chris stapleton Podcasts

Discover the captivating life story of one of country music's most acclaimed artists in the "Chris Stapleton Biography Flash" podcast. Delve into the personal and professional journey of this Grammy-winning singer-songwriter, as we explore the milestones, influences, and creative evolution that have propelled him to the forefront of the genre. Hear exclusive insights, anecdotes, and behind-the-scenes accounts that paint a vivid portrait of the man behind the music. Whether you're a longtime fan or new to the world of Chris Stapleton, this podcast promises a compelling and in-depth exploration of the remarkable life and career of a true country music icon. Join us as we uncover the "Chris Stapleton Biography Flash" and gain a deeper understanding of the artist who has captivated audiences worldwide.For more info go to https://www.quietperiodplease....Check out these deals https://amzn.to/4mMClBv

A podcast on the sacred, the profane, and everything in between, co-hosted by Emily and Chris Chapman and Kate and Casey Stapleton. visitationsessions.substack.com

For nearly three decades, Chris Caggs has been one of Australia’s most recognisable voices in Hip Hop, RnB, Dance, and EDM broadcasting. Aged 48, Chris is a veteran Radio DJ, Music Programmer, and Podcaster whose career spans 16 permanent radio stations and syndication across 200+ community stations nationwide through the Community Radio Network (ComRad Satellite). His signature show, Shakedown Radio, continues this legacy—delivering the hottest RnB, Hip Hop, Dance, House, and EDM from Australia and around the world. Chris’ radio journey began in July 1998 on Pump FM 99.3FM Sydney, Australia’s first Hip Hop & RnB community station. Co‑hosting with Mista‑C, he helped shape Sydney’s urban music sound as Pump FM evolved into Dance Radio 99.3FM and later relaunched as Dance FM 94.5FM in August 2000. Later in 1998, Chris joined DJ‑FM 87.6FM, a 24/7 dance station serving Sydney’s Inner City and CBD under the Roberts Media Group. Working alongside Frank Chiment, Antonio Avati, Joe Avati, Susie Stapleton, Dave Einfield, Andre Waitsman, Joe Corte, Rob Brizzi and more, he contributed to a powerhouse lineup supported by Central Station Records, Telstra, Carlton & United Breweries, Noizenet, Pulse Music, SBA Music, and marketing lead Rebecca Tynan. From October 1999, Chris joined Groove FM 96.9 Sydney, hosting breakfast and weekend shows and contributing to music programming under Darren Leigh, Mike Scott, and Fabrizio Vilardo. He continued with the network during its May 2000 broadcast period on Groove FM 94.5, expanding his on‑air presence and shaping the station’s dance and urban identity. Chris returned again for a further broadcast period on Groove FM 94.5 from December 2000 to January 2001, helping define the station’s summer programming. During these years he worked with Australian media personalities including Andrew G (Channel [V], The Bachelor, The Masked Singer), Bessie Bardot, Rene Rivkin, DJ Nino Brown, Georgina Reed, Sam Boutros, Natasha Zuvela (MTV), Yvette Duncan (MTV), Zoe Naylor (MTV), and more. In 2000, Chris expanded to Queensland as breakfast host and music programmer for the launch of Groove FM 97.3 Brisbane, collaborating with Fez Lateef (Added Flava), Adrian Day, Dustin & Anna, Patrick Donohue, Scott Ferris, DJ Kina, Kristian Hernandez and others. From 1996–2006, Chris was a long‑running presenter on 2RDJ 88.1FM in Sydney’s Inner West, playing Hip Hop, RnB, and Dance alongside MC Maurice, DJ Alex K (Klubbed Up), DJ Fly Girl Tee, Ms Hennessey, Lorraine Alex and more. Between 2001–2003, he hosted Thursday Flavours and filled in for Soulscope with Georgina Reed. Radio Stations Featuring Chris Caggs • OZZ Mixx Dance Radio (Melbourne) • V1Radio – Dance/EDM (Melbourne) • 4Play FM – Dance/EDM (Queensland) • Tune 1 Radio – House/EDM (Perth) • Starter FM – House/EDM (Sydney) • Liquid Radio – House/EDM (Sunshine Coast) • Urban Movement Radio – RnB/Hip Hop (Brisbane) • MixxBosses Radio – Music/Talkback (Sydney) • Str8OUT Radio – Dance (Melbourne) • Mix It Up Radio – RnB/Dance (Brisbane) • Pump FM 99.3 – Dance/RnB (North Shore) • 2NSB FM 99.3 (Northside) • 2RDJ‑FM 88.1 (Burwood, Sydney) • DJ‑FM 87.6 – Dance Radio (Sydney CBD) • Groove FM 97.3 (Brisbane Metro) • Groove FM 94.5 & 96.9 (Sydney Metro) Media Features & Press Chris Caggs has appeared in: • Request Magazine • Radio Info Newsletter • The Place Magazine (North Queensland) • Player FM • The Music Network • Groove ON MEDIA • Revolver Magazine • Three‑D World Magazine (Sydney) • Scene Magazine (Brisbane) • The Queensland Independent • North Shore Times Shakedown Radio continues Chris’ mission: championing the best in RnB, Hip Hop, Dance, and EDM while celebrating the culture, artists, and communities that shaped his career. Tune in weekly for mixes, interviews, classics, and fresh new music from one of Australia’s most enduring and passionate radio voices.

