The Color Timer Podcast

Digital cinema and television colorist Vincent Taylor hosts a discussion about color. In this trailer, discover the topics Vincent will cover and why he calls this a 'micro-podcast'. This is a 12-episode podcast series.

Rory Gordon is one of the most experienced HDR colorists working in television and streaming, with experience finishing over 120 episodes in HDR10 and Dolby Vision.During our 15-minute conversation, Rory articulates very clearly her process and love of color. She’s also created amazing artwork, including a series of physical clocks that explore the color timeline of films and display those color changes around the clock’s face!The homepage for this episode, with full show notes, can be found here:https://mixinglight.com/color-grading-tutorials/color-timer-aurora-gordon-ep-101/- - -Producer: Kayla UribeExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.comPodcast on YouTube: https://www.youtube.com/playlist?list=PLYBfZs5q3JKyLAmryR9LRp_nKaag7Bj3h

Eric Weidt has worked as a Colorist on impressive projects such as Mindhunter and Mank. He spent 15 years in Paris working with fashion photographers and filmmakers (developing look-up tables) and has a BA in theatre arts.Eric has worked exclusively with director David Fincher since 2015. We delve into his relationship with the famous director and explore his process for his incredible Black & White work in the motion picture ‘Mank’. We even talk about the one film he would watch if he only had one choice (stuck on a desert island with electricity).The homepage for this episode, with full show notes, can be found here:https://mixinglight.com/color-grading-tutorials/interview-eric-weidt-color-timer-podcast-102/- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.comPodcast on YouTube: https://www.youtube.com/playlist?list=PLYBfZs5q3JKyLAmryR9LRp_nKaag7Bj3h

The homepage for this episode, with full show notes, can be found here:https://mixinglight.com/color-grading-tutorials/color-aura-spiritualist-nina-ashby-color-timer-podcast-ep-103/- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.comPodcast on YouTube: https://www.youtube.com/playlist?list=PLYBfZs5q3JKyLAmryR9LRp_nKaag7Bj3h=======I was drawn toward Nina’s work because of her book, “Color Therapy”. After researching further, I discovered that Nina works with Color Energy. This energy, or aura, is considered an unseen field of energy surrounding a person’s physical body. These auras are affected by mood and emotional state.Nina has a career spanning 40 years; she has studied Spiritual Philosophy, Meditation, various forms of bodywork and energy healing – and much more!During our 15-minute conversation, we speak about what it was like as a child to understand what she was seeing, her determination to learn more about that, and the lifelong journey this took her on.Learn More About Nina AshbyVisit Nina’s websiteConnect with Nina on LinkedInBook: Colour Therapy, Orion Plain and Simple (2018)Book: Simply Color Therapy (2007)Psychic learning materials – Nina Ashby

