DiscoverSwitched on PopHow Streaming Changed the Sound of Pop
How Streaming Changed the Sound of Pop

How Streaming Changed the Sound of Pop

Update: 2019-03-126
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Streaming hasn't just changed the way we listen to music, it's changed the way that pop music sounds. After years of losses due to the death of the CD and the rise of file sharing, the music industry has finally found a profitable business in streaming services. Streaming has overtaken all other music sales. Digital music platforms are the new Virgin megastore. But these services are more than just a distribution mechanism, they have created a whole new music economy. Album sales have been replaced by "album equivalent units," a business fiction that equates 1,500 streams to one physical sale. Artists are now effectively paid by the song. With ad-supported and subscription based business models, these platforms have upended incentives so significantly that it can be heard in the songwriting. Songs are getting shorter, albums are getting longer, and there is an entirely new section of the song that draws from the classical past: the "pop overture." In this episode, Nate and Charlie are joined by Aisha Hassan and Dan Kopf to unpack the sound of pop in the streaming era.  Be sure to check out their article on Quartz: "The Reason Why Your Favorite Pop Songs Are Getting Shorter."

Songs Featured
  • Lil Pump - I Love It
  • Benny Blanco - Eastside ft. Khalid & Halsey
  • Kodak Black - Calling My Spirit
  • Post Malone - Better Now
  • Leonard Bernstein - West Side Story Overture
  • Dua Lipa - One Kiss
  • Drake - God’s Plan
  • Post Malone - I Fall Apart
  • Ariana Grande - Nasa
  • Tommy Dorsey - All The Things You Are