A business podcast for solopereneurs, entrepreneurs, and dreamers who want to build a lifestyle business that supports their lifestyle. Here we cover marketing, sales, and mindset issues that matter to you.

I'll host and interview an iconic Texas songwriter each podcast which we'll tape the 3rd Sunday of each month. Gary P. Nunn, a Texas legend as a songwriter and performer who calls Marble Falls home, agreed to be our first guest. He talked about the early days of the Texas outlaw movement, The Lost Gonzo Band, and his songs which have been recorded by the greats like Willie Nelson and Chris Stapleton. One part of the podcast mission is to remember the greats who were part of the Marble Falls musical legacy. Montessori school cofounded by Willie Nelson and his wife, Annie, first at his ranch in Spicewood and later moved to Marble Falls. Burnet County is the birthplace of Oscar J. Fox, composer of popular cowboy songs like "Old Paint," "The Chisholm Trail," and "The Hills of Home," The community was also home to Floyd Tillman. I had the honor and the pleasure of getting to know Floyd Tillman beginning in 1987, when we co-hosted Floyd Tillman's Pickin' in the Park in my hometown of Marble Falls / Highland Lakes Area. Several in my community have organized to keep alive his legacy by creating a songwriters group. Yes, he's a member of the CMA Hall of Fame. We'll meet the 3rd Sunday of each month at Brass Halland tape a blog on songwriting and hold a songwriter's open mic (Songwriter's Meeting, Blog Taping and Open Mic). We'll create a listening room environment with no football games on the screen and nobody shooting pool. Coach Darrell Royal's Rules apply, listen or leave, which would make my mentor Kent Finlay smile. Email me if you want to be involved (info@johnarthurmartinez.net) or just show up. --john Arthur martinez

