Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum's new British Galleries. During that time, she dreamt of using The Met's strict label format to describe people as intricate works of art. The result is this "jewel box of a novel" (Kirkus Reviews) that imagines a privileged 20th-century woman as an artifact--an object prized, collected, and critiqued. One Woman Show (Avid Reader Press, 2023) revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power.

"A moving story of privilege, womanhood, and the sweep of the 20th century told through a single American life" (Rumaan Alam, author of Leave the World Behind), Kitty is an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. Described with poignancy and humor, Coulson's playful reversal on our interaction with art ultimately questions who really gets to tell our stories.

Christine Coulson spent 25 years writing for The Metropolitan Museum of Art and left the museum as Senior Writer in 2019. She started at The Met in 1991 as a summer intern in the European Paintings Department and returned in 1994 to start her first job at the museum after graduate school. During her tenure, she rose through the ranks of the museum, working in the Development Office, the Director’s Office, and the Department of European Sculpture and Decorative Arts.

In 2017, The Met gave Coulson a yearlong sabbatical to write Metropolitan Stories, her bestselling 2019 novel about the museum.

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• Myra Coleman, Women Holding Things
  

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