Episode 100: A Moon for the Misbegotten by Eugene O'Neill

Host: Douglas Schatz
Guest: Beth Wynstra

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A Moon for the Misbegotten is the last play that Eugene O’Neill wrote. It is in some way a eulogy for his brother, Jamie O’Neill, who like the character of Jim Tyrone in this play, drank himself to death. In fact, it is also an epilogue of sorts to his autobiographical masterpiece Long Day’s Journey into Night, where we first met Jim Tyrone. It is eleven years later, and Jim is about to leave the family home in Connecticut following the death of his parents, but not before saying a final goodbye to the woman who lives next door, Josie Hogan. Josie and Jim have unacknowledged feelings for each other, but their tortured moonlit night together does not offer them the salvation or future that they may have thought possible.
As we record this episode, a new production of A Moon for the Misbegotten is playing at the Almeida theatre in London, and I am delighted to be joined by O’Neill expert, Beth Wynstra, to explore what one American critic called ‘a major minor-masterpiece”.

To mark our 100th episode listeners have a chance to win £100 of theatre tokens – visit https://www.theplaypodcast.com/100-a-moon-for-the-misbegotten-by-eugene-oneill/  for details on how to enter!