UnderScore

Marty & Will at long last break their podcast quarantine and ask "was there anything beautiful in this strange and frightening year?". download Catching Up: The Quarantine Musical excerpts from:Onward (2020) - Mychael Danna & Jeff Danna - Pixar Animation Studios (Dan Scanlon, dir.)Soul (2020) - Trent Reznor & Atticus Ross, Jon Batiste - Pixar Animation Studios (Pete Docter, dir.)The Last of Us Part II (2020) - Gustavo Santaolalla - Naughty Dog (Neil Druckmann, dir.)Star Wars: The Rise of Skywalker (2019) - John Williams - Lucasfilm Ltd. (J.J. Abrams, dir.)and featuring songs from: Silk Sonic, Dua Lipa, Arizona Zervas, Surfaces, Clairo, Hamilton, and Cuco For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please leave a review at Apple Podcasts or share with someone you love.

After focusing on Herbert Stothart's fantastic underscore, we bring our attention back to the magical songwriting partnership of Harold Arlen and E.Y. Harburg. The song score to The Wizard of Oz is unlike any other, built from infectious melody, peerless lyrics and surprising structure. Moving piece by piece through Arlen & Harburg's work brings us face to face with some of the most classic songs of the 20th century. 80 years since the film's release, titles like 'Ding-Dong! The Witch is Dead', 'Follow the Yellow Brick Road', and 'If I Only Had a Brain' continue to be indispensable to our cultural lexicon. We chart the development of the many Oz songs, along the way uncovering music removed from the final cut of the film (but thankfully not lost to history). Today's episode is an absolute bash; we can't wait for you to join us in celebrating this stunning score of scores. Listen to episode 8m3 The Merry Old Land of Oz The Wizard of Oz -Herbert Stothart (score), Harold Arlen & E.Y. Harburg (song score) - 1939 - Metro Goldwyn Mayer (Victor Fleming, et al, dir,) The Wizard of Oz in Full Score - Herbert Stothart, Harold Arlen, E.Y. Harburg - Omni Music Publishing (conductor score) https://omnimusicpublishing.com/product/oz/ The Wizard of Oz - Original Motion Picture Soundtrack [Deluxe Edition] - Warner Archive Collection https://itunes.apple.com/us/album/wizard-oz-original-motion-picture-soundtrack-deluxe/1455918173 IMDB https://www.imdb.com/title/tt0032138/ ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

We devote today's episode to the Academy Award-winning underscore to The Wizard of Oz and its composer Herbert Stothart. His musical tapestry is a technicolor extravaganza itself - lavish, sensitive and irreplaceable.  Written with a stunning lack of ego, Stothart's score pushes powerful musical ideas into the spotlight, be they melodies of songwriter Harold Arlen, inspired excerpts from classical literature or the ingenious inventions of the composer himself. This is a score that takes advantage of every potential musical moment to lift the film upwards and upwards - to quote lyricist E.Y. Harburg - "to a place behind the sun, just a step beyond the rain..." Join us as we revisit the wonderful world of Oz, courtesy of Mr. Herbert Stothart. Listen to episode 8m2 Introducing Herbert Stothart The Wizard of Oz -Herbert Stothart (score), Harold Arlen & E.Y. Harburg (song score) - 1939 - Metro Goldwyn Mayer (Victor Fleming, et al, dir,) The Wizard of Oz in Full Score - Herbert Stothart, Harold Arlen, E.Y. Harburg - Omni Music Publishing (conductor score) https://omnimusicpublishing.com/product/oz/ The Wizard of Oz - Original Motion Picture Soundtrack [Deluxe Edition] - Warner Archive Collection https://itunes.apple.com/us/album/wizard-oz-original-motion-picture-soundtrack-deluxe/1455918173 IMDB https://www.imdb.com/title/tt0032138/ ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

