Phil Tippett updates us on the state of his personal projects, and his view on AI

What it's like to run a visual effects studio in China

The painterly art and tech behind stop-motion animated 'The Girl Who Cried Pearls'

Infinite Realities on the path to 4G gaussian splatting in digital human capture

Saint Walker on the new Core Skills of VFX Handbook 2025

Discussing a new era in visual effects with Phantom Media Group

The art and tech behind the body morphing in 'Together'

What the role of CTO involves at Wētā FX

How The Roddenberry Archive is preserving 'Star Trek' history

Paul Franklin reflects on the VFX of 'Interstellar'

Behind that crazy creature work in the finale of 'The Umbrella Academy'

What exactly does the role of a visual effects producer involve?

How they made the new 'Lilo & Stitch'

The surprising use of visual effects in season 6 of 'The Handmaid's Tale'

How Steamroller Animation made a 30 min animated pilot episode in Unreal Engine

Version Zero AI has a splines output solution for AI/ML rotoscoping

The latest machine learning side of Silhouette

AI and ML in VFX from a VFX artist/supervisor point of view

Behind the development of Slapshot's AI roto and generative retiming tools

Where Wonder Dynamics has now gone with its AI VFX tools