Chris Stapleton is a name that resonates deeply in the world of music, celebrated for his remarkable talent, emotional depth, and genre-blending artistry. A singer, songwriter, and guitarist, Stapleton has captivated listeners with his soulful voice and authentic storytelling. His journey from the coal-mining roots of Kentucky to becoming one of the most revered figures in modern music is a testament to hard work, raw talent, and a deep respect for musical tradition. Born on April 15, 1978, in Lexington, Kentucky, Chris Stapleton grew up in the small town of Staffordsville. His father, Herbert Stapleton, worked as a coal miner, while his mother, Carol Stapleton, worked at the local health department. This working-class upbringing shaped his grounded and resilient character. Music surrounded him from a young age, with gospel hymns in church, bluegrass jams in the community, and the classic country sounds of Willie Nelson, George Jones, and Waylon Jennings filling his home. As he grew older, his musical horizons expanded to include rock legends like Led Zeppelin and The Allman Brothers Band, creating a diverse palette of influences. Though deeply passionate about music, Stapleton initially pursued a more traditional path, enrolling at Vanderbilt University in Nashville to study engineering. However, it became clear to him that his heart lay elsewhere. He left school to follow his true calling, diving headfirst into Nashville’s vibrant music scene in 2001. Stapleton’s career began as a songwriter, a path that allowed him to develop his craft in the competitive Nashville industry. Signed to Sea Gayle Music, he quickly became one of the most sought-after songwriters in town. His ability to write across genres was evident in the success of his songs, which were recorded by artists ranging from George Strait and Kenny Chesney to Adele and Brad Paisley. Over his career, Stapleton has written or co-written over 170 songs, including chart-toppers like “Never Wanted Nothing More” for Chesney and “Drink a Beer” for Luke Bryan. This songwriting success laid the groundwork for Stapleton’s eventual transition to performing his own material. Before stepping into the solo spotlight, Stapleton gained invaluable experience as the frontman for two notable bands. In 2007, he joined The SteelDrivers, a bluegrass group that achieved both critical acclaim and commercial success. With Stapleton’s distinctive voice at the helm, the band brought a fresh, soulful energy to bluegrass, earning Grammy nominations and a dedicated fanbase. Songs like “If It Hadn’t Been for Love” showcased his ability to blend traditional Appalachian sounds with modern sensibilities. After leaving The SteelDrivers in 2010, Stapleton explored a different side of his musical identity with The Jompson Brothers, a Southern rock band that leaned into gritty, electrified energy. Though the band didn’t reach mainstream success, it further honed Stapleton’s performance skills and set the stage for his solo career. The turning point in Stapleton’s career came with the release of his debut solo album, Traveller, in 2015. Recorded at RCA Studio A in Nashville and produced by Dave Cobb, the album is a blend of country, rock, and blues that reflects Stapleton’s diverse influences and personal experiences. The album’s introspective tone was shaped in part by the death of Stapleton’s father, an event that deeply affected him. Tracks like “Fire Away” and “Tennessee Whiskey” showcase his unparalleled ability to channel raw emotion into his music, drawing listeners into a world of heartbreak, resilience, and hope. Traveller debuted at No. 2 on the Billboard 200 and quickly climbed to No. 1 following Stapleton’s performance with Justin Timberlake at the 2015 CMA Awards. Their rendition of “Tennessee Whiskey” and “Drink You Away” was a cultural moment that introduced Stapleton to a wider audience, highlighting his emotive voice and magnetic stage presence. The album went on to win multiple awards, including CMA Album of the Year and a Grammy for Best Country Album, solidifying Stapleton’s place as a leading voice in country music. Following the success of Traveller, Stapleton released two albums in 2017: From A Room: Volume 1 and From A Room: Volume 2. Both albums were recorded in the same iconic studio and continued his tradition of blending genres and crafting deeply personal songs. Tracks like “Broken Halos” and “Millionaire” became fan favorites, showcasing his knack for combining vulnerability with strength. The albums earned critical acclaim, with Volume 1 winning a Grammy for Best Country Album. In 2020, Stapleton released Starting Over, an album that reflected themes of resilience, love, and hope during a turbulent time. Written and recorded amid the COVID-19 pandemic, the album feels especially introspective, with songs like “Cold” and “Joy of My Life” resonating deeply with listeners. The album further cemented Stapleton’s reputation as a master storyteller and a beacon of authenticity in the music world. Stapleton’s artistry extends beyond his music. Known for his humility and grounded personality, he credits much of his success to his wife, Morgane Stapleton, a fellow singer-songwriter and his creative partner. Morgane’s harmonies and input have been integral to Stapleton’s work, and their partnership is a cornerstone of his personal and professional life. Together, they have built a life centered on family, creativity, and a shared love of music. Chris Stapleton’s impact on modern music is profound. He has redefined contemporary country music by bridging its roots with elements of rock, blues, and soul, attracting a wide and diverse audience. His authenticity and refusal to conform to industry expectations have made him a standout figure, respected by critics and adored by fans. Beyond his accolades and achievements, Stapleton’s music resonates because it is real—rooted in emotion, tradition, and a genuine love for the craft. As he continues to tour, write, and record, Stapleton remains a symbol of resilience and creativity. His journey, from a small town in Kentucky to the pinnacle of the music industry, is a testament to the power of perseverance, talent, and staying true to oneself. For Stapleton, music is not just a career—it’s a way of life, a medium through which he connects with the world and shares his soul. As listeners eagerly await his next chapter, one thing is certain: Chris Stapleton’s voice will continue to inspire and move audiences for years to come. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

The Lia Show is heard across the country every night, Monday-Saturday, bringing country music fans closer to their favorite country artists! Several times a week, Lia lights up the "Spotlight" which features intimate and exclusive interviews with stars like Carrie Underwood, Keith Urban, LIttle Big Town, Luke Bryan plus some of Nashville's hottest new artists like Chris Stapleton, Cam and Kelsea Ballerini.