We are ecstatic to begin our next film subject, The Wizard of Oz (1939), arguably the most magical film ever produced. At the heart of our movie is a song that changed the world. "Over the Rainbow" is one of the most lauded, most performed, and most beloved pieces of music we know of and our dive into the film begins with a conversation centered on this Arlen & Yarburg-penned standard. We discuss the special history of the song and the way in which it vividly paints our heroine Dorothy's inner world. What began 80 years ago as a humbly staged song on a Kansas farm has become a powerful anthem around the world - built not from bombast but from melodic beauty, harmonic depth, and lyrical aspiration. Join us as we explore and celebrate the song that speaks to the dreamer in us all - "Over the Rainbow". Listen to episode 8m1 Over the Rainbow The Wizard of Oz -Herbert Stothart (score), Harold Arlen & E.Y. Harburg (song score) - 1939 - Metro Goldwyn Mayer (Victor Fleming, et al, dir,) The Wizard of Oz in Full Score - Herbert Stothart, Harold Arlen, E.Y. Harburg - Omni Music Publishing (conductor score) https://omnimusicpublishing.com/product/oz/ The Wizard of Oz - Original Motion Picture Soundtrack [Deluxe Edition] - Warner Archive Collection https://itunes.apple.com/us/album/wizard-oz-original-motion-picture-soundtrack-deluxe/1455918173 IMDB https://www.imdb.com/title/tt0032138/ ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today's Reel Change concludes our delightful dive into the history of the Movie Musical. We continue our travel backwards in time, as we step song by song down memory lane. We hope today's selections (by no means intended as an exhaustive 'greatest of' list) spark joy in the way only great movie musicals can. Join us and be prepared - you may find yourself suddenly and uncontrollably bursting into song. [Note: This 2-part podcast focuses on songs from live-action Movie Musicals. A future Reel Change will cover the wonderful tradition of music from Animated Musicals]. Listen to Reel Change: The Movie Musical (Part II)  Today's Selections: Little Shop of Horrors “Little Shop of Horrors” (music: Alan Menken, lyrics: Howard Ashman) Annie “Maybe” (music: Charles Strouse, lyrics: Martin Charnin) Grease “You’re the One that I Want” (John Farrar) Willy Wonka & the Chocolate Factory “Pure Imagination” (Leslie Bricusse / Anthony Newley) Hello Dolly “It Only Takes a Moment” (Jerry Herman) The Sound of Music “The Sound of Music” (music: Richard Rodgers, lyrics: Oscar Hammerstein) Mary Poppins “A Spoonful of Sugar” (Richard Sherman / Robert Sherman) The Music Man “Marian the Librarian” (Meredith Wilson) West Side Story “Something’s Coming” (music: Leonard Bernstein, lyrics: Stephen Sondheim) Carousel “If I Loved You” (music: Richard Rodgers, lyrics: Oscar Hammerstein) Calamity Jane “The Deadwood Stage” (music: Sammy Fain, lyrics: Paul Francis Webster) Singin' in the Rain “Singin' in the Rain” (music: Nacio Herb Brown, lyrics: Arthur Freed) Annie Get Your Gun “They Say It's Wonderful” (Irving Berlin) Meet Me in St. Louis “The Boy Next Door” (Hugh Martin / Ralph Blane) ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today's Reel Change begins a delightful dive into the history of the Movie Musical. For a twist, we start in the present day and move backwards in time, step by step, song by song in a most melodious walk down memory lane. We hope today's selections (by no means intended as an exhaustive 'greatest of' list) spark joy in the way only great movie musicals can. Join us and be prepared - you may find yourself suddenly and uncontrollably bursting into song. [Note: This 2-part podcast focuses on songs from live-action Movie Musicals. A future Reel Change will cover the wonderful tradition of music from Animated Musicals]. Listen to Reel Change: The Movie Musical (Part I)  Today's Selections: Mary Poppins Returns “Nowhere to Go but Up” (music: Marc Shaiman, lyrics: Marc Shaiman & Scott Wittman) The Greatest Showman “A Million Dreams” (Benj Pasek / Justin Paul) LaLa Land “City of Stars” (music: Justin Hurwitz, lyrics: Benj Pasek, Justin Paul) The Last Five Years “Nobody Needs to Know” (Jason Robert Brown) Les Miserables “Castle on a Cloud” (music: Claude-Michel Schönberg, French lyrics: Alain Boubil, English lyrics: Herbert Kretzmer) Sweeney Todd “Pretty Women” (Stephen Sondheim) Enchanted “That’s How You Know” (music: Alan Menken, lyrics: Stephen Schwartz) How the Grinch Stole Christmas “Christmas, Why Can’t I Find You” (music: James Horner, lyrics: Will Jennings) Robin Hood: Men in Tights “Marian” (music: Hummie Mann, lyrics: Mel Brooks) Newsies “King of New York” (music: Alan Menken, lyrics: Jack Feldman) Dick Tracy “More” (Stephen Sondheim) ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today Marty & Will get together for an unedited chat over one of their favorite pieces of recent film music - the songs & score to Marc Shaiman & Scott Wittman's Mary Poppins Returns. download Catching Up: Mary Poppins Returns Mary Poppins Returns (2018) - Marc Shaiman & Scott Wittman - Walt Disney Pictures (Rob Marshall, dir.) https://www.imdb.com/title/tt5028340/ For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today Marty & Will turn their attention to some of their own compositional work, starting with the pieces used as theme music for UnderScore. This is the first in a new series of episodes (Composer's Corner) where composers will share the inspirations, approaches and backstories to their own unique music. Thank you so much for another great year of movie-music podcasting. We look forward to the exciting year ahead - happy holidays! download Composer's Corner: The Music of UnderScore Find the music from today's episode: Marty www.martybmusic.com Bandcamp Soundcloud iTunes  Spotify  Will www.williambmusic.com Bandcamp Soundcloud iTunes Spotify see also:  Super Marcato Bros Honeytone Music For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

