DiscoverFrom the Bimah: Jewish Lessons for LifeTalmud Class: The Ideas and the Art Behind a Penitent's Higher Place
Talmud Class: The Ideas and the Art Behind a Penitent's Higher Place

Talmud Class: The Ideas and the Art Behind a Penitent's Higher Place

Update: 2025-09-27
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“In the place where penitents stand, even the completely righteous cannot stand.” Berakhot 34B

 

Last week we encountered this Talmudic teaching which privileges the struggle, the growth, the journey, the learning, of the person who realized they were not living their best life, and they embarked upon teshuvah to live a better life.

 

This week we are going to double click on this teaching that prizes struggle and growth in two ways.

 

One, what are the ideas behind it? We will see the perspectives of an arch rationalist (Maimonides), the Hasidic master Rebbi Nachman of Bratslov, and the founder of the Chabad-Lubavitch movement, the Alter Rebbe, who authored a work called The Tanya. Each has a different interpretation as to why struggle and growth are prized.

 

Two, what does artwork that celebrates this kind of struggle and growth look like? We will examine works of Yoko Ono, Wish Tree, Frida Kahlo, The Two Fridas, and Yayoi Kusama, Infinity Mirrors. What do each of these works of art say about the journey of the soul that is teshuvah?

 

May Shabbat Shuvah, and the teshuvah we each do in this season, bring us ever closer to the person we hope to become.


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Talmud Class: The Ideas and the Art Behind a Penitent's Higher Place

Talmud Class: The Ideas and the Art Behind a Penitent's Higher Place

Temple Emanuel in Newton