The Number One and premiere new country chart on the planet. Listen to the top up and comers in Country Music. Since inception of The Iceman’s Top 40 New Country Artist Countdown hosted by syndicated premier personality ‘The Iceman’, a number of Artists that have been played or appeared on the chart early in their career have broke into the mainstream. Kane Brown, Chris Stapleton, Maddie & Tae, LoCash, Old Dominion, Lindsey Ell, Luke Combs, and Kelsea Ballerini are just a handful of Artists he advocated for before their big break. This has contributed to The Iceman successfully becoming the go to person for the best up and coming New Country Music. TheIceman.net

The 2024 CMA Awards are shaping up to be one of the most highly anticipated events in country music, with Morgan Wallen, Post Malone, and Beyoncé at the center of the conversation. With Wallen leading the nominations, the country music scene is seeing a mix of established artists and cross-genre influences, thanks to collaborations like his track with Post Malone. While Wallen and Malone are being celebrated for their work, the notable absence of Beyoncé from the nominee list, despite her country-inspired efforts on Cowboy Carter, has fueled conversations about inclusivity in the genre. Morgan Wallen’s Dominance Morgan Wallen's journey to leading the 2024 CMA Awards nominations is a testament to his growing influence in the country music scene. Wallen received seven nominations, including some of the most prestigious categories, such as Entertainer of the Year, Album of the Year, and Male Vocalist of the Year. His work on singles like "I Had Some Help" with Post Malone and his latest album have resonated with both fans and critics alike. The track, which also features Eric Church, has become a favorite for its unique blend of country and Malone’s more pop-centric sound. Wallen’s nomination for Entertainer of the Year puts him in competition with Luke Combs, Chris Stapleton, and Lainey Wilson, among others. His massive fanbase and continued success on both country and mainstream charts make him a frontrunner in several categories. Post Malone’s Country Crossover Post Malone’s involvement in the CMAs this year signals a shift in the country music landscape. Known primarily for his work in hip-hop and pop, Malone’s collaboration with Wallen on "I Had Some Help" shows how genre boundaries are becoming increasingly fluid. The song has been praised for its blending of country and modern production styles, giving it an appeal that stretches beyond traditional country fans. His inclusion in the Single of the Year and Music Video of the Year categories marks a significant achievement for an artist typically outside the country genre. The decision to nominate Malone showcases the CMAs' willingness to embrace cross-genre collaborations, a move that could widen the appeal of country music and attract more diverse audiences. Beyoncé’s Snub: A Point of Contention The biggest controversy surrounding the 2024 CMA nominations is the absence of Beyoncé, despite her efforts to tap into country music with her album Cowboy Carter. While her track “Father’s Prayer” was considered a potential contender for Song of the Year and Female Vocalist categories, Beyoncé was ultimately left out of the nominations. Her snub has sparked discussions about how the country music industry defines the boundaries of its genre. Beyoncé’s mix of country themes with R&B and pop elements seemed to push the envelope of what qualifies as country music, but the CMA’s decision to overlook her work suggests that more traditional elements may still take precedence in the nomination process. Fans of the singer have expressed disappointment, pointing to past controversies over diversity and representation within country music award shows. The absence of Beyoncé has furthered ongoing debates about what country music should look and sound like in 2024. With artists like Post Malone