It is our immense pleasure to share our conversation with Audio Engineer/Composer Alan Snelling. [Excerpts of this interview were included in our arc of episodes devoted to the score to STAR WARS - we are delighted to be sharing the full extent of our conversation with you on today’s podcast]. Alan began his career in the late seventies as the assistant to audio engineer Eric Tomlinson at Anvil Studios in Denham, England, where he shortly became involved in such landmark projects as Star Wars, Alien, and Superman (to name but a few). In our delightful and long-ranging chat, Snelling recounts unforgettable stories from the recording sessions of these treasured films. Along the way, we'll encounter the likes of George Lucas, Steven Spielberg, Richard Donner, Jerry Goldsmith, Hans Zimmer, and the composer who left perhaps the greatest impact on Snelling and Tomlinson - John Williams. Alan is an incredible craftsman, phenomenal storyteller, and an incredibly generous human being; experiencing his wisdom is a true privilege. Enjoy!  Listen to Interview: Alan Snelling Return of the Jedi (1983) - John Williams - 20th Century Fox (Richard Marquand, dir.)   -The Return of the Jedi The Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)   -Lando's Palace The Great Train Robbery (1978) - Jerry Goldsmith - United Artists (Michael Crichton, dir.)   -No Respectable Gentleman Star Wars (1977) - John Williams - 20th Century Fox (George Lucas, dir.)   -The Land of the Sandpeople   -Inner City   -Main Title   -Rescue of the Princess   -Cantina Band   -The Desert and the Robot Auction   -The Princess Appears Dracula (1979) - John Williams - The Mirisch Corporation (John Badham, dir.)   -To Scarborough The Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)   -The Training of a Jedi Knight Raiders of the Lost Ark (1981) - John Williams - Paramount Pictures (Steven Spielberg, dir.)   -A Thought for Marion / To Nepal Brideshead Revisited (1981) - Geoffrey Burgon - Granada Television (Charles Sturridge, Michael Lindsay-Hogg, dir.)   -Julia's Theme Ladyhawke (1985) - Andrew Powell - Warner Bros./20th Century Fox (Richard Donner, dir.)   -Phillipe Describes Isabeau  Star Wars (1977) - John Williams - 20th Century Fox (George Lucas, dir.)   -The Throne Room and End Title The Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)   -The Wampa's Lair / Vision of Obi-Wan/Snowspeeders Take Flight   -Jedi Master Revealed / Mynock Cave   -The Imperial March E.T. the Extra-Terrestrial (1984) - John Williams - Warner Bros (Richard Donner, dir.)   -The Departure Superman (1978) - John Williams - Warner Bros (Richard Donner, dir.)   -Leaving Home [5M3]   -Prelude / Main Title March   -Can You Read My Mind (Alternate Instrumental)   -The Flying Sequence A Pinprick of Light (2018) - Alan Snelling - Stranger Than Paradise Prod. (Kasra Karimi, dir.)   -Manfred's Room Alan Snelling http://www.up4loud.com/ https://www.imdb.com/name/nm0811074 ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast  

