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Featuring one guest a week alongside host Victoria Pham, Declassify is a series of conversations about the classical music industry - its challenges and its future. Transcripts available for each episode.
27 Episodes
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So, I promised at the end of our season finale episode last week that I would separate a couple of minutes here just to have a moment of reflection and some dedicated time to say thank you to all of you out there that are listening. It’s almost been two years since I came up with the idea of interrogating classical music and creating some sort of space or resource where we could have conversations. I hadn’t really been a podcast person and only occasionally listening to the odd true crime and...
It is already the finale for SEASON 2: THE AFTERMATH and as a quick announcement, it is also the last ever episode of the DECLASSIFY podcast, but I will touch more on that later. Today’s guest for the finale of the podcast is none other than artist, sound researcher, educator, curator and currently the artistic director of experimental arts company Liquid Architecture, Joel Stern. Joel was appointed the artistic director of Liquid Architecture in 2013 where in this capacity he has curat...
This week Declassify welcomes on aboard a guest that is quite remarkable and someone who reflects much of the spirit of the podcast – interdisciplinary practices, cross-genre listening and collaboration. Shruti is a composer, producer, and conductor from Los Angeles. Her work has spanned the film/tv, pop, and concert worlds, and she often finds herself involved in projects that mix genres and experiences. She has worked at Hans Zimmer's Remote Control Productions and collaborated with artists...
This week’s episode of DECLASSIFY welcomes on board someone whose research and collaborative-interdisciplinary approach to music making has influenced my own practice since I attended her composition seminar as a Conservatoire student back in 2015. This is none other than prolific composer, musician, performer and noise artist and currently Professor of Music at Monash University, composer and performer Professor Cat Hope. Described by Gramaphone Magazine as “one of Australia’s most exciting ...
And it’s a new year! And we’re going back to the second half of Declassify Season 2. We’re straight into the grit of unpacking the classical music industry and where this is all headed in terms of strategizing change, contemplating collaboration in conservatoires and educational models as well having a think about broader funding models. There is no better person to consider that the prolific performer, director, researcher and now Principal at the Royal Welsh College of Music and Drama, the ...
Welcome back to Declassify Season 2 and we’re already on our last episode of this year! This week is someone quite remarkable and someone whose work I am sure many of you already know: Australian and Uk-based flautist, curator, educator and arts producer – Tamara Kohler. Tamara has performed and premiered countless new works of music for festivals around the worlf such as the Eighth Blackbird Creative Lab, Bang on a Can Festival and Darmstadt. She is the founding member and co-Artistic Direct...
And Declassify returns! We’re already halfway through this season, so quickly! This week the podcast welcomes none other than cross-genre whiz and interdisciplinary extraordinary, composer, performer, producer and curator Danielle Eva Schwob. Currently based across New York City and Los Angeles, Danielle is a staggeringly active artist and musician across multiple forms and disciplines. Her music has been featured at Lincoln Center, the Metropolitan Museum of Art, BRIC Celebrate Brooklyn! and...
It's already episode 4 for this season, and today DECLASSIFY welcomes onboard the remarkable activist, tenor, composer and musicologist Jeremy Dutcher. Jeremy's music transcends boundaries: unapologetically playful in its incorporation of classical influences, full of reverence for the traditional songs of his home,and teeming with the urgency of modern-day struggles of resistance. A member of Tobique First Nation in New Brunswick, Jeremy first did music studies in Halifax before taking a cha...
Welcome back to Declassify Season 2! I am so pleased to welcome you all back to this new season, and most importantly, to begin this following season with a host of international guests and conversations. I am so pleased, not only to have returned, but to welcome Declassify’s third guest for the season, pioneering percussionist Claire Edwardes. Claire is a leading percussionist working as a soloist, recording performer and chamber musician and is the current Artistic Director of Ensemble Offs...
And we return with Episode 2 of this season’s Declassify. This time this episode features none other than pioneering music educator and internationally renowned and Grammy nominated violinist, Robert McDuffie. Robert is the co-founder and artistic director of the Rome Festival for Chamber Music, and the founder for the McDuffie Institute of Strings at Mercer University – a unique course for musicians offering holistic training in music, liberal arts and business. In this episode, Robert talks...
