Choir Fam Podcast

“Octave displacement is a really big thing with adolescent singers. Make a game out of it - I’ll have them match me, match me up an octave, match me down an octave - versus scolding when you’re in the middle of rep and someone is singing too low and you just point and say ‘that’s too low.’ That’s a little ambiguous for the average 13-year-old. To give them the strength to identify it themselves is practicing the skill we want to see played out in the repertoire.”Since 2006, Mr. Oakes has served as Director of Choral Music and Music Instructor at The Baylor School, a grade 6-12 independent day and boarding school in Chattanooga. Under his direction, the choral program has grown to include over 200 participants in four student choirs and a faculty choir. In 2015, he was awarded Baylor's Glenn Ireland Chair for Distinguished Teaching and starts his service as Chair of Baylor’s Fine Arts Department beginning with the 2019-2020 school year.Mr. Oakes also serves as Artistic Director of the Chattanooga Boys Choir, a music education and performance organization founded in 1954 which now includes over 120 choristers ages 8-18 in five ensembles. Including innovative performance opportunities and collaborative community initiatives, the CBC maintains a performance calendar of thirty appearances annually. The choir has performed and toured extensively, including performance tours to Europe, Canada, and Cuba. Recording opportunities for the CBC have included commercially-released recordings with Stephen Curtis Chapman, Casting Crowns, and the grammy-nominated NAXOS recording of Maurice Ravel's L'enfant et les sortilèges with the Nashville Symphony Orchestra.He is the former President of the ACDA’s Southern Region and in 2012, he was selected as one of seven conductors chosen to represent the United States at the inaugural ACDA International Conductor Exchange Program in Cuba.As a conductor/clinician, he has conducted numerous honor choirs and festivals throughout the United States, including ACDA regional honor choirs. A lifelong advocate for music in worship, he has served churches in Florida, Georgia, and Tennessee and as a clinician/conductor for children and youth choirs at Lake Junaluska, Massanetta Springs, and Montreat church music conferences.Mr. Oakes earned the Bachelor of Music Education degree from the University of Florida and the Master of Sacred Music degree in Choral Conducting from Emory University. He has contributed articles to Choral Journal and a chapter in the textbook Choral Pedagogy (3rd edition) by Robert Sataloff and Brenda Smith. To get in touch with Vic, you can visit chattanoogaboyschoir.org or baylorschool.org.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.

“I started to see the possibilities of what a youth community choir could be. Seeing that profound impact on a young woman was very transformative for me. After two or three years, everything that I did had more layers. There was a new potential of enhancement and community impact. The things that make me go like a volcano are about community, access to programs, and how to break barriers for participation.”Dr. Marcela Molina has been leading the Tucson Girls Chorus since 2006, first serving as Artistic Director and taking the helm as Executive Director in 2011. Under Dr. Molina’s guidance, the Tucson Girls Chorus has grown significantly in programming and community engagement. With her leadership, the TGC has transformed into a vibrant and collaborative organization that creates access to inclusive programming for youth, and provides resources to music educators and support to their classrooms all year-round. Dr. Molina is also the Director of the Tucson Symphony Orchestra Chorus.Dr. Molina was an honoree in Tucson's 40 under 40 for her significant achievements and contributions in her profession and community and was one of eight in the state of Arizona chosen for Cox Hispanic Heritage Month. She was selected as a finalist for the Woman of Influence Awards in the category Arts and Culture Champion and under Molina’s leadership, the Tucson Girls Chorus was awarded the 2017 Copper Cactus award for Charitable Business sponsored by the Tucson Metro Chamber. Born in Bogotá, Colombia, Dr. Marcela Molina holds degrees from Westminster Choir College and the University of Arizona. She has contributed articles to Antiphon, and the books Teaching through Performance in Choir, Volume 2 and Choral Reflections: Insights from American Choral Conductor-Teachers. She was named 2019 Choral Director of the Year by Arizona American Choral Directors Association (AzACDA), and she often serves as a clinician and guest conductor for choral festivals. Dr. Molina has served on the board of the AzACDA as well as standing committees for ACDA Western Division. She currently serves on the board of Chorus America.To get in touch with Marcela, you can email her at mmolina@tucsongirlschorus.org or visit tucsongirlschorus.org. She's also on Facebook (@marcela.molina.1612147) and Instagram (@molinamarch). Marcela recommends checking out the following composers: Colombian arranger Jorge Alejandro Salazar, Puerto Rican composer Diana Saez, and Melanie DeMore. About DeMore, Marcela writes, "I love unison singing to build tone and use it as a canvas of creative added writing from the singers, if composer allows."Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“If a student has been unsuccessful at elementary and middle school, by the time they get to high school, it’s really hard to shift and course correct. But if they haven’t been successful at elementary and you get them at the middle school level, you really do have the potential to shift that course in a monumental way, to reshape their views about whether they are indeed successful and worthwhile. You really have such a big role to play.”Jessica Nápoles is Professor of Choral Music Education at the University of North Texas. She teaches undergraduate coursework in choral methods, conducts the Concert Choir, and mentors graduate students in research. Dr. Nápoles served as Interim division chair for Conducting & Ensembles in 2019-2020 and Interim division chair for Music Education in Fall of 2020. A native of Florida with a Cuban-American background, Dr. Napoles taught middle school chorus in the public schools of Miami and Orlando, FL. She received her bachelor of music education, master of music education, and PhD in music education from the Florida State University. Prior to her appointment at UNT, she taught at the University of Utah for 11 years.Dr. Nápoles is an active choral conductor, clinician, and adjudicator, frequently engaging in guest conducting opportunities locally, regionally, and nationally. She has conducted All State and honor choirs in 20 states across the United States. She has conducted the Southern, North Central/Central, Eastern, and Western division honor choirs for the American Choral Directors Association (ACDA). In 2019, Dr. Nápoles made her Carnegie Hall debut as choral conductor for the WorldStrides OnStage Honors Performance Series. She was asked to return every year since.In addition to her choral conducting invitations, Dr. Nápoles is a well known researcher, with numerous publications in journals such as the Journal of Research in Music Education, Bulletin of the Council for Research in Music Education, Journal of Music Teacher Education, Update: Applications of Research in Music Education, and the International Journal of Music Education. She served on the editorial boards of the Journal of Research in Music Education, the premier research journal in music education, the International Journal of Research in Choral Singing, and the Journal of Music Teacher Education. Her research interests center on testing practitioner practices empirically, expressive conducting, burnout, and teacher talk. She has presented at conferences on these topics nationally and internationally. She is presently serving on NAfME’s Executive board of the Society for Research in Music Education.Dr. Nápoles is meaningfully engaged with the American Choral Directors Association (ACDA) at the national level. She is currently the Chair of the Research Standing Committee. Additionally, she served as Assistant Conference Chair for the 2019 and 2021 conferences, the Honor Choir Coordinator for the 2015 and 2017 conferences, and she is currently the co-chair of the 2025 Dallas national conference. Dr. Nápoles led the writing team of the ACDA COVID-19 task force that drafted a document to assist choral directors at all levels during the pandemic.To get in touch with Jessica, you can email her at jessica.napoles@unt.edu or find her on Facebook (@jessica.napoles.1).Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“Contemporary commercial music is closer to the students’ everyday musical culture. There’s that component of culturally relevant pedagogy that both show choir and vocal jazz meet. They are a bit more naturally motivating to a majority of students, and we honor the musical culture of the United States and our popular styles from the last 100 years when we teach these things."Ryan Deignan is Assistant Professor and Director of Choral Activities at the University of Minnesota Duluth where he leads the flagship University Singers and the award-winning vocal jazz ensemble Lake Effect and teaches voice lessons, ear training, and vocal pedagogy. Deignan is the Artistic Director of the Twin Ports Choral Project and was a fellow at the 2022 Baylor International Choral Conducting Masterclass.In addition to teaching and conducting, Deignan performs as a professional vocalist. He performed with the Madison Choral Project in 2023 and sang with the new Baton Rouge choir Red Shift in their 2020 Southern ACDA performance, where he also served as tenor soloist. Deignan sang with Dallas’ Orpheus Chamber Singers and Dallas Bach Society, and community choir Denton Bach Society as tenor soloist for their performance of Rossini's Petite Messe Solennelle.At the high school level, Deignan was Director of Choirs for the West Des Moines Valley High School choral program of 350 students, seven traditional choirs, two show choirs, and four jazz choirs. Under his direction, Valley Singers performed at the 2016 North Central ACDA Convention in Sioux Falls, South Dakota. Prior to West Des Moines, Deignan was Associate Director of Vocal Music at Cedar Rapids Washington High School where he led a Slice of Jazz to the 2012 Iowa Vocal Jazz Championship.Deignan holds a BA in Vocal Performance from Luther College, an MA in Music Education from the University of Iowa and DMA in Choral Studies with a cognate field in Vocal Pedagogy from the University of North Texas.To get in touch with Ryan, you can email him at rpdeignan@gmail.com or find him on Facebook (@rdeignan) or Instagram (@rpdeignan).Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

"I didn’t want to do any middle level teaching because of behavior, but I ended up teaching eight years at Patrick Henry Junior High. I loved every moment of it. I learned that if the kids loved and trusted you, they would do anything for you. It was just so much fun to take what they were willing to give and do some good work with them. It all translated into how they behaved in choir."Cathleen Britton has been making music her entire life. She grew up in Aberdeen, South Dakota, and then studied music at The University of South Dakota, where she earned a Bachelor of Fine Arts and a Master’s Degree in Music Education. Britton has spent her career largely in Sioux Falls directing middle and high school vocal music programs. Her concert choirs have been selected repeatedly to perform at regional conventions, college music festivals and even at Carnegie Hall. Show choirs directed by Britton have received top awards at competitions in a multi‐state area. Outside school, Britton directed the Asbury Methodist Adult Choir for 15 years and was vocal conductor at the Augustana Summer Music Camp. She has served as Clinician and Festival Conductor at numerous conventions and competitions throughout the state and region. She