Marty & Will craaaawl back from the dead just in time to for a listening party of some spooktacular Halloween movie music. Ready your candle and brave this dark corridor with us for there's something lurking in the shadows, something ghostly.. What was that?... From whence comes this chilling sound?... What terrifying harmony... Yet what ethereal melody... I'm drawn helplessly closer... prisoner to the music of this dark & evil night. Bwahahaha... Happy Halloween everyone - thanks for listening! To accompany today's podcast we've prepared a Spotify playlist featuring many of the pieces listened to (see below). Enjoy! download Listening: Happy Halloween UnderScore Podcast Playlist ■ HALLOWEEN (Spotify link) ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today’s the day! After 5 episodes exploring the context & composition of this historic, world-changing score we’re finally ready to sit down to watch 1977’s STAR WARS in its entirety. As mentioned previously, our commentary corresponds to the original theatrical cut of the film. At the moment this is a difficult copy to obtain commercially, but is available in a few sources including the special features of the 2006 DVDs, pre-1997 VHS and laserdisc copies and various fan preservation editions online. The snare drum rolls of Alfred Newman’s 20th Century Fox opening fanfare should be a helpful sync point for lining up your audio. Thank you so much for listening - producing these episodes has been a profound and humbling experience that has left us forever changed. Here we go... #maytheforcebewithyou #always #thankyouforlistening Listen to episode 7m4 The STAR WARS Commentary STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,) Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score) https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1& IMDB https://www.imdb.com/title/tt0076759/?ref_=nv_sr_5 ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today we conclude our cue-by-cue exploration of the score to STAR WARS (1977). Picking up where we last left off, we enter the final half of the film and continue to marvel at John Williams' genius for orchestration, timing, melody, story and audience. Pouring over this underscore has been the most profound and fulfilling experience we could ever hope to have on the podcast. Join us as we step into film & music history as we prepare for next week's full-length audio commentary. #maytheforcebewithyou #always #thankyouforlistening Listen to episode 7m3B Spotting Session for STAR WARS (Part II) STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,) Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score) https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1& IMDB https://www.imdb.com/title/tt0076759/?ref_=nv_sr_5 ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today's interlude is devoted to the only piece in the score to STAR WARS composed not for placement in the film, but as a stand alone movement for soundtrack and concert. We explore the exquisite orchestration of John Williams and the unforgettable portrayal of Carrie Fisher that together continue to bring life & wonder to this timeless character. #maytheforcebewithyou Listen to episode Interlude: Princess Leia's Theme (soundtrack suite) STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,) Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score) https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1& IMDB https://www.imdb.com/title/tt0076759/?ref_=nv_sr_5 Academy of Scoring Arts - Highlights 5/20/16 (with David Cripps) https://www.youtube.com/watch?v=2qqynrTkSSk ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

