The Envelope

Oscar-nominated songwriters Billie Eilish and Finneas O'Connell sat with Mark Olsen to talk about 'What Was I Made For?' from 'Barbie' and how they approach writing songs.

The Oscar-nominated America Ferrara talks to Yvonne Villarreal about how "Barbie" has changed her life and what it's like experiencing all the accolades at this stage of her career. And Mark Olsen sits down with Nadia Stacey, Oscar-nominated for hair and makeup for "Poor Things," to talk about working with Emma Stone for a third time.

Oscar-nominated cinematographer Rodrigo Prieto talks about working with Martin Scorsese on "Killers of the Flower Moon" and  going from that project right to "Barbie." Songwriter Diane Warren chats about her Oscar-nominated song "The Fire Inside" and what it means to her to receive a 15th nomination. Finally, writer-director Justine Triet discusses her film "Anatomy of a Fall."

The writer/director talks to Shawn Finnie about the making of her epic film. Also, Yvonne Villarreal gets intimate with 'The Holdovers' Da'Vine Joy Randolph.

The actress discusses her leap to a leading role with Mark Olsen: Also, costume designer Francine Jamison-Tanchuck talks to Shawn Finnie about her long "Color Purple" journey.

Director Kemp Powers and actor Jeffrey Wright talk superheroes and satire with our Envelope hosts Shawn Finnie and Yvonne Villarreal.

A new season of the Envelope kicks off at the cusp of awards season, as hosts Mark Olson, Yvonne Villarreal and Shawn Finnie reveal their favorite 2023 actors, writers, directors and films.

‘Succession,’ which earned a whopping 27 Emmy nominations for its final season, has captivated audiences with its complex, uber-wealthy characters. For director Mark Mylod, telling stories about family and social class is a reccuring theme — His credits include ‘Shameless’ and ‘The Menu’ — with surprisingly personal roots.In this episode of The Envelope podcast, Mylod opens up about his fascination with this topic, takes us behind the scenes of the pivotal ‘Connor’s Wedding’ episode, and shares how he pushed through his comfort zone to take on more creative risks.

Bravo producer Alex Baskin and star-turned-producer Lisa Vanderpump. They candidly delve into the juicy details behind the show’s scandals, a forthcoming spinoff featuring familiar personas and their perspective on the burgeoning calls for reality show residuals. Plus, their response to awards recognition — and whether any “Housewives” counterparts had anything to say. Listen now wherever you get your podcasts.

As today’s screenwriters and actors grapple with financial challenges in a rapidly changing showbiz landscape, combined strikes by the Writers Guild of America and SAG-AFTRA have brought Hollywood to a standstill. Productions are stalled, press tours canceled, and the 2023 Emmys postponed. The economic impact is expected to far surpass that of the last writers’ strike, which cost the L.A. economy more than 2 billion dollars. On this episode of “The Envelope,” hosts Yvonne Villarreal and Mark Olsen discuss the issues underlying this historic strike, pay disparities in streaming, and concerns over the rise of AI with L.A. Times film reporter Josh Rottenberg and actor Sarah Ramos — a member of the SAG-AFTRA negotiating committee. Listen now wherever you get your podcasts.

On the occasion of scoring double Emmy nominations this year for her performances in "Yellowjackets" and "The Last of Us," Mark and Yvonne revisit a favorite conversation with Melanie Lynskey. Since her 1994 debut in “Heavenly Creatures,” Melanie Lynskey has been acting steadily while “flying comfortably right under the radar.” Now, for her electric role on “Yellowjackets,” Lynskey has earned an Emmy nomination for outstanding lead actress in a drama series — and a whole new level of fame. In this episode of “The Envelope” podcast, she dishes on feeling more empowered and less underestimated as of late, arriving at a place of self-love after struggling with an eating disorder, and why roles of women who take up a lot of space appeal to her. Oh, and there’s also a delightful story about a Nick Cave concert, a charming Drew Barrymore impression, and a brief visit from a very special guest. To read a full transcript of this interview, please visit the episode page at latimes.com.

Jessica Williams is no stranger to tackling complicated issues with humor. From being the youngest and first Black woman correspondent on “The Daily Show With Jon Stewart” to now starring opposite Jason Segel and Harrison Ford on the AppleTV+ show “Shrinking,” Williams uses her improv skills and authenticity not only to entertain but also to hit on deep truths. “Grief settles in and it just changes you,” she says. “It doesn’t leave. It just makes a home in your body.”In this episode of “The Envelope,” Williams reflects on how personal experiences, including her years of therapy and the death of her partner, have shaped her performance. She also gets into her view of the “Black lady therapist” trope, the controversy surrounding J.K. Rowling and transgender rights, and what she learned while making the “Fantastic Beasts” films. Plus, Williams offers tips on “decolonizing” your garden. To read a full transcript of this interview, please visit the episode page at latimes.com.

