DiscoverThe Authority FileExamining Sonic Citizenship, Remixing, and Multiculturalism in Soundin’ Canaan
Examining Sonic Citizenship, Remixing, and Multiculturalism in Soundin’ Canaan

Examining Sonic Citizenship, Remixing, and Multiculturalism in Soundin’ Canaan

Update: 2025-10-22
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In the third episode of this four-part series, Paul db Watkins, author of Soundin’ Canaan: Black Canadian Poetry, Music, and Citizenship, discusses themes of citizenship and multiculturalism examined in his book. He first digs into how he uses the word “sounded,” touching on music and poetry as acts of belonging and resistance. Next, he explores his adaptation of Vincent Andrisani’s concept of “sonic citizenship.” He argues that reading and listening to the artists featured in Soundin’ Canaan is a form of sonic citizenship as the reader explores the poets’ and musicians’ lived experiences as Canadian citizens, showcasing the malleability of cultural identity and multiculturalism. In closing, Paul relates ideas of citizenship to the practice of remixing or sampling music, highlighting Somali-Canadian artist K’naan’s song “Wavin’ Flag,” which grew to global significance when used by FIFA and remixed by international artists.


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Examining Sonic Citizenship, Remixing, and Multiculturalism in Soundin’ Canaan

Examining Sonic Citizenship, Remixing, and Multiculturalism in Soundin’ Canaan