RSR292 - Scott Michael Smith - From Score to Studio to Sound Stage for Mank, The Handmaid’s Tale, and The Invisible Man
My guest today is Scott Michael Smith a Grammy nominated Mixer, Producer, and musician based in Los Angeles working largely in music for the screen. Scott got his start at the legendary Village Recording studio in Los Angeles where he became a staff engineer, working with artists like John Mayer, Keith Emerson, Colbie Caillat, Carole King, Fink and many others. He spent countless hours in the studio learning from guys like Ed Cherney, John Alagia, and T-Bone Burnett while honing his own skills as an Engineer/Producer.
For over a decade Scott has been one of Hollywood's most in-demand film music mixers. Recording and Mixing scores for projects like The Revenant, The Handmaid's Tale, It Chapter 2, Minions, The Invisible Man, and many more. Recently Scott completed work on Mank, the new David Fincher period piece featuring the music of Trent Reznor and Atticus Ross of Nine Inch Nails, the entire score was done in isolation during the pandemic.
Scott is known for his ability to bridge the gap between modern film scoring and record production, helping to create a sound that serves what's happening on screen while creating an immersive and rewarding listening experience at the same time. Scott has also recently composed music for Marvel 616, a behind the scenes look at the history of Marvel, streaming now on Disney+.
Thanks so much to Andris Evelis at JZ Microphones for making our introduction. I’m excited to talk about recording and mixing music from the studio to the orchestral hall on the show today.
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