Late Gandharan Chronology: The 3rd to 6th Century Period, Concluding Discussion

On the Chronology of Stupa Relic Practice in Afghanistan and Dharmarajika, Pakistan, and its Implications for the rise of Popularity of Image Cult, How Can We Use Inscriptions to Help us Date Gandhāran Art?

Welcome and Introduction, Numismatic Evidence and the Date of Kanishka, Buddhist Art’s Late Bloomer: The Genius and Influence of Gandhara

Recent Archaeological Excavations and their Relevance to Chronology

On Some Similarities between Gandharan Toilet-Trays and the Earliest Buddhist Art of Northern India

The Maker’s Share in the Making of the Greek City

Individuality and Innovation in Greek Sculpture: A View from the Athenian Agora

Craft Apprenticeships and Multi-Craft Competencies in Classical Antiquity

Transmission and Transformation of the Visual Repertoire: The Vase-Painter’s Choices

Working the Makers or Making the Workers? Agency and Status in Athenian Sculpture

Response

Collingwood, Agency, and the Archaeological Imagination: Style as Intention in Late Classical Attic Sculpture

The Maker's Share in Ancient Greek Art: Welcome and Introduction

The Foundry Cup

Beware of Athenians Signing Pots

Positioning Gandharan Buddhas in Chronology: Significant Coordinates and Anomalies

Is it Appropriate to Ask a Celestial Lady's Age?

Style as a Fragment of the Ancient World: A View from the Iron Age Levant and Assyria

Treasures of Oxford - Athenian Wine Drinking Cup