We've arrived at another Spotting Session - the moment in our film study where we move cue by cue through every piece of underscore. To commemorate the size, substance and significance of John Williams' STAR WARS, today's entry will be the first in a 2-part Spotting Session. This episode will take us from Alfred Newman's 20th Century Fox Fanfare up to the midpoint of the film - the Millenium Falcon's flight out of Mos Eisley, en route to Princess Leia's homeworld of Alderaan. We revel in exploring the rich orchestrations and story-driven composition of one historic cue after another, calling upon conversations from several of our past guests (including Conrad Pope, Joe Kraemer, and assistant audio engineer on the STAR WARS score, Alan Snelling). This is as unabridged and intentional an examination of the score as we could fathom. Full disclosure: we were left somehow even more riveted by this landmark 1977 work and can only hope you'll feel the same. Please enjoy this voyage inside this John Williams musical masterpiece. #maytheforcebewithyou Listen to episode 7m3A Spotting Session for STAR WARS (Part I) STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,) Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score) https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1& IMDB https://www.imdb.com/title/tt0076759/?ref_=nv_sr_5 ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

With the exuberant Main Title still ringing in our ears, we turn our attention today to the many character themes that populate the underscore of John Williams' STAR WARS (1977). Examining this music uncovers a masterclass of melodic writing for film: from the short jingle-like motifs for the Rebel starships & Imperial soldiers to the lyrical, upward reaching anthems for Princess Leia and spiritual master Obi-wan Kenobi. We explore what each of these themes reveals of their characters, marveling at their ingenious & complementary expressions of rhythm, pitch, harmony and emotion. To help us in our discovery, we are joined by Dr. Jefferson Campbell, world-renowned Bassoonist and professor at the University of Minnesota-Duluth, where he continues to instruct on film music. Dr. Campbell is an authority on the music of the STAR WARS saga, frequently presenting his lecture "John Williams: The Other Star Wars Storyteller". With Dr. Campbell's help, we take a historical glance at the franchise, appreciating the seeds Williams plants in this first film - seeds he continues to water & nurture 40 years onward. We also delight in placing some attention on lesser-sung themes of this original film; equally memorable motives that never again appear in the saga (in fact, we even listen to Williams' unused first draft of an iconic character theme - a theme so appealing it found a happy home a few scores afterward). Join us as we continue to unearth John Williams incredible storytelling power in this landmark film. #maytheforcebewithyou Listen to episode 7m2 The Themes of STAR WARS STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,) Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score) https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1& IMDB https://www.imdb.com/title/tt0076759/?ref_=nv_sr_5 ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

When reviewing the century-long tradition of music in cinema, the American Film Institute's selection for 'greatest film score of all time' came as little surprise; it was of course John Williams' score to George Lucas' STAR WARS. For us, this 1977 score is something of a modern miracle - a work whose colossal popularity is matched only by its outstanding quality. Nowhere is that combination more apparent than in the very first piece of underscore, the unforgettable Main Title. Arguably the crown jewel of film music cues (whose original recording broke into the '77 Billboard top 10 [yes, the pop charts!]), this dazzling opening number presents a definitive rendition of the main theme and unequivocally proclaims the tone of the film that follows. We recently had the great fortune to speak with audio legend Alan Snelling, assistant engineer on STAR WARS (as well as THE EMPIRE STRIKES BACK, RETURN OF THE JEDI, SUPERMAN, RAIDERS OF THE LOST ARK and many others). Here he provides a vivid account of the debut performance of the Main Title and its impact on those to first experience it. [We will continue to hear from Alan throughout our arc of episodes. His full unedited interview will be available later this week on Patreon] We simply can't contain our joy for today's episode - an hourlong exploration into the composition, orchestration, performance and storytelling power of the Main Title. Please join us as we take our "first steps into a larger world". Listen to episode 7m1 The STAR WARS Main Title STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,) Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score) https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1& IMDB https://www.imdb.com/title/tt0076759/?ref_=nv_sr_5 Alan Snelling  http://www.up4loud.com/ https://soundcloud.com/alan-snelling-1/sets/alan-snelling-music ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