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In Channel
Sounds Like Teen Spirit (with Elle Fanning)
Pop is inseparable from reality TV singing competitions. From Eurovision to American Idol, scores of stars got their start in singing competitions. We’ve long overlooked this influence on pop, but were inspired to look into the phenomenon by the release of Teen Spirit, a pop-musical film about a fictional singing competition . What is the history of these shows? Who got their big break on one? Is there a singing show musical aesthetic? We hit the books and records to find out, and the answers might surprise. Finally we speak with Elle Fanning, who plays contestant Violet in the film, about what it takes to train to be a singer primed for national fame. Songs DiscussedElle Fanning - Dancing On My OwnFrank Sinatra with The Hoboken Four on the Major Bowes Amateur HourGladys Knight on the Original Amateur HourAbba - WaterlooCeline Dion - Ne Partez Pas Moi Alanis Morisette on Star Search Girls Tyme with Beyoncé on Star SearchKelly Clarkson - A Moment Like ThisWhitney Houston - I Have NothingNina Simone - Feeling GoodJanis Joplin - Piece of My HeartSusan Boyle - I Dreamed A DreamElle Fanning - Don't Kill My Vibe (originally by Sigrid)Recommended listeningMavis Staples - AnytimeAnderson Paak - VenturaThe Beths - Future Me Hates MeMax, Quinn XCII - Love Me LessKhalid, John Mayer - Outta My Head* Correction: Though non-European countries do compete in Eurovision, Canada has not competed in the contest. Celine Dion represented Switzerland in her performance of "Ne Partez Pas Moi Celine" in 1988.Learn more about your ad choices. Visit megaphone.fm/adchoices
Billie Eilish is a Different Kind of Pop Star (ft. FINNEAS)
On a trajectory to be one of the biggest pop stars for this generation, seventeen year old Billie Eilish is not, however, your typical pop star. Her music speaks to the real anxieties of young people without any veneer. She sings from the perspective of monsters and villains. Her hushed voice, baggy style, and direct demeanor subvert the norms of the pop princess. And her music is dark, but still catchy. Billie co-writes and produces her sound with her older brother Finneas O’Connell. Together this family duo have crafted the second biggest selling album of 2019, “When We All Fall Asleep, Where Do We Go?”  On this episode, we examine how Billie and Finneas crafted a cultural phenomenon, why their message speaks to this generation, and we speak with Finneas about the creation of their hit song “Bad Guy.”Songs Featured: Billie Eilish - Ocean EyesBillie Eilish - BoredBillie Eilish - You Should See Me In A CrownBillie Eilish - Bad GuyBillie Eilish - Bury A FriendMarilyn Manson - The Beautiful PeopleThe Doors - People Are StrangeNine Inch Nails - CloserBillie Eilish - ilomiloBillie Eilish - All Good Girls Go To HellBillie Eilish - XannyFrank Sinatra - Dream A DreamBillie Eilish - I love youJohn Carpenter - Halloween ThemeBillie Eilish - Bellyache Watch Billie Eilish and Finneas break down “Bury A Friend” on The New York TimesLearn more about your ad choices. Visit megaphone.fm/adchoices
How Streaming Changed the Sound of Pop
Streaming hasn't just changed the way we listen to music, it's changed the way that pop music sounds. After years of losses due to the death of the CD and the rise of file sharing, the music industry has finally found a profitable business in streaming services. Streaming has overtaken all other music sales. Digital music platforms are the new Virgin megastore. But these services are more than just a distribution mechanism, they have created a whole new music economy. Album sales have been replaced by "album equivalent units," a business fiction that equates 1,500 streams to one physical sale. Artists are now effectively paid by the song. With ad-supported and subscription based business models, these platforms have upended incentives so significantly that it can be heard in the songwriting. Songs are getting shorter, albums are getting longer, and there is an entirely new section of the song that draws from the classical past: the "pop overture." In this episode, Nate and Charlie are joined by Aisha Hassan and Dan Kopf to unpack the sound of pop in the streaming era.  Be sure to check out their article on Quartz: "The Reason Why Your Favorite Pop Songs Are Getting Shorter."Songs FeaturedLil Pump - I Love ItBenny Blanco - Eastside ft. Khalid & HalseyKodak Black - Calling My SpiritPost Malone - Better NowLeonard Bernstein - West Side Story OvertureDua Lipa - One KissDrake - God’s PlanPost Malone - I Fall ApartAriana Grande - NasaTommy Dorsey - All The Things You AreLearn more about your ad choices. Visit megaphone.fm/adchoices
Stairway To Hell: Greta Van Fleet’s Scorching Album Review That Went Viral
Classic rock climaxed a half century ago, yet it still survives in two places: FM radio & Greta Van Fleet. The later are an upstart of four boys from Michigan who have found stardom by dusting off the mantle of guitar driven rock. Their latest album, Anthem Of The Peaceful Army, bares an uncanny sonic resemblance to Led Zeppelin. Jeremy D. Larson, senior editor of Pitchfork, gave the album a 1.6 out of 10 calling it "stiff, hackneyed, overly precious retro-fetishism." His vicious and hilarious takedown went viral and caused a rift amongst music fans on the internet. We ask Jeremy to join us to reveal what it means to earn such a bad review. After, we do something we've never done before: a track-by-track album breakdown. In a game of musical Pictionary, Charlie challenges Nate to find every Led Zeppelin reference on the album to answer the question: is it a copy or an homage? We have a feeling this will be a divisive episode... Songs Discussed:Greta Van Fleet - Age of ManLed Zeppelin - Rain SongLed Zeppelin - In The LightLed Zeppelin - What Is And What Should Never BeLed Zeppelin - Your Time Is Gonna ComeLed Zeppelin - Immigrant SongLed Zeppelin - Kashmir Greta Van Fleet - The Cold WindLed Zeppelin - Custard PieGreta Van Fleet - When the Curtain FallsLed Zeppelin - Wanton SongGreta Van Fleet - Watching OverLed Zeppelin - Since I've Been Loving YouGreta Van Fleet - Lover, LeaverLed Zeppelin - Whole Lotta LoveSpirit - TaurusMuddy Waters - You Need LoveSmall Faces - You Need LoveWillie Dixon - I Can't Quit You BabeGreta Van Fleet - You're the OneLed Zeppelin - What Is And What Should Never BeGreta Van Fleet - The New DayLed Zeppelin - Over The Hills And Far AwayGreta Van Fleet - Mountain of the SunLed Zeppelin - Celebration DayGreta Van Fleet - Brave New WorldLed Zeppelin - Achilles Last StandGreta Van Fleet - AnthemLed Zeppelin - TangerineLover Leaver (Taker, Believer)Read the Pitchfork review of Greta Van Fleet's Anthem Of A Peaceful ArmyLearn more about your ad choices. Visit megaphone.fm/adchoices
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How Streaming Changed the Sound of Pop

How Streaming Changed the Sound of Pop

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