Digest

This bonus episode of Sound Opinions features hosts Jim DeRogatis and Greg Cott discussing Miles Davis's 100th birthday and his 1972 jazz-funk fusion album, "On the Corner." Cott highlights the album's funk and avant-garde influences, its initial negative reception, and its contemporary sound. The discussion also touches on the album's production, its significant artwork by Mati Klarwein, and the track "Black Satin." The episode is supported by Goose Island Beer Company and includes a listener's story about scoring Cubs playoff tickets in 1984, described as a "most Chicago thing."

Outlines

00:00:00

Introduction and Miles Davis's "On the Corner"

Jim DeRogatis and Greg Cott introduce a bonus episode focusing on Miles Davis's 100th birthday and his controversial 1972 jazz-funk fusion album, "On the Corner." They discuss the album's initial misunderstanding and its contemporary relevance, influenced by funk and avant-garde styles.

00:01:17

Listener Story and Album Details

Supported by Goose Island Beer Company, the podcast shares a listener's "most Chicago thing" story about obtaining Cubs playoff tickets in 1984. The discussion then delves into the production of "On the Corner," its unique jams, wah-wah effects, and the significant artwork by Mati Klarwein, intended to represent Black culture.

00:09:04

"Black Satin" and Conclusion

The episode features the track "Black Satin" from "On the Corner," discussing its influence and appeal. One host admits a preference for "Kind of Blue," indicating varying levels of appreciation for Davis's diverse discography.

Keywords

Q&A

• What is the "Desert Island Jukebox" segment on Sound Opinions?

  It's a recurring feature where each host selects a song they consider essential, a track they couldn't live without if stranded on a desert island, offering insight into their musical tastes.

• Why is Miles Davis's album "On the Corner" considered controversial?

  Released in 1972, "On the Corner" blended jazz with funk and rock elements, a departure from traditional jazz. Critics at the time largely disliked its experimental sound, deeming it a low point in his career.

• What were the main influences on Miles Davis's "On the Corner"?

  The album was heavily influenced by the funk of Sly Stone and James Brown, as well as avant-garde jazz artists like Ornette Coleman. This fusion created a unique and challenging listening experience.

• How is the artwork for "On the Corner" significant?

  The cover art, created by Mati Klarwein, depicts Black people on a street corner. Miles Davis specifically requested the album be "about and for black people," making the artwork a crucial part of the album's message.

Show Notes