Born in Marseille in 1948, Malou Airaudo began her dance journey at just eight years old at the Opéra de Marseille’s ballet school. She later joined the opera’s ensemble and went on to perform with prominent companies, including the Ballet de Monte Carlo and Ballet Théâtre Contemporain, before eventually moving to New York. There, in 1971, she met Pina Bausch, who would invite her to join the newly formed Tanztheater Wuppertal in Germany two years later.

As a core member of the company, Malou played a pivotal role in the creation of some of Bausch's most iconic works, including 'Iphigenie auf Tauris' and 'Cafe Muller'. In addition to her work in Wuppertal, Malou continued to perform internationally, and in 1975, she co-founded the Paris-based company La Main. Teaching has also been a significant part of her career: in 1984, Bausch invited her to become a professor of Modern Dance at Folkwang Hochschule, and from 2012, she directed the university’s institute of contemporary dance.

Since 2018, Malou has been active in staging new productions of Bausch’s repertoire, including 'Iphigenie auf Tauris' at Dresden’s Semperoper, a process captured in the documentary Dancing Pina. She's also created her own work on the likes of Folkwang Tanzstudio, and hip-hop and breakdancers from pottporus company. In 2020, she collaborated with Germaine Acogny, the Senegalese dancer choreographer and teacher known as the mother of contemporary African dance, to create 'common ground[s]', a duet where they explore their shared histories and emotional experiences. Over recent years, Malou has continued to perform this deeply personal work, and as goes through its final run at Sadler’s Wells in London from November 6-10, I couldn’t wait to sit down with her to reflect on her amazing life and career.