Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Jay Cost. Jay is the Gerald R. Ford senior non-resident fellow at the American Enterprise Institute and the author of, most recently, James Madison: America's First Politician. Find him on Twitter/X at @Jay__Cost.

Jay's Music Pick: The Kinks
Haven't we done these guys already? We sure did! For the first (and possibly last) time, Political Beats has done something unprecedented and gone back to cover an artist for the second time. Why? Because frankly, our original Kinks take was Episode #7 (we're up to #130 now, seven years later), and we didn't know what we were doing with the format yet, didn't do the discussion justice, and frankly this should have been a two-part episode.

So now it is! Jay was great with us back in the day -- except for the part where we had to cut short the discussion because he had to pick up his kids from school -- so we've invited him back to do proper justice to Ray and Dave Davies, eternally warring brothers who fronted a band that started as the most mindlessly brutish of all the British Invasion '60s hitmakers ("You Really Got Me," "All Day And All Of The Night," "Tired Of Waiting For You," "Till The End Of The Day" -- all rockheaded classics) and then rapidly transformed into one of the most curiously intellectual bedsit-room British bands in history, as quintessentially "English" in the late Sixties and Seventies as The Band was effortlessly "American." The music during their early phase (discussed this week -- part two coming soon!) transforms from hitmaking international singles to insular, intensely well-written melodic and lyrical miniatures about English eccentrics and English life -- the sort of music that was destined to fail commercially in its moment but which later became (and remains) the subject of endless musical, emotional, and intellectual fascination. Join us then, as we take a second, far juicier bite at the apple and chronicle these glorious early years of growth for the Kinks, culminating in The Kinks Are the Village Green Preservation Society (1968), an album all about the seductions, perils, and aches of nostalgia. Later on, after this point, the Kinks would reemerge into the world at large, cultivating a massive international (and specifically American) fanbase during the Seventies and Eighties with a very different kind of music. But for now, get ready for stories of session men, insufferably perfect schoolboys, ugly urban tube stations at dusk, and utterly phenomenal cats as we take you back to the mysterious era known as "decline-phase late Sixties Britain" and discuss the last of the good old-fashioned steam-powered bands.