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OEITH #114 Liber Somnia (The Book of Dreams)

OEITH #114 Liber Somnia (The Book of Dreams)

Update: 2021-07-17
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In this episode we take a wide-angle view on dreams and dreaming, and consider the significance of dreams that just keep coming back: the importance of personal notebooks; Mervyn Peake and the awakening of my imagination; the creation of reality from imagination; sharing the vision; the Gormenghast books: their possible roots in biographical influences, and the paradoxical realism of Peake's fantasy; Peake's impact on my dream-life; spontaneous recall of dreams during meditation; how dreams are experienced largely through memory; not "remembering" but "coming back"; an experience of a recurrence of dreams about demons; the puzzling nature of these experiences; the tendency to view dreams as individual, isolated events; the timelessness of dreams; the fallacy of "the present moment"; the idea that some dreams might return because we are always dreaming them; the element of déjà vu in these experiences as a possible indication of an encounter with the timeless; "the present moment" as unfindable; embracing the eternal "then"; recurring dreams as a possible compensation for an exclusive focus on the "now"; the various uses of dreams in magick; the tendency here also to regard dreams as isolated events; the possibility of taking a wider view; going beyond the "now"; an example: a dream of the two cemeteries; how the dream varies, but the underlying structure is the same; distinguishing these dreams from recurring dreams in trauma: "cannot understand" versus "needing to understand"; an outline of the structure of the dream of the two cemeteries; the horrors and dangers of the old and semi-buried; possible biographical elements in the dream; the failure to find a specific interpretation of the dream; the cessation of the dream as a possible clue to its nature; dreams of this type as long-term processes; fallow periods on the magical path and some advice on this; the concept in Buddhism of "near-enemies"; art as the "near-enemy" of magick; distinguishing between magick and art; the status of the artefact; the creation of Liber Somnia and its methodology; arrival at a list of the dreams I am always dreaming; the dreams as a possible map of the soul's long-term processes; two categories of themes, and the themes therein; "Baltimore in the early morning": Lacan's metaphor for the unconscious; dreams that keep coming back as a recurrence of thoughts that have no thinker; the "double whammy" when a gifted artist performs magick; how a "hypersigil" is not the result of a working.


Joe Hunt (2013). "The Dark Side of Positive Emotions Is Hidden in Plain Sight", https://tinyurl.com/y8fbhhmu (medium.com).


Jacques Lacan (1966). "Of Structure as an Inmixing of an Otherness Prerequisite to Any Subject Whatever", https://tinyurl.com/sw66tdk5 (blogspot.com).


Mervyn Peake (1999). The Gormenghast Trilogy. London: Vintage.



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OEITH #114 Liber Somnia (The Book of Dreams)

OEITH #114 Liber Somnia (The Book of Dreams)

Duncan Barford