Would Prince Have Wanted His Rough Drafts Made Public?

Dissecting the 2020 Grammy Nominations

Taylor Swift, Lizzo, Lana Del Rey: Pop Stars (and Their Fans) Clap Back

Can Reality Television Produce a Plausible Rap Star?

Kanye West’s ‘Jesus Is King,’ From the Gospel Perspective

The Rise of DaBaby, From Memes to the Mosh Pit

The Highwomen, Miranda Lambert and the Women Invigorating Country Music

Is 100 gecs the End of Pop, or a New Beginning?

A New Flood of English-Spanish Pop Is Here. Is It Opportunism or Progress?

How Does Post Malone Sound Like Everything and Nothing?

Young Thug Gets His Due, But Is It Too Late?

What’s the Point of Album Covers in the Post-Album Era?

Is Taylor Swift’s ‘Lover’ the Beginning or the End of an Era?

A Tribute to David Berman, Who Never Hid His Truth

Funkmaster Flex and Tyler, the Creator’s Unlikely Buddy Comedy

How Many Streams Is a T-Shirt Worth? Breaking Down Chart Dilemmas.

The Loudness of João Gilberto, Bossa Nova’s King of Quiet

How Hootie & the Blowfish Inspired Both Love and Hate

Taylor vs. Scooter: The Pop Music Civil War of 2019

The Unexpectedly Deep Musical Roots of Hootie & the Blowfish