"To Be or Not to Be" was made during the war, not after—a rare example of a Hollywood film that mocked Hitler and the Nazis while the outcome of the war was still uncertain. The U.S. had just entered WWII following the attack on Pearl Harbor (December 1941), and the mood of the nation was tense and somber.

At the time, making jokes about Hitler and concentration camps was controversial. Many critics (including the New York Times’ Bosley Crowther) objected to the tone, accusing Lubitsch of bad taste. But others defended the film as a brilliant weapon against totalitarianism. As time passed, the film’s reputation grew enormously.

It’s now considered a masterpiece of wartime satire and is frequently cited as one of Ernst Lubitsch’s greatest achievements—and one of the finest examples of antifascist comedy ever made.



As the first season of Fascism on Film reaches its penultimate episode, James and Teal look at the ways in which comedy and farce is used to critique the dangers of fascism, and its absurdities.