Reynold Mackey: “When you pick up the globe, you feel time.”

Neil Allen: “Making a map in isolation is never a good idea.”

Hap Wilson: “If there’s no risk then there’s no adventure, right?”

Erick Ingraham: “I guess I gravitate towards difficulty.”

Stephen Walter: “Maps are inherently political if they’re interesting.”

John Tauranac: “I seldom think macroscopically; I think microscopically.”

Andrew Middleton: “There’s something poetic about running a map store.”

Lionel Portier: “What I'm trying to convey with my maps is the pleasure of seeing beautiful things.”

Isaac Dushku: “A map has to evoke a feeling of adventure or a feeling of home.”

Sam Usle: “Slowly but surely we’re starting to recover the built environment.”

Naomi Rosenberg: "Get out of your sighted bubble.”

Matthew Dean Shaffer: “My approach is to try and be as accurate as possible.“

Jamshid Kooros: “These maps are based on walking, walking, walking.”

David Kulbeth: “It's taken so long to get everything just right because there's no guidebook to this.”

Sophie Parr: “I have to mathematically scale it, plan it, sketch it, draw it.”

Lee France: “It was fun to try to achieve those paper map elements in this new digital space.”

Gregor Turk: “I always focused on the map’s ability to simultaneously represent and distort reality.”

Tom Patterson: “Right now is the golden age of cartography.”

Melinda Clarke & Deborah Young Monk: “The beauty of the whole project is that we had no idea what we were doing.”

Neil Gower: “Twice a week I’ll make a mark on paper and think ‘I wouldn’t want to be doing anything other than what I’m doing.”