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Double Feature
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In this free podcast, Alice Thirteen and Michael Koester discuss two movies in-depth using their favorite tools: blasphemy, skepticism, dirty words and bloodlust. Double Feature takes a positive look at films of all genres, and finds even horror and exploitation movies have amazing things to offer.
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Country side gets fucked in to grounded movies that spin into surreal wtf nightmares. Deerskin, also known as Le daim, also known as this weird fucking Quentin Depieux film. One cannot prepare for Depieux weird. What the jacket really wants. … Continue reading →
The post Deerskin + Get Duked! first appeared on Double Feature.
For the last episode of Double Feature, the show declares victory in the war on religion. Mission Accomplished! With religion completely eradicated in the United States, Americans can focus on what really matters: self-pleasure! Double Feature takes a look at … Continue reading →
The post Oh, God! + Yes, God, Yes first appeared on Double Feature.
Good and evil nonsense. A new release honors the late John Carl Buechler’s original gore effects as the Tammy and the T-Rex Vinegar Syndrome restoration blurs the line between 1994 release and 2019 release. Freshening up an old Double Feature … Continue reading →
The post Tammy and the T-Rex + Behind the Curve first appeared on Double Feature.
The final stop in the Studio Ghibli stop motion adventure. The journey comes to and end as year finale questions are flirted with. What Porco Rosso means to someone who has just watched a string of Studio Ghibli films. A … Continue reading →
The post Porco Rosso + My Life as a Zucchini first appeared on Double Feature.
Adrift in the world. Two Americans get Lost in Translation. The midlife crisis is a redux of the 20 something finding their place in the world. 2003, Focus Features, and the rise of the existential indie into the mainstream. It’s … Continue reading →
The post Lost in Translation + He Died with a Felafel in His Hand first appeared on Double Feature.
Addiction to normalcy. Moving demanding conversation: the style of the Sound of Metal debut could mark the return of the film festival style release (even if there was no festival). An entire way of life is threatened, and with it … Continue reading →
The post Sound of Metal + Jacob’s Ladder first appeared on Double Feature.
Art-smut! Tentacles and sea-foam reign as Double Feature continues to live deliciously. The Lure find another coming of age use for genre metaphor. What are the rules of the world in The Lure and more importantly, to what ends are … Continue reading →
The post The Lure + The Untamed first appeared on Double Feature.
Mainstream films with the stomach for sexuality identity discourse. Booksmart makes an appeal to both blockbuster and niche audiences. Rewatchability – how editing and pace and reward an audiences many times over. Challenging the far too common trope of sexual … Continue reading →
The post Booksmart + Moonlight first appeared on Double Feature.
Punishing cinema gets criminal. Memories of a Murder subvert the ringer trope. What makes this Bong Joon-ho film truly upsetting. South Korean cinema creeps up on Double Feature in a retrospective of the films covered so far. The unrated cut … Continue reading →
The post Memories of Murder + The House That Jack Built first appeared on Double Feature.
Sex and sexploitation. Artfuck films ask the world to rethink their preconceptions on cinema and smut. Chelsea Girls provides a deep dive into Andy Warhol. What is actually on the screen during the runtime of Chelsea Girls? Why is it … Continue reading →
The post Chelsea Girls + Bad Girls Go to Hell first appeared on Double Feature.
Rooting for smart people to solve the room. Matt Damon is making it work on Mars. Building a narrative feature film with a protagonist who has no one to interact with. Charm and charisma is apparently how you avoid 90 … Continue reading →
The post The Martian + Fermat’s Room first appeared on Double Feature.
Two fills that could nearly get away with the same synopsis. Another music video director turned feature storyteller. Queen Latifah proves to be an amazing on-screen force. Character-drive heisting. Remembering back to the good times. The one scene in Set … Continue reading →
The post Set it Off + Sugar and Spice first appeared on Double Feature.
This stop on the Studio Ghibli meets stop motion adventure takes the infamous final act turn. Two of the most divisive movies in their series. The burden of expectations. First, Tales from Earthsea takes a popular fantasy series of fiction … Continue reading →
The post Tales from Earthsea + Corpse Bride first appeared on Double Feature.
Agatha Crispies. A little bit of “if you like American movie, try foreign movie”. Knives Out + 8 Women. First, Kate Hagen brings attention to an alarming trend that’s causing films to be completely lost to new audiences. Knives Out … Continue reading →
The post Knives Out + 8 Women first appeared on Double Feature.
Mysterious family lineages lead to some nightmarish happenings. Pieta is an intense film even before the legacy of the director. How pieta manages to be about not only interpersonal conflict but also class warfare. Blue My Mind becomes a conduit … Continue reading →
The post Pieta + Blue My Mind first appeared on Double Feature.
Truth and fiction are blurred in a look at why some bands make it and some don’t. Dig! as a documentary everyone who cares about art should see (whether they like music or not). Oh hey wait, it’s THAT band. … Continue reading →
The post Dig! + Killing Bono first appeared on Double Feature.
Two emotionally damaged people go on the warpath. Creating a pitch for Destroyer. The marketing and presentation of Destroyer – which buttons to push? Not the first Karyn Kusama for Double Feature. Taboo sexual encounters for the record books. Elevated … Continue reading →
The post Destroyer + You Were Never Really Here first appeared on Double Feature.
Maniac Cop films 1-3. A look at the entire Maniac Cop franchise, William Lustig, Larry Cohen, and Robert Z’Dar’s Maniac Cop! Trying to talk about killer cops after the popular conscious has realized that cops are a self-sorted bunch of … Continue reading →
The post Killapalooza 40: Maniac Cop first appeared on Double Feature.
Psychosexual arthouse films are not for everyone. Actually, it could be argued that they’re not for anyone. This is not the most important conversation in cinema – it’s what people who see too many weird movies discuss in the safety … Continue reading →
The post Elle + The Piano Teacher first appeared on Double Feature.
Double Feature takes a trip to San Francisco to welcome its newest resident. Two films taking place in the city by the bay. Taking on the plot of Bullitt instead of spending twenty minutes talking about the edit of that … Continue reading →
The post Bullitt + The Last Black Man in San Francisco first appeared on Double Feature.
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