In this episode of the Fascism on Film Podcast, we look at Mr. Klein (1976), Joseph Losey’s haunting story of identity, complicity, and erasure in Nazi-occupied France.

Alain Delon plays Robert Klein, a Paris art dealer who lives comfortably off the desperation of others, buying paintings and possessions from Jewish families needing to flee persecution. He’s charming, detached, and perfectly suited to the opportunism of wartime Paris until the day a Jewish newspaper arrives in his mail, addressed to “Mr. Klein.”

Trying to prove he is not that Mr. Klein, he enters a maze of bureaucracy that slowly consumes him. What begins as a misunderstanding becomes an obsession and, finally, a collapse of identity.

Losey’s film moves between realism and dream. Mirrored rooms double Klein’s reflection, a grotesque cabaret mocking Jewish caricatures, and the quiet efficiency of the French police preparing for the 1942 Vel’ d’Hiv roundup. Beneath the surface elegance lies what we call the “machinery of murder” a portrait of fascism carried out through paperwork, compliance, and silence.

We discuss how Mr. Klein reveals fascism not as spectacle but as routine, and how easily a society can lose its moral center when categorizing people for persecution becomes routine bureaucracy.

Watching it today, the parallels are chilling. Join us as we unpack Mr. Klein, a story that asks what happens when the system decides who you are and how easily anyone can disappear inside it.