“I Like It When a Director Has a Vision”: Willem Dafoe Talks Acting Process, David Lynch, and ‘The Birthday Party’

From Sundance to the Piazza Grande: Bill Condon Talks J-Lo Indie Musical “Kiss of the Spider Woman”

Pink Paint & the Pleasures of Horror Cinema: Julie Pacino Talks “I Live Here Now”

Golshifteh Farahani: Exile from Iran, Necessity of Art & Full Body Action Cinema

“Sentimental Value” Screenwriter Eskil Vogt on Joachim Trier and Writing Nuance

Emma Thompson: “We Cried a Lot Making this Film”

Caroline Goodall: from Steven Spielberg to Lars von Trier to “The Princess Diaries”

Hollywood Legend Ben Burtt and the Sounds of “Star Wars”, “E.T.” and “Indiana Jones”

Producer Stacey Sher Talks “Pulp Fiction”, “Contagion” and Her Most Iconic Movies

Luca Marinelli: “When I Was Young, I Didn't Watch TV, I Watched Fellini”

Tim Blake Nelson on Boxing Movies, the Coen Brothers, and “Bang Bang”

Locarno Jury President Jessica Hausner Speaks About Her Films

A Conversation on AI Artmaking with Filmmaker Paul Trillo

“I Try Not to Lose the Battle for Humanity”: Edgar Pêra on His AI-Generated ‘Telepathic Letters’

Irène Jacob Reflects on “Three Colors: Red” After 30 Years and Speaks New Films

Lina Soualem on Palestinian Grief and Making Films With and About Family

A Seamstress Caught in a Drug Deal Gone Wrong: Freddy Macdonald on the World of “Sew Torn”

A Very British Approach to Time Travel: Alice Lowe on “Timestalker”

Ehsan Khoshbakht: Telling the Story of Columbia Pictures

Payal Kapadia: “A Night of Knowing Nothing” to “All We Imagine As Light” to Jury Duty at Locarno77