traveled to Muscat, Oman as a festival conductor for the TAISM Festival of Choirs.Britton has fostered the growth of vocal music programs through her work in the American Choral Directors’ Association where she has served as Repertory and Standards Chairperson for Vocal Jazz and Show Choir, Publicity Chair, and Convention Clinician for the North Central Division of the ACDA. She also held the office of State President of the South Dakota Chapter of ACDA. In 1996, Britton received the Encore Award for excellence and achievement in choral music and in 2008 was presented with the Lifetime Achievement Award by her peers in the American Choral Directors’ Association‐South Dakota Chapter. Britton was honored as the South Dakota recipient of the National Federation of High Schools 2011 Outstanding Music Educator Award. She was their North Central regional recipient for the same award in 2017, and in 2020, she received a national citation from NFHS.To get in touch with Cathy, you can find her on Facebook (@cathy.clark.britton) or Instagram (@catbritton).Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

"The greatest lesson that I learned as a gig singer is that your career and reputation are built one chance at a time. You get one chance and one chance only. If I want people to go out on a limb for me and recommend me for a gig, then I have to make sure that I'm protecting their reputation as well as my own. That starts with never being late, always being prepared, and almost never missing a note." Dr. Stephen Caldwell is Associate Professor and Outgoing Chair of the Faculty Senate at the University of Arkansas. He is a nationally recognized conducting pedagogue and scholar, in demand as a clinician, conductor, and composer. At Arkansas, he conducts the nationally renowned Schola Cantorum, teaches the undergraduate sequence in conducting technique, graduate conducting lessons, and the graduate sequence in Choral History and Literature. Since his arrival in 2012, he has twice been awarded the Associated Student Government's “Top 10 Most Outstanding Faculty Award," he has received “The Golden Tusk” from the Division of Student affairs, he is a 4-time Outstanding Mentor, the inaugural recipient of the Paul Cronan Award for Excellence in Teaching with Technology and was named one of the “Top 10 Artistic People to Watch” in Northwest Arkansas.Under his direction and leadership, the Schola Cantorum has become one of the leading collegiate choirs in America, appearing at numerous conferences of NCCO, SWACDA, and ArkCDA, while touring internationally to the Republic of Serbia, Belgium, Germany, and Puerto Rico, and collecting more than half a million views on YouTube.He has conducted more than 40 works with orchestra and has prepared choirs for performance with the Philadelphia Orchestra, Delaware Symphony, Arkansas Philharmonic, and the Symphony of Northwest Arkansas. He has presented interest sessions at multiple regional and national conferences of the American Choral Directors Association and the National Collegiate Choral Organization and was an ACDA International Conducting Exchange Fellow in Kenya. He has conducted District, Region and All-State choirs across the country and his original, multi award-winning compositions and arrangements are performed throughout the world. Dr. Caldwell holds a Bachelor of Music Education from the University of Northern Colorado, two Master of Music Degrees from Temple University, and a Doctor of Musical Arts degree from Rutgers University.To get in touch with Stephen, you can email him at stephenc@uark.edu. You can find him on X (@DrC_UArk) or Instagram (@stephen_caldwell). Visit the University of Arkansas Choirs YouTube page for more information about the UArk Choirs: @uofascholacantorum .Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonRecording: "Weathers" performed by University of Arkansas Schola Cantorum from the album Wander-Thirst: The Choral Music of Florence Price

Thank you for listening to our show this season!!Here are the favorite choral pieces from our guests in the second season:Sommerpsalm, Waldemar ÅhlénChristmas Oratorio, Johann Sebastian BachKomm, Jesu, Komm; Johann Sebastian BachAgnus Dei, Samuel BarberBluegrass Mass, Carol BarnettAfternoon on a Hill, Eric BarnumMissa Solemnis, Ludwig van BeethovenThe Eyes of All Wait Upon Thee, Jean BergerChichester Psalms, Leonard Bernstein(x2)Ave Maria, Franz BieblBallad of the Brown King, Margaret BondsCredo, Margaret BondsSchicksalslied, Johannes BrahmsThe New Colossus, Saunder ChoiUnderneath My Foot, Jennifer Lucy CookPrayer of St. Francis, Robert DelgadoRequiem, Maurice Duruflé (x2)When the Violin, Reena EsmailImagine Me, Kirk FranklinDone Made My Vow, Adolphus HailstorkI Will Lift Up Mine Eyes, Adolphus HailstorkMessiah, George Frideric HandelZadok the Priest, George Frideric HandelSong of Democracy, Howard HansonBring Us, O Lord God; William HarrisLux Aeterna, Morten Lauridsen (x3)Sure on This Shining Night, Morten Lauridsen Fire Dance of Luna, Darius LimSymphony No. 2 "Resurrection," Gustav Mahler (x2)The Awakening, Joseph M. MartinStabat Mater, Giovanni Pierluigi da PalestrinaAnd So I Go On, Jake RunestadSelig Sind die Toten, Heinrich SchützCurse Upon Iron, Veljo TormisEternity, Alvin TrotmanIn the Middle, Dale Trumbore(x2)Requiem, Giuseppe VerdiO Quam Gloriosum, Tomás Luís de VictoriaHere are the composers that our guests suggested you check out:Amy BeachBrittney BentonArron BrattStephen ChatmanSamuel Coleridge TaylorEleanor DaleyWilliam DawsonR. Nathaniel DettMelissa Dunphy (see Choir Fam Episode 72)Maurice DurufléLeon FirštJosé Maurício Nunes GarciaCarlo GesualdoEdie HillShabaka HutchingsJuliette LaiGuillaume de MachautJoanne MetcalfRosephanye PowellFlorence PriceMarie-Claire SaindonValerie Showers CrescenzHeather SorensonBilly StrayhornGerald ThompsonAlvin TrotmanRalph Vaughan WilliamsBrandon WaddlesRuth Watson HendersonMary Lou WilliamsEmail choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from PexelsChoir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.