Welcome back to Declassify Season 2! I am so pleased to welcome you all back to this new season, and most importantly, to begin this following season with a host of international guests and conversations. I am so pleased, not only to have returned, but to welcome Declassify’s very first guest for season 2 and it is none other than the incredible Jessica Cottis. Jessica Cottis is one of the most prolific Australian conductors working today having been named in 2018 as the Classical Face to Wat...
Hello everyone, Welcome to Season 2 of the DECLASSIFY PODCAST! Firstly, I need to thank everyone who took the time to tune into Season 1 and to all of the fourteen guests who joined me in 2020 and January of this year. And so, after much thought, DECLASSIFY returns with the apt Season title of ‘The Aftermath.’ Season 1 focused its attention towards conversations about the issues in the classical music industry – ranging its blatant narrow programming, its archaic modes of representing co...
This week is a very special insight into the world of being a music critic, an arts journalist and thinking about how to listen to the new, the challenging or listening differently. Declassify welcomes Dr Harriet Cunningham is a writer and researcher, best known as music and theatre critic for the Sydney Morning Herald. She writes for publications including The Saturday Paper, Limelight and the Financial Review. She has recently completed doctoral studies at UTS writing a cultural history of ...
For our first episode of 2021, Declassify welcomes onboard a good friend and extraordinary performer, Paris-based Australian saxophonist, Mary Osborn. Having completed a Bachelors of music performance at the Sydney Conservatorium of Music, a performance diploma and Masters of music at the Versailles Conservatoire and Université de Versailles Saint-Quentin, Mary is forming her career as a classical and contemporary performer, creator and teacher. Mary has won numerous awards at international m...
This week, Declassify welcomes the formidable and forever-passionate CEO of the Australian Music Centre, John Davis. He has been a great advocate and supporter of contemporary Australian Music and his work has been key for establishing and broadening the Australian music scene internationally, such as his representation of Australia as the Vice-President of the International Association of Music Information Centres and for the International Society for Contemporary Music. This week we talk ne...
For this episode of Declassify we are joined by one of the most passionate people I know, Megan Steller. Megan is an artist manager, writer, speaker, and producer based in Melbourne. She is passionate about working with emerging artists and seasoned performers alike to help create fulfilling, diverse and creatively empowering careers in the classical music sector. As an artist manager, Megan has worked at Intermusica (UK) and Patrick Togher Artists’ Management (AUS). As a journalist, she has ...
This week, Declassify welcomes onboard composer and interdisciplinary artist, Kezia Yap. Kezia, another Sydney Con graduate, is currently an MFA candidate at the Victorian College of Arts where her work current work interrogates how cultural identity and the Asian-Australian experience can be explored through interdisciplinary creative practice. She is quickly gaining reputation internationally, with her works performed around Australia, as well as in Europe, Asia and the USA. Her current col...
This week Declassify welcomes on media artist, educator and composer, Ciaran Frame. Ciaran is passionate about cross-disciplinary collaboration and education, seeking a place in the world of data, technology and music. He has found a home in interactive and generative computer music, creating everything from sonification toolboxes to make music out of plants, to performance works where players must purchase their musical material. Our conversation in this week’s episode, Ciaran is the author ...
This week Declassify delves into a newer and fascinating part of classical music practices, or it is really classical music? Our guest for this week’s episode is acousmatic composer and researcher Alexis Weaver. Her principal interest lies in composing fixed-media acousmatic music, she has also composed soundtracks for animation, short videos, radio, theatre, and dance. In 2018, Alexis was awarded the National Council of Women’s Australia Day Prize for her research undertaken during her Honou...
This week, long-time collaborators and friends Victoria Pham and artist, academic and filmmaker James Nguyen get together to talk about childhood experiences of classical music and a perspective of working with classical musicians from those outside the art world. James Nguyen is in his own words is “Asian passing,” dabbles with painting, documentary filmmaking, and conceptual art. Born on a coffee plantation in Vietnam, Nguyen arrived to Australia by plane. Having studied Pharmacy, Nguyen th...
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