DiscoverMidday MoviesEp 268: Japanese Folkloric Horror & the War-Torn Wilds of “Onibaba” (1964)
Ep 268: Japanese Folkloric Horror & the War-Torn Wilds of “Onibaba” (1964)

Ep 268: Japanese Folkloric Horror & the War-Torn Wilds of “Onibaba” (1964)

Update: 2025-10-21
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In this episode of Midday Movies, hosts Laura and Stephen dive deep into the 1964 Japanese art house horror film “Onibaba.” Set in war-torn medieval Japan the movie follows the grim story of two nameless women and a deserting soldier caught in a love triangle amidst the ominous tall reeds until the arrival of a samurai general in a demonic mask changes everything. With themes of survival, sin, and potentially supernatural elements, the film offers a stark critique of war and its dehumanizing effects. Amidst their discussion, Laura and Stephen break down the film's unique aesthetics, aggressive jazz soundtrack, and the characters' complex dynamics. They also explore the eerie socio-political backdrop of 14th-century Japan, punctuated by persistent civil wars and societal decay. Their conversation delves into the psychological and folkloric elements of the story, raising questions about what truly transforms people into monsters. Tune in for a comprehensive analysis of a classic that continues to resonate even after nearly 60 years.


00:00 Introduction to Midday Movies Podcast

00:09 Overview of Onibaba

01:13 Initial Impressions and Cultural Context

02:07 Setting the Scene: Medieval Japan

03:38 Character Analysis: The Nameless Women

04:06 Symbolism in Costumes and Actions

05:56 The Reeds: A Supernatural Element

08:01 Anti-War Themes in Japanese Cinema

08:51 Romantic Drama Amidst Chaos

10:37 The Power Dynamics and Survival

13:06 Survival and Family Dynamics

13:42 The Masked Samurai's Arrival

15:11 The Mother-in-Law's Plan

17:40 The Folklore of Oni Baba

20:24 Themes of War and Survival

23:36 Final Thoughts and Recommendations


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Ep 268: Japanese Folkloric Horror & the War-Torn Wilds of “Onibaba” (1964)

Ep 268: Japanese Folkloric Horror & the War-Torn Wilds of “Onibaba” (1964)

Laura Fones and Stephen Frothingham