PlayME

Laura talks with writer/performer Liisa Repo-Martell about what compelled her to adapt one of Anton Chekhov’s most famous plays, “Uncle Vanya,” for a contemporary audience. Liisa shares why she thinks Chekhov’s work is so enduring and how he gets to the heart of our darkest, most petty selves while shedding light on our desires to have more and to be seen. She talks about how she adapted a play written over 100 years ago in Russian and why she has a crush on this famous writer.

After Sonya reveals her love for Astrov, Yelena volunteers to determine if the doctor shares her feelings for him. When Yelena gets him alone, he surprises her with a frightening secret. Reeling from his confession, Yelena convinces her husband, Alexandre, to leave the estate immediately, throwing Vanya and Sonya’s future into question. Upon hearing the news of the couple’s impending exit, an enraged Vanya unleashes his fury on the professor, throwing the household into chaos. Uncle Vanya by Anton Chekhov, Adapted by Liisa Repo-Martell.

A dazzling adaptation of the masterpiece. In the twilight of Czarist Russia, Vanya and his niece, Sonya, work tirelessly to manage the rural estate. Their quiet routine is shattered when Sonya's father, Alexandre, a renowned professor, arrives with his glamorous young wife, Yelena. The household succumbs to waves of fury, jealousy, and intoxicated yearning with the presence of the new guests. Amidst the turmoil, the country doctor Astrov arrives to attend to the ailing professor. Sonya confides in Yelena about her profound feelings for the enigmatic doctor. Uncle Vanya by Anton Chekhov, Adapted by Liisa Repo-Martell.

Your free ticket to dozens of shows by talented writers from across Canada returns on Jan 10, 2024! Join hosts Laura Mullin and Chris Tolley for the latest season of PlayME featuring five contemporary plays: Uncle Vanya by Anton Chekov (adapted by Liisa Repo-Martell), Da Kink In My Hair by Trey Anthony, First Metis Man of Odesa by Matthew MacKenzie and Mariya Khomutova, PRODIGAL by Paolo Santalucia, and Guilt: A Love Story by Diane Flacks.

Chris talks with Marcia, who shares how she was inspired to write her hit play “Serving Elizabeth” after binging the Netflix series “The Crown.” She was livid when she noticed how only white characters were featured while others, the Black voices, were left out of the narrative. She confides how she was obsessed with princesses and queens as a little girl, but her feelings changed as she grew up and became aware of colonialization and the harm caused by the British Monarchy. Serving Elizabeth by Marcia Johnson

A drama that explores issues of colonialism and who gets to have a voice. It’s 1952, and Mercy and her daughter Faith run a well-regarded restaurant in Kenya that prepares excellent local dishes like maharagwe and matoke but is struggling due to a family health crisis draining their finances. When a white tourist arrives at the establishment and offers them a lucrative opportunity to cook for secret VIPs, Faith is eager to take the job, but Mercy is suspicious. Serving Elizabeth by Marcia Johnson

A drama that explores issues of colonialism and who gets to have a voice. When Mercy discovers she will cook for the young Princess Elizabeth and her husband, Prince Phillip, she refuses the job due to her anger at King George and his interference with Kenyan politics. But her daughter isn’t about to pass up an opportunity that could change her life. Seventy years later, Tia, a young Kenyan-Canadian screenwriter, works as an intern production team in London, UK, preparing an episode for a TV series based on Princess Elizabeth’s historic 1952 visit to Kenya. Serving Elizabeth by Marcia Johnson

A drama that explores issues of colonialism and who gets to have a voice. Mercy finds herself with an unexpected opportunity to be alone with Princess Elizabeth but finds herself in an awkward situation with the young royal. And Tia has a face-to-face with the creator of the British TV series and gets a chance to challenge him about the treatment of the characters in his script. Serving Elizabeth by Marcia Johnson

Chris talks to writer Kevin Loring about his play that explores the intergenerational effects of the residential school system set in his hometown of Lytton, BC. He shares how one of the actors during a workshop reading of his play challenged him to dig deeper into his character’s alcoholism and why it ultimately shaped the development of his award-winning show. He also describes the emotional moment when his play was first performed in front of his community and his thoughts on the meaning of the word “survivor.” Where The Blood Mixes by Kevin Loring

A funny and honest play about loss and redemption Floyd and Mooch are haunted by their residential school experience. Mooch wants to talk about it but Floyd would prefer to leave the past in the shadows. When someone from Floyd’s old life arrives at the bar to reconnect with him, he isn’t ready to confront what has been left behind. Where the Blood Mixes by Kevin Loring

