Werner Herzog BioSnap a weekly updated Biography.

The world is suddenly talking about Werner Herzog again and not just in whispered appreciation of his cinematic extremities but as headline news and a trending topic. Just days ago Werner Herzog joined Instagram, and it is the precise kind of event that merits both earnest coverage and ironic fascination. He opened his account with the sort of dry, philosophical greeting that only he could deliver, noting he has long resisted media and does not use a cellphone, but felt compelled to finally open “a window” onto his world. According to JoBlo.com and IMDb News, this surprising embrace of social media from the German master known for his disdain of all things digital has sent film circles and fans buzzing. Social chatter on Threads and TikTok quickly picked up, with users sharing clips of his inaugural video and calling it a watershed moment for filmmakers of his generation—the steely voice of “Grizzly Man,” now literally only a follow button away.

In a fortuitous bit of timing, the Eye Filmmuseum in Amsterdam is presenting a sweeping retrospective and exhibition of Herzog’s films, including rare screenings and exclusive interviews with longtime collaborators. As part of this, his celebrated 3D documentary Cave of Forgotten Dreams is drawing crowds, with buzz in Dutch and international film press suggesting that Herzog’s continued relevance is not just nostalgic but felt in the contemporary discourse. There’s also increased talk of Herzog’s ongoing project output, with cinephiles speculating about an as-yet-unnamed feature reportedly in pre-production—though reports beyond screening and exhibition appearances remain unconfirmed.

On the cultural conversation front, Herzog’s latest book is being discussed in The New Republic and other outlets, with reviewers focusing on how his meditations on truth, filmmaking, and artificial intelligence feel eerily prescient in the post-truth digital age. The New Republic describes Herzog as accommodating, or almost bemused, by new realities of deepfakes, AI voice mimics, and digital doubles—a stance that lands differently now that he has, in a sense, become one more avatar in our feeds.

To cap it off, Herzog was featured in the high-profile debut episode of La Biennale di Venezia’s new “La Biennale on Air” podcast, with his segment offering typically Herzogian insights on art, danger, and the need to inhabit worlds beyond facts. As Variety and La Biennale’s own communications confirm, the convergence of this podcast, his Instagram debut, his new book, and the Eye Filmmuseum retrospective has made late September 2025 a veritable Herzog season—remarkable for an 83-year-old iconoclast who, by all accounts, still has no plans to slow down.

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