We've dreamed of these episodes since ever conceiving the podcast... Today we want to offer our thanks for your patience, attention and support by turning to a subject so many of us love like no other: John Williams' score to STAR WARS (1977). Now more than ever we want to remember the original cinematic phenomenon that defied the odds and seemed to unite a jaded, world-weary nation. Now we turn back the clock more than 40 years, to a time when Princess Leia & Luke Skywalker were little more than ideas in the mind of a young & visionary George Lucas; to a decade where a seasoned & sophisticated composer was presented the opportunity of a lifetime. Unbeknownst to either of them, together these two collaborators would create a work that would enrapture their public, transform their industry, and undeniably change the popular culture of their planet. We begin our 5-part series on STAR WARS with a special prologue examining all that happened before John Williams put pencil to paper. We've got so many questions we're dying to ask: What was the state of film music in the late 1970's? What did George Lucas envision musically for his space fantasy? How was Williams uniquely poised to deliver what is arguably the most essential film score of all time? What was the temp score to STAR WARS and who was its author? What of these occasional allegations of copying/borrowing/plagiarism? ... Today we attempt to answer each of these questions and prepare as best as we can for the episodes ahead. We hope to make this series as special & content-rich as possible - we can't wait to share what's in store. May the force be with you! Listen to Prologue: A Long Time Ago...  Rinzler, J.W. The Making of Star Wars New York, NY, Ballantine Books, 2007  Star Wars, Lucas, and Williams: An Introduction https://www.soundtrackpodcast.com/podcasts/star-wars-lucas-and-williams-an-introduction.htm ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

Today we look at a delightful tradition of cinematic storytelling, one we find at the very beginning of our favorite films: studio logos. These jingles & fanfares are the anthems of Hollywood industry and have been crafted by our most beloved screen composers. We chronicle this unique musical art form from the dawn of sound-film to the present day, uncovering much about the evolution of cinema in the process. What were initially war cries on the battlefield of early Hollywood eventually evolved into tiny hymns celebrating the wonder of moviegoing. Today's episode brings together almost too many legendary composers to mention: Alfred Newman, Max Steiner, John Williams, Jerry Goldsmith, Danny Elfman, Hans Zimmer, Michael Kamen (to name but a few). Put on your headphones and take a trip down memory-lane with us as we celebrate the past & present (and try our best to contain our anticipation for the next film subject...). Enjoy! Listen to Reel Change: Logos  Classic Film and TV Studio Signature Logos http://www.classicthemes.com/studioLogos.shtml ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

We are pleased to finally present our feature-length audio commentary to The Incredibles (2004). Let's all unleash our inner Supers and race head-on into one of the most perfect pieces of cinema of the 21st century. Thank you for your Incredi-patience in this series of episodes on Michael Giacchino's breakthrough cinematic debut - a score that is as potent & powerful today as it ever was. Music that... ah, you caught us monologuing again. Here we go - on with the show! Listen to episode 6m4 The Incredibles Audio Commentary The Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,) The Incredibles (Music from the Motion Picture) https://itunes.apple.com/us/album/the-incredibles-music-from-the-motion-picture/161398291 IMDB http://www.imdb.com/title/tt0317705/ ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast

We've come at very long last to our third Incredi-Episode - it's another "spotting session". As in the past, once again we move cue by cue, reflecting on each piece of underscore in our film subject. Along the way we explore the air-tight, impeccably balanced story beats of Brad Bird's modern-day masterpiece and reveal the always deft, story-wise hand of composer Michael Giacchino. This is a score brimming with color, melody and superhero-sized heart. On our previous episode we identified and celebrated the many character themes & variations from The Incredibles; today we uncover just how Giacchino artfully weaves them into the fabric of the finished film. What a treat! [A special note: it has truly pained us to have been away from producing the show for so long. We apologize for the unexpected & unprecedented hiatus. We're doing everything we can to bring our weekly show back on schedule and cannot thank you enough for your patience - you are the Supers!] Listen to episode 6m3 The Incredible Spotting Session The Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,) The Incredibles (Music from the Motion Picture) https://itunes.apple.com/us/album/the-incredibles-music-from-the-motion-picture/161398291 IMDB http://www.imdb.com/title/tt0317705/ ■ ■ ■ For score reductions, additional links and more, the discussion continues at: www.underscorepodcast.com --------------------------------------------------------------------- to support the show, please visit www.patreon.com/underscorepodcast