A funny and honest play about loss and redemption. Floyd retreats home when his past catches up with him. He’s not ready to discuss what happened and provide the answers they desire. Mooch’s girlfriend, June, is left to pick up the slack and helps fill in some missing blanks. But Floyd can’t escape forever, and his visitor has come with their own surprises. Where the Blood Mixes by Kevin Loring

Laura talks to playwright and performer Zorana Sadiq about her love of making mixtapes when she was a kid. She shares how music can activate our limbic system transporting us to different places, which makes hearing our most sophisticated sense. She discusses how her very personal play about her obsession with music and sound impacted audiences and why she doesn’t think artists should worry about being “great.” MixTape by Zorana Sadiq

A solo show about a life told through the sounds and music Zorana shares her real-life story about discovering her love of music. A child of Pakistani immigrants who grew up in the suburbs of Toronto, Zorana’s obsession with sound began at school. There she learned to play the flute at band camp, using her imagination to play the notes. When her teacher instructs her to visualize the notes in her mind, she discovers she can play the music she sees in her imagination. Suddenly becomes keenly aware of the sounds around her, including the angry voices of her parents as they fight. She loses herself in the music she compiles as mixtapes on her double-cassette player. Written and performed by Zorana Sadiq

A solo show about a life told through the sounds and music A fledging soprano, Zorana heads to arts high school to pursue her love of music and gets a lead role in the school musical. She’s discovering herself as an artist just as her parents’ marriage falls apart. Zorana graduates high school and moves to Montreal to study classical singing. But even there, she can’t escape her family drama. In the rehearsal hall, she begins to struggle with her confidence as a performer. Written and performed by Zorana Sadiq

A solo show about a life told through the sounds and music Zorana graduates from university. She no longer feels like singing anything. She takes a job at a call centre and tries to figure out who she is. She stumbles on something unexpected that helps open both her heart and mind. Written and performed by Zorana Sadiq

Laura talks with award-winning playwright David Paquet and writer/ translator Leanna Brodie about how David’s research into his family’s past helped inspire his dark comedy, “Wildfire”. He shares how specific images and phrases help craft his unusual characters and why he feels drawn to those on the margins. Leanna Brodie opens up about her job of adapting the play for anglo audiences and why she’s tasked with translating more than just the language. They both reveal what it’s like to work as a writer today and why it's not just about making great art. Wildfire by David Paquet, translated by Leanna Brodie.

A dark comedy about a family overcoming a difficult childhood. Claudette, Claudia, and Claudine are triplets who live in the same triplex. They are reeling from being raised by an unloving mother. They do what they can to get by. Claudette keeps her young son in a cage, Claudia has developed an unhealthy interest in her mailman, and Claudine has taken to befriending baked goods. The three sisters live nearby but never see each other and only communicate by phone. That is until Claudia leaves her apartment one day, reuniting the sister and forever altering their lives. Wildfire by David Paquet, translated by Leanna Brodie.

A dark comedy about a family overcoming a difficult childhood. Carol is mourning the death of her beloved cat, the only thing she's ever truly loved. Callum is taking his brother's advice to get off his computer and out in the world to make friends. He meets Carol, and they share a love for movies and popcorn. Carol wonders if Callum shares her feelings, but her inability to articulate them is just one of the things they have in common. Wildfire by David Paquet, translated by Leanna Brodie.

A dark comedy about a family overcoming a difficult childhood. Caroline has just put a hammer through her TV. She has issues that she's trying to drown out with vacuuming. There were hints of her problem during childhood when she accidentally killed her parents' beloved pet tarantula. She tries to bury her worries by collecting figurines. It helps soothe her mind for a while, but her urges are strong and can't be kept under wraps forever. Wildfire by David Paquet, translated by Leanna Brodie.

Chris talks with award-winning playwright Hannah Moscovitch about her unique childhood and how her socially engaged parents taught her to think critically about the world around her. She shares how sexual assault has been normalized in our culture and why she initially feared the audience’s reactions to her play “Sexual Misconduct of the Middle Classes,”: which she wrote before the #MeToo movement. Hannah lets in on what it’s like to take the leap from the stage to the screen and write for the hit TV show Anne Rice’s “Interview with A Vampire” and how despite her success, she’s experienced artistic disappointments. This episode contains coarse language and mature subject matter. Sexual Misconduct Of The Middle Classes by Hannah Moscovitch.