How many engineers can you fit on a podcast? Pete, John and Brandon talked about the good and bad of a shared studio, Atmos mixing and mastering, how to make great bass, vinyl records, and why their worst day is better than most jobs' best days!

My guests today are Pete Lyman, John Baldwin & Brandon Towles mixing, mastering, and cutting vinyl at Infrasonic Sound East here in Nashville.

Pete Lyman who has been a guest on episode RSR165 is a GRAMMY-nominated mastering engineer, and owner of Infrasonic Mastering, an audio and vinyl mastering studio with locations in Los Angeles, CA and Nashville, TN. Pete’s digital and vinyl mastering career spans thousands of titles with clients like Chris Stapleton, Jason Isbell, Brandi Carlile, Sturgill Simpson, John Prine, Weezer, Panic! At the Disco and more.  

John Baldwin is a GRAMMY-nominated mastering engineer based in Nashville, TN. In 2010 John launched John Baldwin Mastering out of a studio he built in his house, eventually moving to Historic RCA Studio A. John joined the Infrasonic Mastering roster in 2021, bringing a wide spectrum of genres and skills, including restoring and remastering from vinyl and tape. His discography includes artists such as Nancy Sinatra, Deer Tick, Emmylou Harris, The Jesus Lizard, Sly Stone, The Stone Roses, Margo Price, Delta Spirit, and many others INCLUDING Twiggs II a record I produced at The Toy Box Studio.

Brandon Towles is a Mixing Engineer and Assistant/Engineer/All Around Good Guy to multi-Grammy winner F. Reid Shippen. Originally from Georgetown, KY, after traveling the country for a few years, Brandon landed in Nashville to work with Reid and Infrasonic Immersive. He has Co-Mixed and Assisted on projects for artists including Dierks Bentley, Keke Palmer, Parker McCollum, The Aces, Kenny Chesney, and many more. Outside of music, Brandon loves playing basketball, the Detroit Lions, and very, very short walks on the beach.

Thank you to Raelynn Janicke for setting this interview up!

︎︎Scroll down to listen︎︎