press T Rufus over there is produced and obviously missing from the equation. He’s Natty Bumpercar We haven’t seen him in a long time. So that’s why we’ve reached out to you

Manager 2:41
because it’s nice to meet you. I’m glad that you called me and I’m looking around here and I can see

Aloysius J. Pig 2:52
all right that I mean that sounds good and a lot a lot of stuff we can do as soon as we can. I mean that makes sense to me. We want to get me well we do when we get started as soon as possible because we’ve been kind of languishing I think is the proper time

Rufus T. Rufus 3:13
again, Turkey is seeing things from a perspective that I feel like none of us even consider it well said Turkana Aloysius What do you think about that? That that that point there that took it just me When

Aloysius J. Pig 3:28
did you intend to become such good pals? This is a nice relationship friendship, whatever, that I had no idea. Yeah, Turkey yet. That does make sense. We don’t want to just like trash everything. Throw everything away. Maybe we can get some storage boxes, we can put things you know, I think there’s probably some room over in the shed.

Producer 3:48
Which which shed are we talking about? Are we talking about the the big shade or the or the Play Stick shade? Or this is a lot of shade around? You know,

Rufus T. Rufus 3:58
I mean, it could be you’re seeing the blue shed that’s out back? It could be the green shed, it’s out front?

Producer 4:07
I mean,

Rufus T. Rufus 4:08
I don’t understand what natty was doing. How do you collect shapes like it sheds is something that you’re going to store stuff in? So why would you just keep getting more and more sheds like we it looks if I look around at corners up there. It looks like we’re like a Mr. Shit like we’re gonna be selling shit at some point. You know? Like, come on down to guess bumper cars crazy shit Emporium. Where you can buy the best stop pointing

Manager 4:49
gonna stick around we’re not gonna do bird we’re not gonna do none of those. Well,

Aloysius J. Pig 4:58
no. Okay, well gonna know tangents that’s Wow, that is gonna be quite different because normally this show exists to just just to tangent like so like we look like instead of a road like uncooked spaghetti which is straight, we look like a bowl of spaghetti all twisted and mixed up and all around the dike that’s kind of you guys think of pasta for lunch? Maybe? Yeah,

Rufus T. Rufus 5:29
I could certainly go over some pasta. You know, this weekend, we got a big game. And so I want to Cabo row.

Producer 5:37
Right, exactly. She’s kind of loud. What do you what is he talking about?

Rufus T. Rufus 5:45
Turkey, you know, so? Yeah.

So listen, so what we do before the big game, is we eat a lot of carbohydrates, because it makes it better have more energy mix was much more, you know, just more of a spark, you know, it gives us a good bit of fuel for when we can go out on the field and, you know, make moves and do what we do whatever them. So that’s what is carbo loading.

And then you’re ready to go. Yeah.

Aloysius J. Pig 6:18
So I think producing is a little confused. What exactly is this big game that you’re playing? And who is playing in it? And what where is it? I don’t know. Just explain a little bit this this whole game thing that you’re talking about?

Producer 6:37
No, no, we didn’t get the email, I guess. I guess, maybe just you and the roof is we’re talking about these intramural sports that you’re doing between different podcasts. And I said, and I checked my email all the time. And I said, I’m looking now there’s no mercy from you. 30. I’m looking in my spam. Sorry, Emily. She’s looking out through everything and they don’t see any messages from any of you.

Manager 7:12
Red Line over there on the red line. Even me

Aloysius J. Pig 7:15
not a red light this mean check Tia, I think it means that the power is on. And I still with that? I

Producer 7:22
think that we’re recording I would think yes, yes, the red light. It doesn’t mean the powder is on it just means that we are recording the things that are transpiring here in the studio

Manager 7:39
recording on the podcast, everything you

Rufus T. Rufus 7:48
know, we got to do here is anytime anybody really goes into the studio, we start recording and the light The light is read over the you know, and that just means that we are recording the podcast and or recording something that you know, I guess well

Aloysius J. Pig 8:12
is we have a difficult time of keeping to a schedule. And you know, these people out there in the world, they want to live there, like hey, we want to know the day and the time that your pod gates is going to come out every single week and we don’t have that capability. And so what we do, a lot of the time is if we’re gonna have a conversation, it’s like hold on, let’s just go talk into studio producer came you know, turn on record and then bang, bang, boom, we got another podcast

Manager 8:49
this is going to be a podcast I don’t even know what kind of a situation I’ve gotten myself into. was gonna come in a few w