We want to hear from you! We'd love all our listeners to answer our Season 3 lightning-round questions for us to share with our audience. We are looking forward to getting to know you better.Email choirfampodcast@gmail.com with the following info:Subject Line: Choir Fam MinisodeFirst and last name, pronouns optionalCity and state you live inSchool where you teach or study, choral organization you work with, etc.Answer any and all of our lightning round questions:a. Beach or Mountain vacation?b. What was your favorite subject in HS that was NOT music?c. If you could go to a concert to hear any performer (living or dead), who would you pick?d. What is the best kind of sandwich?e. If you had to pick one favorite choral piece, what would it be?f. What is one composer that you feel needs more attention?g. What is your favorite memory associated with choral music?h. What projects are you working on right now that you’re excited about?Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

Choir Fam Minisode 3 includes Lightning Round answers from two of our Choir Fam listeners:Stephen SalamunovichRenton, WashingtonAnneliese ZookGarfield, WashingtonWe want to hear from you! We'd love all our listeners to answer our Season 1 lightning-round questions for us to share with our audience. We are looking forward to getting to know you better.Email choirfampodcast@gmail.com with the following info:Subject Line: Choir Fam MinisodeFirst and last name, pronouns optionalCity and state you live inSchool where you teach or study, choral organization you work with, etc.Answer any and all of our lightning round questions:    a. When you were in high school, who was your favorite musical artist?    b. If you could pick any career, other than music, what would it be?    c. Dogs or cats?    d. If you could be an extra in any movie you’ve seen, what movie would be?    e. If you had to pick one favorite choral piece, what would it be?    f. What is one composer that you feel needs more attention?    g. What is your favorite memory associated with choral music?    h. What projects are you working on right now that you’re excited about?Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

“The number one thing that I look for when I meet a younger conductor is imagination, someone who comes with ideas but also has a story to tell with the music. Often younger conductors are really worried about technique, the way they look, the way they rehearse, but it starts with imagination. What do you want to communicate? People are so worried about technique that they hide themselves. We want to see the person. Who are you and what do you have to say?”Prof. Jean-Sébastien Vallée is a renowned Canadian-American conductor, scholar, and pedagogue known for his expertise in vocal, choral, and orchestral repertoires. With an illustrious career spanning over several decades, Dr. Vallée has conducted numerous ensembles across North America, Europe, and Asia, and has prepared choruses for some of the world's most prestigious orchestras including the Toronto Symphony, the Montreal Symphony, the National Arts Center Orchestra in Ottawa, and the Chicago Symphony Orchestra.Currently serving as Associate Professor of Music, Director of Choral Studies, and Coordinator of the Ensembles & Conducting Area at the Schulich School of Music of McGill University, and as Artistic Director of the Toronto Mendelssohn Choir, Dr. Vallée is a sought-after conductor and pedagogue. He has previously served as the Director of Choral Studies at California State University, Los Angeles, and was on the choral faculty of the University of Redlands. Dr. Vallée holds degrees from Laval University, Sherbrooke University, the University of California, Santa Cruz, and a doctorate in conducting from the University of Illinois at Urbana-Champaign.Maestro Vallée's passion for contemporary music is evident in his work, as he makes it a priority to premiere and commission works by young composers and program rarely performed repertoire. Dr. Vallée has presented his research at several national and international conferences, including the American Choral Directors Association Conventions, Festival 500 in Newfoundland, the National Collegiate Choral Organization conference, Podium—the national convention of Choral Canada, the Hawaii International Conference on Arts and Humanities, and the World Symposium on Choral Music in Spain (2017), New Zealand (2020), and Portugal (2022).Maestro Vallée's recordings have been broadcast internationally and include Lux (ATMA, 2017), Requiem (ATMA, 2018 – requiems by Fauré and Duruflé), and Distance (ATMA, 2021). His recent engagements include concerts at the Liszt Ferenc Academy of Music in Budapest, a tour with the National Choir of Canada, and concerts with l’Orchestre symphonique de Québec, the Toronto Symphony Orchestra, and the Chicago Symphony Chorus. To get in touch with Jean-Sébastien, you can visit his website jsvallee.com or find him on Facebook (@sebastien.vallee) or Instagram (@jsvallee). Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“We are there to be servants of our community. A lot of amateur choirs can become bowling leagues; they show up on Wednesday night, they have a great time, and that’s the reason they do it. I think the trick is to satisfy the needs of our singers, develop them as artists and people, but also make the focus constantly about reaching out to our audience: how do I find pieces that are going to meet my singers where they are, challenge them pedagogically, and bring people to my concert and make it impactful?”Erick Lichte enjoys a diverse career as a conductor, composer, and record producer.As a founding member, singer, and Artistic Director of the male vocal ensemble Cantus, Lichte created and sustained one of only two full-time vocal ensembles in the United States. From 2000-2009, Lichte’s programming and artistic direction were heard in over 60 concerts a year and he has collaborated with artists such as Bobby McFerrin, the Boston Pops, and Minnesota Orchestra.In January 2013, he began his tenure as Artistic Director of Vancouver, Canada’s Chor Leoni Men’s Choir. Since that time, he has grown the choir into one of the most active and popular amateur choirs in North America, performing over 35 concerts a year. His first recording with Chor Leoni, Wandering Heart, received a perfect five-star review from the UK’s prestigious Choir and Organ Magazine.  