The plight of Black farmers in America has a dark history. The trauma of stolen lands and exploited labor may explain why there are now relatively few Black and Indigenous people in farming, agriculture, or even within environmental activism. 

Leah Penniman is one farmer fighting to change that. Penniman explains that there’s a rising generation of Black and brown farmers reexamining their relationship to the land and reclaiming the farming and agricultural practices once held by their ancestors.  

Penniman, who is the co-founder of Soul Fire Farm, says that “Black farmers had already declined from 14% of the nation's farmers in the early 1900s to just about 1% today.”  As a result of racism and discrimination Penniman says, “millions of acres of land were lost out of the Black community, and with that so much intergenerational wealth and knowledge.” 

Penniman says her mission with Soul Fire Farms was to help end racism and injustice in the food system and explore and embrace of her own ancestral heritage to the land and agriculture; “nature as a source of spiritual connection permeates African diasporic thinking and very much informs the way we [operate] at Soul Fire, but also [how] the broader rising generation are conceptualizing our relationship to the land.”  

“The food system pertains to all of us. All of us eat, so all of us are connected. All of us are complicit, but also all of us have these immense opportunities to contribute to change as consumers in the food system.”

For over 20 years the Reverend Lennox Yearwood has also been fighting for racial and environmental justice. Born in Shreveport, Louisiana, Rev. Yearwood has always had a strong affinity for music; “all music, particularly hip-hop and jazz. R&B, the Blues… for me, music was really more a pathway to the soul, just a way to escape. Music is so uplifting, it's so encouraging, it's just so beautiful — particularly with instruments and singing.”  

Rev. Yearwood is President and CEO of the Hip Hop Caucus — a national nonprofit, nonpartisan organization which began in 2004 and leverages hip-hop culture to encourage young people to vote and participate in the democratic process. Rev. Yearwood’s passion for music ties into his environmental activism and his work on human rights issues in the Gulf Coast region after Hurricane Katrina. 

“Hip-hop’s roots are based in people who have been put in sometimes very difficult situations. They're using their cultural expression to shape their political experience. They’re talking about what they're going through, and they're trying to use music and culture to explain and sometimes bring light to situations.”  

“Chuck D said that [hip-hop] ‘became the CNN for those communities.’ And so … listening to that, hearing that music, and hearing the power behind it definitely drew me into wanting to be a part of it.” 

More: Chuck D on creating ‘naphic grovels,’ embracing mistakes (Press Play, 2023)

Rev. Yearwood is actively involved in seeking environmental justice.  He continually highlights racial disparities and heightens awareness of the social and economic issues that negatively impact Black people.  The Hip Hop Caucus’ short film Underwater Projects sheds light on the coastal urban flooding happening in Norfolk, Virginia — including its effects on a historically Black public housing community.  

Eternally hopeful and with a strong sense of faith, Rev. Yearwood is optimistic that things can be done to make life better: “When we come together, we do well. That's my prayer, that's what keeps me excited, motivated, and lets me know that at some point in time… That the power of humanity is just an amazing, beautiful thing.” 

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