🎞️🎞️🎞️ 早前在「銀幕香港Indie電影網上展」，一連展出了三部崔允信的作品，分別是《無花果》(2013)、《憂憂愁愁的走了》(2002)以及《三條窄路》(2009)，在這一集，我們跟導演詳談了三部電影的創作過程，以及今天當下觀賞這三部舊作的意義。討論的問題眾多，例如：

👉電影裡面的宗教意識相當明顯，導演自已是有宗教信仰呢？
👉三部電影均有外地取景，當年拍攝時有遇到困難嗎？
👉是不是一直只會拍獨立製作？
👉《憂憂愁愁的走了》還有另一個結局？
👉為什麼拍電影要趁年輕盡快拍？
👉這三部獨立電影有在香港或其他地方公開放映過嗎？
👉導演是如何根據劇本去拍攝電影呢？
👉三部電影的文本可以互讀嗎？
👉往後還有拍攝計劃嗎？
👉海外華人可以如何支持香港的獨立製作呢？

🎞️🎞️🎞️ Earlier, in the 'HKOS Indie Film Online Showcase,' we showed three films from director Vincent Cui: 'Fig' (2013), 'Leaving in Sorrow' (2002), and 'Three Narrow Gatess' (2009).  

In this episode, we discussed the creative process of these three films and the significance of watching these works today with the director. Many questions were discussed, such as:

👉 The religious consciousness inside the films is quite prominent. Does the director himself have a religious belief?
👉 All three films were shot in locations outside Hong Kong. Did the director encounter any difficulties during the filming?
👉 Does the director only focus on independent productions?
👉 Does 'Leaving in Sorrow' have an alternate ending?
👉 Why should one make movies when young and as soon as possible?  
👉 Have these three independent films been publicly screened in Hong Kong or elsewhere?
👉 How does the director shoot films based on the script?
👉 Can the texts of these three films be read about each other?
👉 Are there any future film projects?
👉 How can overseas Chinese support independent productions in Hong Kong?





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The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org.



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