Composing passionately about the human experience, composer Christina Rusnak works at the intersection of place, nature, culture, history and art to integrate context into her music from the world around her. A storyteller, she seeks to convey something meaningful about the human experience to both the audience and performers. An award-winning freelance composer living in the Pacific Northwest, Ms. Rusnak composes for diverse instrumentations with lyrical lines and organic rhythms and textures.

Her pieces address social and environmental justice, houselessness, immigration from 19th to 21st century perspectives, and more. Her choral work, Liberty’s Light, examines immigration from Ellis Island to the Texas border. “Water and Stone” explores climate, and the impact of water, heat and cold in sculpting Death Valley National Park. “From the Sidewalk”, addresses the invisibility of a homeless woman in New York City. In 2020, Rusnak was commissioned Fanfare for Justice (also Call for Justice) to commemorate the Black Lives Matter movement. In 2025, she is composing a multi-movement work for women’s choir, Women’s Rights are Human Rights addressing degrading rights of women globally.

Recent awards and honors include a 2022 Residency at the Visby International Centre for Composers; 2023 Bronze Global Music Award for Voices of the Land; 2024 American Prize 2nd Place Orchestra for The South Pass, a finalist for FREE LAND, and a 2025 finalist for the American Prize for Orchestra for Time After All. In 2019, she led the renowned Composing in the Wilderness Seminar in Denali for the Fairbanks Summer Arts Festival. An advocate for New Music, Rusnak currently serves as president of the International Alliance for Women in Music. Her essays on music and advocacy can be found on LandscapeMusic.org and New Music Box and more. Her works are available from Amazon, Naxos and Parma Recordings. Scores are available through her website http://christinarusnak.com and various distributors, and can be viewed via ISSUU.