It’s rare to find a televised female friendship that can deal with dead husbands, car crashes and other wild plot twists the way Christina Applegate and Linda Cardellini’s “Dead to Me” characters do. Through years of filming the tragicomedy, the two actors learned to deeply trust each other. When Applegate was diagnosed with multiple sclerosis while filming the last season, their bond only intensified.In this episode of “The Envelope,” Applegate and Cardellini laugh, sob, describe why they love each other and ponder the possibility of working together again. They also discuss the importance of flawed-mom characters and recall how they were allowed to improvise lines until things got way too weird.To read a full transcript of this interview, please visit the episode page at latimes.com.

Christina Ricci wouldn’t want to know Misty Quigley in real life, but she has a protective soft spot for her “Yellowjackets” character. In this episode of “The Envelope,” Ricci delves into why she enjoys playing the impulsive outcast and what she values about the series’ unconventional exploration of trauma.Ricci also reflects on her enduring connection to Wednesday Addams, recalls the two auditions that changed her life even though she didn’t land either part, and talks about how her acting career began as an escape from her unhappy childhood. Plus, if you want reading recommendations? She’s got you covered.  To read a full transcript of this interview, please visit the episode page at latimes.com.

The premise of “Jury Duty” — placing a non-actor in the middle of an entirely staged trial — could have easily led the show to mean-spirited-prank territory. Instead, the cast manages to land laughs while making the person who thinks it’s all real, Ronald Gladden, into a hero. For James Marsden, who plays a Hollywood jerk version of himself on the show, that was the most important thing. “I’ll make an ass of myself and have fun doing it, but I never want him to be the butt of the joke,” he shares.In this episode of “The Envelope” podcast, Marsden discusses how the cast and crew managed to pull it all off, why the role interested him, and how — despite his very believable performance on ”Jury Duty” — he strives to keep his ego from ruining his reputation in real life. To read a full transcript of this interview, please visit the episode page at latimes.com. 

"Foretold" is the newest podcast from the L.A. Times, and we're sharing a preview of the first episode with you here today. In the fall of 2019, reporter Faith E. Pinho received a tip from a woman named Paulina Stevens. Paulina claimed she had grown up in an insular Romani community in California, where she was raised to be a wife, mother and fortuneteller — until she decided to break away. That first call unraveled a story spanning multiple continents, hundreds of years, and complex metaphysical realities.  Follow "Foretold" to hear new episodes every Tuesday.

Academy Award nominee Michelle Yeoh has been a worldwide movie star for decades, known for action-packed roles in films such as “Supercop” and “Crouching Tiger, Hidden Dragon” and as a Bond girl in “Tomorrow Never Dies.” But it’s her leading role in “Everything Everywhere All at Once” that Yeoh says finally let her show what she’s capable of.In this episode of “The Envelope,” Yeoh discusses her first impressions of “Everything Everywhere’s” genre-bending script and bold gags. She reflects on her dangerous early-career stunts and how she was treated when she arrived in Hollywood (she makes a gloriously unimpressed sound while recalling that people were “quite stunned” when they realized she could speak English). Yeoh also goes deep on tokenism, aging and why she’s been praying every night to win an Oscar.  To read a full transcript of this interview, please visit the episode page at latimes.com.

Writer-director Todd Field made two acclaimed films in the early 2000s and then disappeared from the big screen for 16 years. “Tár,” about the scandalous downfall of a classical music conductor, marks his return. The movie burst forth in dramatic fashion: Its screenplay took him only three months to write.In this episode of “The Envelope,” Field breaks down how a Górecki composition inspired the internal rhythm of lead character Lydia Tár and discusses what it was like collaborating with star Cate Blanchett, who “always wants to do things that are dangerous.” He also explains why he’s delighted by reactions to his film — even those that are ferociously dismissive. To read a full transcript of this interview, please visit the episode page at latimes.com.

Darren Aronofsky is known for directing dark, provocative, divisive films such as “Requiem for a Dream” and “Black Swan,” but in “The Whale,” he sees hope, “human connection and a belief in the human spirit.”In this episode of “The Envelope,” Aronofsky reflects on how “The Whale” interacts with obesity and fatphobia, discusses exploring humanity through science, and describes why the “Brenaissance” — star Brendan Fraser’s triumphant return to acting — caught him by surprise.  To read a full transcript of this interview, please visit the episode page at latimes.com.

At 29 years old, “Nope” star Keke Palmer has already racked up two decades in show business. She’s an actor, singer, TV host and meme queen – and she has big plans for more. If her public persona is like Mickey Mouse, she says, then “I’m Walt Disney.” In this episode of “The Envelope,” Palmer shares what it was like to work with Jordan Peele on his blockbuster sci-fi thriller, how she felt about being her family’s breadwinner during her childhood and how she navigates the exploitation baked into Hollywood. Also, Whoopi Goldberg, if you’re listening: She wants to talk to you about “Sister Act 3.” To read a full transcript of this interview, please visit the episode page at latimes.com.