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Listen as two old friends and collaborators gradually fashion a podcast from nothing but their shared history by gently agitating whatever enters their field of perception, watching for some meaning or significance to eventually come tumbling out. Avenues of inquiry include, but are not limited to, their mutual hometown of Chicago, experimental theatre, the current cultural and political climate in the U.S. and Europe, and just what this podcast is all about, anyway. Occasionally some humor also arises. Aaron Kahn co-hosts (and produces) from his home in Paris, Ira S. Murfin co-hosts from Chicago.
24 Episodes
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Following a thread about falling into things, Jiggle It a Little It’ll Open welcomes a surprise third guest, who also happens to be the grandson of the podcast’s first guest, and Aaron's first cousin once removed.Jesse Schumann stops by the virtual podcast studio with a tale to tell about the last six weeks. Since taking a temporary break from college for some self-discovery and recalibration, Jesse has practiced mindful self-compassion on a Canadian meditation retreat, launched a rap c...
For only the second time in its short history, Jiggle It A Little It’ll Open welcomes a guest. Melissa Lorraine, Artistic Director of Chicago’s Theatre Y, discusses her company’s journey from its founding as a venue for the work of Romanian playwright András Visky to its recent move from the neighborhood of Lincoln Square, where it was one of over 250 theatre companies dotting Chicago’s North Side, to North Lawndale on the city’s West Side. Melissa talks about what it means for a historically...
The world is full of unmarked doors that some people know how to find and how to get through, and some people - by design or otherwise - do not. Aaron and Ira are thinking about ways that controlled access can both exclude and protect. When we offer each other access, what are we offering? And what are we giving up? Nascent online communities, clandestine cocktail bars, and city neighborhoods all maintain barriers to entry of one sort or another, until they don’t. And we can rarely control wh...
Immersion is all around us, and perhaps it always has been. But we keep discovering it anew every time an experience is unique enough that we notice we are having it. From Greek tragedies and Medieval passion plays to 1960s happenings and environmental theatre to installation art, live action game play, and pricey Instagram-ready themed “experiences,” immersion as aesthetic approach and marketing ploy always offers irresistible novelty amidst the ordinary. Immersive theatre and art over the l...
The hour or so spent in this episode on the concept of process orientation both illustrates something about the topic, and demonstrates how slippery it can be. Ever gravitating to theatre no matter what the topic, Aaron and Ira weave a network of connections between resisting perfection, eschewing deliberate meaning, and valuing participation, hoping to find process orientation cocooned someplace within.The clouds start to part a bit around the parallels that become evident between holistic m...
The idea of the collective suggests a set of possibilities that do not rely upon personal vision or independent will. It can expand upon, enable, and obscure individual contribution – sometimes all at once – and, at its best, it surprises everyone. But the collective also requires a certain level of individual sacrifice to larger organizing principles – be they theatre, yoga, or architecture. It can be easy to confuse the collective impulse with a desire for what may actually be its opposite:...
Either Aaron and Ira have become mature adults, or they’re rationalizing their own failure, but either way, ambition no longer seems to hold the same power for them that it once did. As Ira puts it, “We do not want to live our lives as sacrifices to what might happen in the future.” So is ambition by definition a young person’s game? And is letting go of it a sign of maturity, or resignation? Gradually abdicating long-held and largely unexamined ambitions, a couple of middle aged guys might s...
As Aaron observes early in this episode, the relationship between art and life is something that has been considered by everyone from Stanislavsky to Ani DiFranco, but JIALIO decides to give it a whirl anyway. The discussion of art and life quickly becomes a meditation on how to live a life in art, and what is required to do so. It seems that money, scale, yoga, and happiness each may help, or get in the way, depending on which way one is heading. The words of a surprisingly insecure AI langu...
Aaron and Ira return to the podcast studio for a new batch of episodes after a 6-month hiatus from recording. The thread they choose to pull from the previous episode, and the whole first season, is comedy. Comedy may actually be one of the key threads running through their friendship, which was cemented in part over Aaron’s concept for a still-as-yet-unrealized, obscurely comic short film. What makes something funny, anyway? Who gets to be funny? Should Aaron try stand-up? Is US Senate Minor...
Inaugurating JIALIO’s new format, your hosts choose the topic of work, specifically the value produced by labor, as a thread they want to pick up from the previous episode. They begin with jokes that deliberately do not work as jokes. This leads to a discussion of French humor and the tendency of French comic artists – from Moliere to Jacques Tati – to appropriate, in the name of refinement and elevation, comedic aesthetics originally found elsewhere in the world. Finally getting around to a ...