In the summer of 2018, he led Chor Leoni to multiple awards and Grand Prix appearances at both the Singapore and Bali International Choral Competitions. In 2020, his world premiere recording of When There Is Peace: an Armistice Oratorio was nominated for a JUNO Award.His work with Cantus and Chor Leoni garnered him both the 2009 and 2019 Margaret Hillis Award for Choral Excellence, the highest honour from the professional choral organization Chorus America. He is only the second conductor to have ever won this award with two ensembles.Lichte is an active proponent of new music and has commissioned over 300 new works from composers such as Lee Hoiby, Eriks Esenvalds, Gavin Bryars, Jocelyn Morlock, Steven Sametz, Edie Hill, Mary Ellen Childs, and Zachary Wadsworth among many others.As a record producer, Lichte has made over 30 albums. His recent release for Naxos of the choral music of Eriks Esenvalds spent multiple weeks as the number one classical album on the Billboard charts.He is also an active composer and arranger, especially known for co-creating All is Calm: The Christmas Truce of 1914 which has toured North America annually and been performed on three continents. The work’s 2018 off-Broadway run in Greenwich Village garnered Lichte a Drama Desk Award for both his composing and his musical direction. In November 2020, a filmed version of this production will air across the United States distributed through PBS.To get in touch with Erick, you can reach out on Instagram (@ericklichte) or on Facebook (@erick.lichte). You can also check out Chor Leoni's YouTube page (@chorleoni).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonAudio clip: "Will Ye Go to Flanders" from All Is Calm

“So many people view conducting as a reflection of the music, and if that works for them, that's great. I view conducting as a reflection of the movement. Undergrads aren't always predisposed to musical language, but they are already predisposed to the language that Laban uses: time, space, weight, flow. Instead of saying 'that's not marcato enough,' you could instead say 'that's not heavy enough’ or ‘direct enough.’ That's language that we're already familiar with as people.”Dr. Eric Rubinstein is Director of Choral Activities and Assistant Professor of Music at Nazareth University, where he directs the Chamber Singers and Treble Choir and teaches additional coursework in conducting and music education. Prior to his appointment at Nazareth, Dr. Rubinstein served as Assistant Professor of Choral Music Education at the Aaron Copland School of Music, Queens College (CUNY).Ensembles under his direction have been recognized across New York and New England for performances of the highest artistic caliber. Program highlights with the Nazareth Chamber Singers include a performance tour of Poland, a year-long partnership with Nazareth’s Department of Theatre and Dance, and an invited performance at the 2023 NYSSMA Winter Conference. Dr. Rubinstein led the Queens College Treble Choir to invited performances at the 2022 ACDA Eastern Division Conference in Boston, MA and as the demonstration choir for the 2019 NYSSMA Winter Conference conducting masterclass. The Treble Choir was also honored in 2022 by The American Prize.As a secondary school choral director, Dr. Rubinstein amassed a decade of high school teaching in Monticello and Westhampton Beach, NY, where he concurrently served on the music education faculty at CUNY Brooklyn College. Under his direction, the choirs were honored to perform at Carnegie Hall, Chautauqua Institute, and abroad, and were featured at the 2015 NY-ACDA Conference at the Eastman School of Music. Dr. Rubinstein has also served on the artistic faculty for the New York State Summer School of the Arts, and remains active as a guest conductor, clinician, and adjudicator for various choral festivals and conferences.Dr. Rubinstein is a member of NAfME and ACDA, where he also serves as a New York- ACDA Repertoire & Resources co-chair for LGBTQIA+ Choral Music. He holds Choral Conducting and Music Education degrees from Louisiana State University (D.M.A), Michigan State University (M.M.), and SUNY Fredonia (B.M.).To get in touch with Eric, you can email him at erubins6@naz.edu or find him on Facebook: https://facebook.com/erubinstein .Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

"The question I had to ask myself was, 'Do you want to change who you are as a composer just so can match a particular sound that is in fashion or is expected of you in the concert hall world or do you want to say true to yourself as an artist?'" Time and time again, whenever this question pops up, it's always you turn towards yourself and ask yourself who you are and you stay true to who you are. You don't change your sound based on what is in vogue in the music world. Be true to yourself. Be the best version of yourself and don't try to be a second-rate version of anyone else."Christopher Tin is a two-time Grammy-winning composer of concert and media music. His music has been performed and premiered in many of the world's most prestigious venues: Lincoln Center, Kennedy Center, Hollywood Bowl, the United Nations, and Carnegie Hall, where he had an entire concert devoted to his