DiscoverWe Need to Talk About OscarSetting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea
Setting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea

Setting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea

Update: 2024-07-09
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Next up on the show, Áron’s joined by Kristi Zea, a production designer whose work we’re sure you’ve come across over the years!
Kristi’s previous projects include Martin Scorsese’s Goodfellas or The Departed, Jonathan Demme’s The Silence of the Lambs or Philadelphia, and Sam Mendes’ Revolutionary Road. Her latest is Christy Hall’s feature directorial debut, Daddio.
The themes covered in this episode include the difficulties and advantages of shooting on a stage, a production designer's collaboration with the director and the cinematographer, plus the thought-provoking relationship between directing style and career decisions.

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Setting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea

Setting up a film to be shot solely in a taxi, with 'Daddio' production designer Kristi Zea