This is what we call a shorty. After the duration and weight of the previous episode, Aaron and Ira spend significantly less time covering a greater variety of topics than usual, beginning with Aaron’s plans for the estival solstice, and moving on to a meaningful recent conversation with their mutual friend and collaborator, the weird internal logic of the song “Doctor Worm” by They Might Be Giants, and an invented experimental Chinese restaurant. This leads to some discussion of the strange ...
JIALIO is not a current events podcast, but Aaron and Ira exist in real time, and this episode constitutes something of a time capsule. Recording back in May 2022, shortly after the US Supreme Court’s majority draft opinion overruling Roe v. Wade was leaked, Aaron and Ira respond at length to the news from their positions as Americans who were born after Roe was decided in 1973, as people who cannot themselves get pregnant, and as individuals living, respectively, in Paris, France and Chicago...
After hosting JIALIO's first guest on the previous episode, Aaron and Ira hash out how that decision was made back in episode 5, and how it might impact the direction of the podcast going forward. At issue, in part, is the value of centralizing difference and conflict versus prioritizing solutions, a tension which has characterized much of the collaboration between Aaron and Ira over the years. Their conversation veers between the metaphysical and the pragmatic, touching on the eschatalogical...
JIALIO welcomes the first guest in its history, attorney, critic, author, patron of the arts, and Aaron’s maternal uncle, Joel Henning. Joel appears courtesy of the process established in the previous episode by which Aaron asks someone who has known him for a long time (in this case his brother Jason) who he should invite onto the podcast. The wide-ranging conversation covers arts clubs, societies, and councils; moving to Florida in a post-Trump, post-COVID world; and the Chicago neighborhoo...
To mark the 5th episode of Jiggle It a Little It’ll Open, Aaron and Ira invite an existential crisis by briefly looking back at what has happened so far on the podcast, and asking, “Where do we go from here?” Eventually, they agree upon an experiment that will finish playing out as a kind of trilogy over the course of episodes 6 & 7. Along the way, they encounter yet another cultural divide between Europe and America involving Venmo and sending aid to refugees, and clarify that David Broo...
Aaron and Ira unspool some tiny corner of the cultural response to COVID during the early days, and uncover some differences between American and European discourses. The changes and deprivations of the COVID era trigger a more expansive reflection on anticipating loss and absence when approaching great change, and the inner continuity that can sometimes be found on the other side. Evaluating the episode while still making it (never a good idea!), Aaron yearns for the energy of the morn...
As an American who has lived the better part of the last 15 years in Europe, including Eastern Europe in recent years, Aaron reacts to the onset of the war in Ukraine. Wrestling with the enormity of what is happening, he describes his own thoughts during the first days of the attack and his surprise at the responses of many of the people around him to what, only a short time before, had seemed unimaginable. Ira asks questions from his perspective as an American in hopes of better understandin...
Aaron and Ira contemplate the implications of a rather bureaucratic messianic revelation before turning to the purpose of theatre and, with a h/t to scholar Sara Jane Bailes, the uses of theatrical failure. Several important names in experimental theatre are dropped and one of the best plays you have probably never heard of is discussed at some length. In the end, they succeed in their goal to start funny and become gradually more ponderous and obscure as the episode continues.Music:“Open Up ...
Aaron and Ira embark on the project of finding out just what their new podcast, Jiggle It A Little It’ll Open (JIALIO), is or might be. (SPOILER ALERT: They come to no conclusions and have no plans to do so, but will return to the topic often.) Along the way they reveal the origins of the title, consider the benefits of embracing irrelevance, and brainstorm a needlessly complicated promotional fundraising gift as complicated and impractical as JIALIO itself. Music:JIALIO presents the de...
December 2018 — It was the last time I was in the United States. I had come to San Francisco to apply for my visa to return to live and work in France. After breakfast avec an ex (with whom I had once lived in Paris), I bumped into William Birdwood. He is preoccupied by a desire to see his abortion amendment to the U.S. Constitution taken seriously. Years later, Ealy Mays and Toma Kukenyte speak over the phone...though both were in Paris it was (and is) Covid. Summertime in the Jardin Luxembourg she confesses sins and sexual crimes. With the powers not vested in me by no one, I do not absolve her.
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