music. He has also been performed by ensembles diverse as the Royal Philharmonic Orchestra, National Symphony Orchestra, Metropole Orkest, and US Air Force Band.His song "Baba Yetu", originally written for the video game Civilization IV, is a modern choral standard, and the first piece of music written for a video game ever to win a Grammy Award. His debut album, the multi-lingual song cycle Calling All Dawns, won him a second Grammy in 2011 for Best Classical Crossover Album, and his follow-up release The Drop That Contained the Sea debuted at #1 on Billboard's classical charts, and premiered to a sold-out audience at Carnegie Hall's Stern Auditorium. His third album To Shiver the Sky also debuted at #1, and was funded by a record-breaking Kickstarter campaign that raised $221,415, smashing all previous classical music crowdfunding records. His fourth album, The Lost Birds, is a collaboration with acclaimed British vocal ensemble VOCES8 and was nominated for a Grammy Award in 2023.Tin is signed to an exclusive record deal with Universal under their legendary Decca label, published by Concord and Boosey & Hawkes, and is a Yamaha artist. He works out of his own custom-built studio in Santa Monica, CA.To get in touch with Chris, you can visit his website, christophertin.com, or find him on Instagram (@christophertinmusic) or Facebook (@christophertinmusic).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“The music that I fell in love with that made me want to be a musician when I was a young teenager was not loved because it’s super difficult. That’s not the reason you love music. You love music that makes you feel and makes you think. If something is challenging, that feeling of reaching the finish line and being able to create a performance that you’re proud of is super rewarding. If something is impossible, that doesn’t excite me.”Born in Australia and raised in an immigrant family, Melissa Dunphy herself immigrated to the United States in 2003 and has since become an award-winning and acclaimed composer specializing in vocal, political, and theatrical music. She first came to national attention when her large-scale work the Gonzales Cantata was featured in The The Wall Street Journal, The Atlantic, National Review, and on Fox News and The Rachel Maddow Show, where host Rachel Maddow described it as “the coolest thing you’ve ever seen on this show.”. Other notable works include the song cycle Tesla's Pigeon, which won first place in the NATS Art Song Composition Award, and choral work What do you think I fought for at Omaha Beach? which won the Simon Carrington Chamber Singers Competition and has been performed nationally by ensembles including Chanticleer and Cantus.Dunphy is the recipient of a 2020 Opera America Discovery Grant for Alice Tierney, an opera commissioned by Oberlin Conservatory which premiered in 2023 at Oberlin and Opera Columbus. She has been composer-in-residence for the Immaculata Symphony Orchestra, Volti, and the Saint Louis Chamber Chorus, and her commissions include works for the BBC Singers, VOCES8, Mendelssohn Chorus, and the Kennett Symphony. Dunphy is also a Barrymore Award-nominated theater composer and is Director of Music Composition for the O'Neill National Puppetry Conference.Dunphy has a Ph.D. in composition from the University of Pennsylvania and a B.M. from West Chester University and is on faculty at Rutgers University. She is president of the board of directors for Wildflower Composers and serves on the board of Lyric Fest. She lives in Philadelphia with her husband, Matt; the Dunphys are currently the owners and developers of the Hannah Callowhill Stage, a new performance venue in Old City Philadelphia which they hope to open in 2026 for the 250th anniversary of the birth of America, and co-hosts of the popular podcast The Boghouse about their adventures in Philadelphia colonial archaeology.To get in touch with Melissa, you can visit her website, melissadunphy.com or find her on Instagram (@mormolyke) or Facebook (@mormolyke).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“You can’t be a good teacher, you can’t be a good conductor, without being a good human being... I’m grateful that I have stuck with so many of the things that felt true to me. I’m honest and vulnerable but also still open to learning from other people, because everything that I do is not right. If I realize it’s not right, I need to ‘fess up to it really quickly.”A Virginia native, Marques L. A. Garrett is Associate Professor of Choral Studies at the University of North Texas. He earned his PhD in Music Education (Choral Conducting) at Florida State University.An active conductor, Dr. Garrett is the founding conductor of the Nebraska Festival Singers. He has served as a guest conductor or clinician with several school, church, community, and festival/honor choirs throughout the country. In addition to his conducting classes at UNT, he leads conducting workshops at other universities and conferences.A versatile voice that performs both as a baritone and countertenor, Dr. Garrett has sung with several community, church, and university groups as both a chorister and soloist. He was the countertenor soloist in the European premiere of Dan Forrest’s Jubilate Deo in Limerick, Ireland. Currently, he sings with the Festival Singers of Florida and Jason Max Ferdinand Singers.Dr. Garrett is an avid composer of choral and solo-vocal music whose compositions have been performed to acclaim by high school all-state, collegiate, and professional choirs including Seraphic Fire and the Oakwood University Aeolians. His compositions are available through several publishers.To get in touch with Marques, you can visit his website, mlagmusic.com or find him on Facebook (@marques.l.a.garrett) or Snapchat/Instagram/X (@mlagmusic).