Full episode notes and links: mixinglight.com===Ana Escorse is a senior colorist at Toronto’s Studio Feather. Ana was born and raised in Brazil and was influenced by her exposure to Brazillian Baroque art at a young age. Last year Ana was recognized at the Filmlight Color Awards, where she won the award for Best Music Video. This year she returns to the color awards as a judge.During our conversation, Ana discusses the industry’s challenges, her influences, and what it’s like to be a judge.- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Peter Doyle is a colorist like no other. To write an introduction for a man who really doesn’t need an introduction is challenging. I’ve followed Peter Doyle’s career for the past two decades, ever since the release of The Lord of the Rings Trilogy.During our conversation, Peter discusses the role of a colorist within the creative team, how to use language to put (new) filmmakers at ease, appreciating the cultural context of color, and a colorist’s explanation of metameric failure within the rise of laser projectors.For the uninitiated, Peter Doyle is a supervising colorist at PostWorks NY, whose 70+ credits include The Tragedy of Macbeth, Paddington 2, The Edge of Tomorrow, Inside Llewyn Davis, and many more!Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/15-minutes-with-legendary-colorist-peter-doyle-the-color-timer-podcast/- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/interview-tattoo-artist-jhon-gutti-color-timer-podcast-ep_106/=======In this special episode of The Color Timer Podcast, I head out on the road to visit award-winning tattoo artist Jhon Gutti in his LA studio. Originally trained as an architect in Colombia, Jhon has worked as a tattooist for over 10 years, with 20 years of practice under his belt, specializing in stunningly realistic black and grey tattoos.During our conversation, Jhon shares his approach to:- Creating separation between the black ink and the skin tone- Selecting the right clients- Managing his three tones of black- Handling the uncontrollable variables of tattooing human skin.- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comLearn DaVinci Resolve: https://mixinglight.com/davinci-resolve-training/Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/interview-color-scientist-matthew-tomlinson-color-timer-podcast-107/=======Matthew Tomlinson is the head of color science for Harbor Picture Company, and his incredible list of credits includes Suicide Squad, Skyfall, The Avengers, Matrix Revolutions, Air Force One, Once Upon a Time... in Hollywood, Passing, Dark Crystal: Age of Resistance, and The Irishman - to name just a few :-)During our conversation, Matthew shares what a color scientist actually does, the interpersonal skills he needs to shepherd the Show Look through the entire pipeline, and the joyful moment when the colorist, DP, and color scientist can create digital jazz together.- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/15-minutes-with-filmmaker-michael-henry-the-color-timer-podcast---Michael Henry is an old friend and a veteran filmmaker best known for his feature film debut, Blame, which was selected for entry into numerous top film festivals worldwide.During our conversation, Michael discusses what it’s like to be a color-blind creative, building trust with your team, and the essential nature of tonality in cinematography.- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/kali-bateman-emily-reid-color-timer-podcast/---I worked with Kali Bateman many years ago in Australia, and I jumped at the opportunity to speak with both her and Emily about the relationship between the Colorist and Color Assistant and their new venture, 'The Colour Suite'. (Yes, that’s how Color is spelled in other parts of the world!)Kali Bateman is a Senior Colorist for film and television and has been involved with many amazing projects, including Venom: Let There Be Carnage, Jungle Cruise, Ghostbusters: Afterlife, Wonder Woman: 1984, and Baz Luhrman’s masterpiece Elvis.Emily Reid began her career as a camera assistant and freelance cinematographer. She crossed over into post-production as an assistant colorist. Under Kali’s supervision, Emily has grown into the role of Colorist and led numerous grading projects.- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/michael_murdoch_associate_professor__color_science/---It is my absolute pleasure to speak with the Associate Professor in Color Science from the Rochester Institute of Technology, Mr. Michael Murdoch. Our conversation covered the gamut of all things color:- Perception- Quantifying color- Image science- Film stocks- Display technology- Careers in the field of color research- Augmented reality- His position as the Director of the Munsell Color Science Laboratory- The one color the universe doesn’t needI may have broken my sand timer rule repeatedly to keep this conversation going. But this is undoubtedly a perfect conversation for the Color Timer Podcast – I hope you enjoy it!- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/steve-shaw-color-timer-podcast/------------Steve Shaw is the CEO of a company called Light Illusion. The journey that Steve has taken to get to where he is now is a fascinating one, and the products that his company is offering are a testament to that journey.As a colorist, you may wonder, why do I need monitor or projection calibration?In simple terms, the answer is fairly logical – so you can trust your display (and your eyes). In speaking with Steve Shaw, you quickly find that the topic goes much deeper, and he is the perfect person to explain it!----------Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-interview-with-paul-harrison/======Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.Paul Harrison’s professional journey has covered just about every corner of the industry that could possibly be painted 18% gray. Currently, Paul is the Senior Colorist and Partner at Residence Pictures and has completed the visually stunning The Killing Kind (Paramount +) and The Gallows Pole (BBC).From humble beginnings as an on-set runner, to learning the dark arts of telecine with a Pandora Pogle, to honing the look of top-notch brands like Guinness, Levi’s, and BMW; Paul shares his insights and his inspiration.One of the world’s top colorists, Paul Harrison has been continually ranked amongst the top three finishing artists in the UK throughout his career, frequently topping the Televisual Best Colorist polls as well as winning successive BTAA awards for best colorist.Chatting with Paul feels like chatting with an old friend, he quickly puts you at ease and I would imagine that this is something that would make those long hours in a color session so much easier.- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com