finding success in blending genres, many wonder why the same recognition hasn’t been extended to Beyoncé, despite her clear efforts to respect and incorporate country traditions into her work. Chris Stapleton and Lainey Wilson: Strong Contenders Beyond the drama surrounding Beyoncé and the buzz around Wallen, several other artists are poised for success at this year’s CMAs. Chris Stapleton, one of the most respected voices in country music, is a strong contender for Album of the Year with Higher and Male Vocalist of the Year. Stapleton’s blend of soulful vocals and traditional country roots has continued to earn him accolades, making him a favorite in multiple categories. Lainey Wilson, who is up for both Entertainer of the Year and Female Vocalist of the Year, has had an exceptional year. Her album Bell Bottom Country has been praised for its modern take on classic country themes, and her stage presence has made her one of the standout entertainers of the year. With Wilson’s star continuing to rise, she could be a surprise victor in the top categories. Other Key Nominations and Performances to Watch The 2024 CMA Awards also feature a range of exciting nominations across different categories. Kacey Musgraves is another standout, with nominations for Album of the Year with Deeper Well and Female Vocalist of the Year. Musgraves has consistently pushed the boundaries of country music, blending indie and pop influences with her distinct lyrical style. Meanwhile, Jelly Roll, who has found mainstream success with his unique mix of country, rock, and rap, is up for several awards, including Album of the Year for Whitsitt Chapel and Male Vocalist of the Year. His ability to navigate between genres while maintaining a country ethos makes him one of the most intriguing figures in the current music scene. The New Artist of the Year category also promises to be highly competitive, with artists like Megan Moroney and Zach Top vying for the honor. This category often signals the future of country music, and all the nominees have shown significant promise with fresh takes on the genre. The Shift in Country Music’s Sound The 2024 CMA Awards signal a continued evolution in country music’s sound and appeal. The growing inclusion of genre-blending collaborations like those between Wallen and Post Malone, as well as the diversification of artists like Jelly Roll, demonstrates how country music is expanding its horizons. Traditional country elements remain, but there is an increasing willingness to embrace influences from hip-hop, rock, and pop. This shift has not been without controversy, as seen in the discussion surrounding Beyoncé’s snub. For purists, the integration of outside genres may seem like a dilution of the classic country sound, but for others, it represents the genre's growth and ability to stay relevant in a rapidly changing musical landscape. A Look Ahead: What to Expect at the CMAs As the November 20th ceremony approaches, the 2024 CMA Awards promise to be a celebration of both the traditional and the modern in country music. Performances by nominated artists like Morgan Wallen, Lainey Wilson, and Chris Stapleton are sure to be highlights of the night, showcasing the best of what country music has to offer. All eyes will be on Morgan Wallen and his potential to dominate the night, but surprises could come from artists like Lainey Wilson or Jelly Roll, both of whom have the potential to make major waves. The collaboration between Wallen and Post Malone, as well as the absence of Beyoncé, will also be key talking points, as they represent two sides of the genre’s evolving identity. In an industry often defined by its tradition, the 2024 CMA Awards may very well reflect the growing trend of country music’s blend with other genres, opening the door to new audiences and further expanding its cultural relevance. Thanks for listening and remember to like and share wherever you get your podcasts,

Michael Horn brings you today's hottest business, health and entertainment news! Live across America, with a humorous twist on pop culture and the latest news, The Lounge keeps you informed and entertained. LIVE - Mondays & Fridays from 4:00-5:00 PM PST

The scaled down 60 minute version of the Top 40 show with a few surprises. The Iceman counts down the weekly Top 10, gives his pick of the week and an artist was played by him before breaking out in country music. Coming LIVE from Nashville. There are New Country Charts, Then there is THE PREMIERE New Country Chart where you go to hear tomorrow's country music stars today hosted by The Iceman, the last man standing in the world of Throwback Radio Personalities. Hear tomorrow's stars today! A number of Artists that have been played or appeared on The Iceman’s chart early in their career have broken into the mainstream. Kane Brown, Chris Stapleton, Maddie and Tae, LOCASH, Lindsay Ell, Old Dominion, Maren Morris, Brothers Osborne, Midland, Morgan Wallen, LANco and Luke Combs are just a handful of Artists he advocated for before their big break. This has contributed to The Iceman successfully becoming, the go-to radio personality for the best up and coming New Country Music.

Last night’s FireAid benefit concert was an unforgettable display of music, unity, and resilience, bringing together some of the biggest names in the industry to support the communities affected by the devastating Southern California wildfires. Held across both the Kia Forum and the newly opened Intuit Dome, the concert was a sold-out event, with fans, first responders, and families of those impacted coming together in an emotional night of performances and heartfelt tributes. The evening served as both a fundraiser and a moment of collective healing, where music became a conduit for hope, strength, and solidarity. The event kicked off with an acoustic set from Billie Eilish and her brother Finneas, setting a reflective and intimate tone as they performed “Everything I Wanted” and a hauntingly beautiful rendition of “Ocean Eyes.” The crowd fell into an almost reverent silence, absorbing every note as Eilish’s soft yet powerful vocals filled the venue. She dedicated the performance to the families who had lost their homes, her voice heavy with emotion. As the set concluded, she urged the audience to continue supporting relief efforts, emphasizing the long road to recovery many families would face. Katy Perry took the stage next, bringing an entirely different energy as she launched into an electrifying performance of “Firework.” The anthemic song, already known for its uplifting message, took on new meaning in the context of the evening. As pyrotechnics illuminated the stage, the crowd roared, their voices merging with Perry’s in a moment of defiant joy. She later slowed things down with a powerful rendition of “Rise,” her voice soaring as images of first responders battling flames were projected onto massive screens. The emotional weight of the performance was palpable, and many in the audience wiped away tears as Perry spoke about the bravery of those who had risked their lives to protect others. One of the most unexpected and talked-about moments of the night came when Gwen Stefani, looking radiant in a sparkling red ensemble, took the stage alongside Green Day for a surprise collaboration. Together, they delivered a high-energy punk-infused version of No Doubt’s “Just a Girl,” with Billie Joe Armstrong injecting a raw intensity that had the crowd screaming along. The unlikely pairing was electric, a moment of pure rock and roll chaos that left the audience buzzing with excitement. Over at the Intuit Dome, the atmosphere took on a more reflective tone as Lady Gaga performed an emotionally charged version of “Shallow,” her voice echoing through the vast space as images of fire-ravaged neighborhoods appeared on the screens behind her. As she reached the song’s dramatic climax, the audience erupted in applause, many visibly moved by the sheer passion in her performance. Later in the night, Gaga returned to the stage, this time sitting at a grand piano bathed in soft golden light, to perform “Always Remember Us This Way,” dedicating it to the families who had lost loved ones in the fires. Her performance was heartbreakingly beautiful, a moment of stillness amid an otherwise high-energy evening. Stevie Nicks followed with a spellbinding set, opening with “Landslide,” a song that resonated deeply with an audience that had experienced such profound loss. Her ethereal voice carried through the venue, and as the crowd softly sang along, there was a tangible sense of unity. She later invited Rod Stewart to join her for a duet of “Leather and Lace,” their voices blending seamlessly in a performance that felt timeless. The two music legends, standing side by side, represented an era of rock and roll that still held sway over audiences of all ages. Stewart later returned for a lively rendition of “Forever Young,” bringing a renewed energy to the night and a message of hope for the future. Throughout the event, interwoven between performances, were deeply personal stories from first responders, survivors, and families who had been impacted by the fires. Videos played on massive screens, showcasing their resilience and gratitude. Firefighters who had worked tirelessly to battle the blazes shared their experiences, speaking of the lives they saved, the homes they fought for, and the heartbreak of the ones they couldn’t protect. A particularly emotional moment came when a family who had lost their home in the fires took the stage, their young daughter clutching a stuffed animal that had been one of the few things they were able to save. As they expressed their gratitude for the support they had received, the crowd responded with a standing ovation, many visibly moved. In between the tributes and performances, the spirit of the evening remained high, with artists coming together for unexpected collaborations. At the Kia Forum, Brandi Carlile and Chris Stapleton delivered a soul-stirring duet of “The Joke,” their harmonies weaving together in a moment of pure musical magic. Meanwhile, over at the Intuit Dome, the Red Hot Chili Peppers ignited the crowd with a fiery performance of “Give It Away” and “Under the Bridge,” their signature high-energy presence turning the concert into a full-blown rock show. Anthony Kiedis, shirtless as always, moved across the stage with an infectious energy, while Flea’s bass lines reverberated through the venue. As the night drew to a close, the grand finale brought together an all-star ensemble for a moving rendition of “Lean on Me.” P!nk, Joni Mitchell, Foo Fighters, and the night’s earlier performers joined forces, their voices blending in a powerful, unifying moment. As the entire arena swayed together, illuminated by the glow of thousands of phone lights, there was a profound sense of connection in the air. The concert had been more than just a benefit—it had been a testament to the resilience of the human spirit, a celebration of the power of community, and a reminder that even in the darkest of times, music has the ability to heal. As the final notes faded and confetti rained down from the rafters, the audience lingered, unwilling to let the night end. There was a feeling that something special had just happened—something that went beyond a simple concert. The FireAid benefit had succeeded not only in raising funds for those in need but also in creating a night of unity, remembrance, and hope, proving once again that when people come together for a common cause, the impact can be extraordinary. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”

FEEL ME LolWhats up my name is JT!Your official orator, your designated duke of narration, your royal of random rhetoric.Letting niggas know off top, my topics tend to vary, if you looking for youtube channel where some fat dude is going to post 17 videos a week talking about magic gathering cards and only that or some nappy headed nigga wearing kente cloth with a green ,red and black afro pick in his hair is waxing poetic about how evil the white man is then this isny for you, this is my stand alone channel , where everything is up for discussion, no holds bardsNow click that subscribe button, click that share button and curl up in your sear and enjoy the show😊😊😊The People's Paradise Podcast Home site where you ca ALSO listen to the audio version LIVE  and talk with me 👇👇http://www.spreaker.com/show/the-peoples-paradise_1Soundcloud website: Listen to Dumbass CLICK share by The Peoples Paradise #np on #SoundCloudhttps://soundcloud.com/the-peoples-paradise/dumbass-click-shareFacebook Profile https://www.facebook.com/jttheboldestdream/Twitter Profile https://twitter.com/JTsboldestdream?s=09Viral Tagwords: The Vlogbrothers' Dear Hank & John ,Anna Akana and Brad Gage's Explain Things To Me ,Jenna Marbles and Julian Solomita's aptly titled Jenna Julien Podcast, Meghan Tonjes and Keith Battista's Adventures in Roommating Kingsley and Miles Jai's #deceased Not Too Deep with Grace Helbig vlogs, disney movies , disney, disney channel, logic 1-800, wonder woman, chocolate chip cookies, how to bake chocolate chip cookies,bake cookies, how to speak publicly, pixar theory, podcasts, philip defranco show, fouseytube vlog, brilliant idiots, Late Night with Seth Meyers, The Late Show with Stephen Colbert, The Late Late Show with James Corden, Team Coco, Jimmy Kimmel Live,The Tonight Show Starring Jimmy Fallon, TheEllenShow, Ear Biscuits, Not Too Deep, ariana grande interview, drake interview, dave chappelle interview, charlie puth interview, kendall jenner interview, kylie jenner interview, Arsenal, ariana grande, arsenal fan tv, alissa violet,americas got talent, body like a black road, congratulations, chris stapleton, cake flo rida, craving you, craig morgan,crash into me dave matthews, crash and burn thomas rhett,dirt on my boots, jon pardi,drinking problem song, drowning a boogie, despacito justin bieber,ed sheeran shape of you, everyday we lit,fighter keith urban,god your mama and me, greatest love story,help me help you,the breakfast club power 105.1, lil yachty, lil pump, ugly xxx tentacion, brilliant idiots, assassins creed, pirates of the caribbean, disney songs, movie Reviews, movie podcasts, xo tour , lil uzi vert, , Push me to the edge ,All my friends are dead ,I remember syrup sandwiches , i'm jealous i'm overzealous, all you gotta do is stay lyrics,  i got issues lyrics, can't keep my d in my pants,Make me a believer, taking up a fraction of my mind lyrics,Can't keep my dick in my pants,got a girl from the southside got braids in her hair,in new york i milly rock,i'm in love with your body,Believer lyrics, baby there's nothing holding me back lyrics, wanna follow where she goes,  darling just hold on, I spy with my little eye, Circle of life lyrics, only wanna hear love songs,  do you slide on all your nights like this, Stay woke, i'm not just a pretty girl, We should take this back to my place, you just want attention, Daylight i wake up feeling, Send me your location, Molly percocet, just a young gun with a quick fuse, I dont wanna live forever , You see money, 2u,Despacito Quiero respirar tu cuello despacito Deja que te diga cosas al oído Para que te acuerdes si no estás conmigo Despacito, Percocet molly, That’s why I need a one dance Got a Hennessy in my hand One more time ‘fore I go Higher powers taking a hold on me, So, baby, pull me closer In the backseat of your Rover That I know you can’t afford, I got broads in Atlanta,that girl is a real crowd pleaser,...

Counting down the week's Top Ten Alternative Songs (According to Billboard)