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“My professional career comes from something that I did not study. I think it’s called the hidden curriculum - things that you learn that are not on your schedule that are many times equally or more important as things on the schedule. Now, don’ t tell your students not to study and only spend time doing whatever they do. The combination is the secret - the inspiration you get from your fellow students and teachers.”Born in Stockholm, Anders Edenroth started playing piano and singing in choirs at an early age. From ages 10 to 20 studying at Adolf Fredrik’s School of Music in Stockholm he experienced a strong focus on choir singing. Continuing with five years of studies at The Royal Academy of Music in Stockholm, he and his fellow-students formed an a cappella quintet – The Real Group. In the two years following their Masters qualifications, all five group members studied together on a specially-designed postgraduate course resulting in a diploma of the highest standing.For The Real Group Anders Edenroth has written and published many original songs, and arrangements of well-known standards, constantly exploring the development of new vocal textures and the integration of vocal percussion and rhythmic effects. He has been awarded several grants from The Swedish National Council for Cultural Affairs and Swedish Performing Rights Society (STIM). He has also worked as a keyboard player within the jazz and pop domain and as a writer of television scores and music for commercials. Over the years he has engineered and produced albums for many artists as well as arranging music for other vocal groups, for big bands, symphony orchestras and stage shows. Since 1989 he has been a full-time singer performing with The Real Group in more than 40 countries and has recorded 20 albums, many of which he also produced. Anders is also much appreciated for his many masterclass workshops, both at the two major TRG Festivals, and at venues on their international tours.His off-stage interests include cooking (which leaks into some of his compositional ideas) and environmental conservation. One of his favourite influences is Stevie Wonder although he listens to all kinds of music. He thinks that if not a musician, his creative instincts might have manifested as an inventor and he plans to one day publish a book entitled ‘Incredible Inventions’ or ‘Totally Ingenius’.To get in touch with Anders, you can visit his website, www.andersedenroth.com, or find him on Facebook (@anders.edenroth) or Instagram (@andersedenroth).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

"When you're singing choral music, you can't be thinking about all those other things that are going on in your life. It takes incredible mental focus. People would say to me, 'how do you have time to sing in a choir when you're working on a doctorate?' and I would tell them that for me, it's like getting a mental holiday. It revives me. It refreshes me. It fills a different part of my soul and my brain and actually helps in all the other things that I was able to accomplish."Dr. Elizabeth Chilton was named the inaugural Chancellor of the WSU Pullman campus in the fall of 2021. Chilton joined WSU as provost and executive vice president in July of 2020 and began serving in her dual role in January 2022.A first-generation college student, Chilton earned her PhD at the University of Massachusetts Amherst, after earning her BA at the University at Albany, State University of New York at Albany.From 2017 to 2020 she served as dean of the Harpur College of Arts and Sciences at Binghamton University, one of the largest universities in the SUNY system. Prior to her tenure at Binghamton, Chilton spent nearly 16 years as a professor and leader at the University of Massachusetts. She served as a professor, anthropology department chair and associate vice chancellor for research and engagement, among other roles. She worked toward making the institutions she’s served more accessible, diverse, and inclusive.After earning her PhD, Chilton got her start in academia at Harvard University, where she was a tenure track assistant professor and served as the Associate Curator for the Archeology of Northeastern North America at the institution’s Peabody Museum.In addition to her administrative roles, Chilton is a respected author, teacher, and scholar of New England archeology and Native American studies.Chilton serves as president of the Archaeology Division of the American Anthropological Association, and has served as a faculty fellow for the Higher Education Leadership Programs for Women, or HERS, which aims to create and sustain a diverse network of bold women leaders. She’s been involved in more than a dozen conferences since 1999, serving as an organizer as well as a moderator and panelist, and is the author of dozens of peer-reviewed book chapters and journal articles.To get in touch with Elizabeth, you can find her on Twitter (@EChiltonWSU) or Instagram (@echiltonwsu). You can also email her at pullman@wsu.edu. Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“Being text-focused has been really beneficial and a change from the way I’ve seen concerts programmed in the past: ‘Do the keys align? What is the soundscape?’ Those things are important, but for these concerts, the message that we’re putting out there has to be priority. We are choral musicians, and we have words and stories to share, and those have to take precedent.”Dr. Alexander Lloyd Blake works as a conductor, composer/arranger, vocal contractor, singer, and music activist. Blake is the Founding Artistic Director of Tonality, an award-winning choral ensemble focused on spreading a message of unity, peace, and social justice through a culturally diverse choral setting. He also serves as Principal Associate Conductor of the National Children’s Chorus.As an arranger, Blake’s “Wade in the Water” was a featured arrangement at the 2013 North Carolina Music Educators Association convention and is published with Santa Barbara Music Publishing. His choral arrangements are published by Alliance Music Publishing and Walton Music Publishing. Other musical activities include an opera conducting premiere at the 2019 Prototype Festival in New York City, preparing choirs for live performances with UCLA Center for the Art of Performance, and vocally arranging for a nationally televised performance during the 2022 MLB All-Star Game.Recent film and TV credits include singing on the soundtrack of Jordan Peele’s “Us,” Disney’s “Lion King,” and Pixar’s “Spies in Disguise,” and leading sessions for Warner Bros "Space Jam: A New Legacy" and Netflix film "Escape from Spiderhead." Blake also worked as the choral contractor and vocal arranger for Andy Grammer’s performance at the 2019 ARDYs (Radio Disney Awards). Blake recently prepared singers for the 2020 Grammy Awards and performed at the 92nd Academy Awards.Blake completed the Doctorate in Musical Arts degree at the University of Southern California in 2019, the Master of Music degree at the University of California Los Angeles in 2014, and the Bachelor of Arts degree (cum laude) in Vocal Performance at Wake Forest University in 2010.To get in touch with Alex, you can find him on Instagram: @alexanderlblake. To learn more about Tonality, look for @ourtonality on Instagram or Facebook.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Ryan W. Holder is currently in his eighteenth year as the Associate Director of Choral Studies at Northern Arizona University (Flagstaff, AZ), where he directs Vox Astra and the Northern Voices and High Altitude vocal jazz ensembles, teaches undergraduate and graduate conducting and choral methods, supervises choral student teachers, and serves as the adviser for the NAU student chapter of the American Choral Directors Association and the three contemporary a cappella groups.  In addition, he is the coordinator of the annual Jazz/Madrigal festival, which brings in over 85 high schools and 145 choirs every year.Dr. Holder has given lectures and presentations at local, state, and regional ACDA and NAfME conventions, including a lecture on “Making the Transition from Classical to Vocal Jazz”.  His vocal jazz ensembles have also been invited to perform throughout the Southwest, including performances at state and regional ACDA conferences, and was one of only three vocal jazz ensembles selected to perform at the 2012 Jazz Educators Network Conference in Louisville, Kentucky.Ryan has served as the Arizona State ACDA President as well as on the ACDA National Committee on Educational Technology.  He also serves as the director of music at The Church of the Red Rocks in Sedona, Arizona where he is the founding artistic director of the Sedona Academy of Chamber Singers.Dr. Holder received his DMA degree from the University of Miami in addition to bachelor’s and master’s degrees from Southern Oregon University and University of Northern Colorado, respectively.To get in touch with Ryan, you can email him at Ryan.Holder@nau.edu or find him on Instagram (@the_ryan_holder).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“I really thought I wanted to be a high school teacher, but the first job I got was in elementary. That turned out to be the best ‘teaching-me’ experience I could have had, because I learned that if one could get music across to people without much background, you can get it across to anybody.”Dr. Hilary Apfelstadt is Professor Emerita of Choral Studies at the University of Toronto where she held the Elmer Iseler Chair in Conducting and received the inaugural Teaching Excellence Award in 2013. Previously she taught at the Ohio State University and the University of North Carolina at Greensboro, after receiving her doctorate from the University of Wisconsin-Madison. She also holds degrees from the University of Toronto and the University of Illinois at Champaign-Urbana. Her teaching experiences range from teaching public school to directing community ensembles and church choirs. From 2013 – 2018, she was Artistic Director of Exultate Chamber Singers in Toronto.A native Canadian, she has performed with her university choirs at conferences of the American Choral Directors Association (ACDA), and at Podium, the national conference of Choral Canada. She has conducted honors choruses throughout Canada and the U.S., including almost 40 all-state high school choirs. She has directed choral festivals at Lincoln Center, Carnegie Hall, and throughout Europe.Dr. Apfelstadt has published numerous articles and book chapters, including contributions to Wisdom, Wit and Will: Women Choral Conductors on their Art (GIA Publications, 2009) and Conducting Successful Women’s Choirs (GIA, 2012).  She is co-editor of Teaching Music through Performance in Choir, v. 5, published by GIA (2019), and a contributing author to Volume 4 of the same series.  Her book on the life and work of Canadian composer Ruth Watson Henderson, I Didn’t Want It To be Boring (Toronto: Prism Publishers) won Choral Canada’s award for the Outstanding Choral Publication in 2018.  She is Feature Articles Editor for Anacrusis (Choral Canada) and an Editorial Mentor for The Choral Scholar (NCCO). She also serves on the Board of Chorus America.A Life Member of ACDA, Dr. Apfelstadt served as National President from 2007 – 2009 and as Interim Executive Director from 2020 – 2021. She has received leadership awards from NC-ACDA, Ohio CDA, ACDA Central Region, ACDA Midwestern Region, and Choirs Ontario.To get in touch with Hilary, you can email her at hilary.apfelstadt@utoronto.ca or find her on Facebook (@HilaryJApfelstadt).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson