Street Photography Magazine Podcast

When Sandra Catanio Adorno picked up a camera for the first time, she was 60 years old. She had no photography background, no formal training, and by her own admission, took "horrible" photographs at first. But a workshop with Alex Webb and Rebecca Norris Webb sparked something that would completely reshape the way she experienced the world. Today, Sandra is an internationally recognized street photographer, the author of four acclaimed photobooks, and the creator of a stunning solo exhibition at the 61st Venice Biennale. Before we even began recording, Sandra insisted on giving me a tour of her exhibition. As she walked through shimmering silver prints, a fragmented mosaic, and fabric installations overlooking the canals of Venice, it became clear that her work isn't just about photographs. It's about curiosity, experimentation, and inviting people to see familiar things in new ways. In this conversation, we talk about discovering creativity later in life, collaborating with artists and publishers, new ways of seeing, and why Sandra believes we all have far more potential than we realize. Whether you've been making photographs for decades or are still waiting for the "right time" to begin, Sandra's story is a reminder that it's never too late to discover something that changes your life. Music licensed through Soundstripe. Code: WNIAYRXERNI7IJSK, DG8RDKJBNFDFSCWJ, 3C7DR8CJAKJYRS9J

What happens when you discover thousands of photographs your father made decades ago, including images you never knew existed? In this episode, Ashley Riffo and Bob Patterson talk with Andrew Baer about the remarkable story behind the work of his father, photographer John Baer. Andrew shares how four boxes of prints and negatives sat with him for 27 years before he and his wife, Megan, began uncovering what was inside. We talk about the years of scanning, research and detective work that followed, the extraordinary team that helped bring John’s photographs into book form, and what Andrew learned about his father along the way. We also hear about the creation of the John Baer Archive and Andrew’s hope that these photographs will continue to inspire new stories, art and interpretations for years to come. Learn more about the book and the John Baer Archive: https://johnbaerarchive.com/ Read our full feature on John Baer in Street Photography Magazine: https://streetphotographymagazine.com/article/john-baer-what-we-leave-behind/ ABOUT STREET PHOTOGRAPHY MAGAZINE Street Photography Magazine is the official journal of street and documentary photography. SPM is dedicated to sharing the stories, work and experiences of street and documentary photographers from around the world. Subscribe for more conversations with photographers, monthly features and stories from the street. https://streetphotographymagazine.com/subscribe/ ▶ HOW TO SELF-PUBLISH A PHOTO BOOK Andrew had the opportunity to work with an incredible team to bring his father’s archive to life. But you don’t need a publisher or an industry connection to turn your own photography into a book. Our self-publishing course walks you through the process, from shaping your idea and editing your photographs to design, printing and getting the finished book into your hands. Learn more: https://streetphotographymagazine.com/learn/ Music licensed through Soundstripe. Code: HFVSIOPRJJ1D1HGW

Photographers Wayne Campbell and Wayne Crichlow join Bob Patterson and Ashley Riffo to talk about their new collaborative photo book, Carnival of Resistance, documenting the culture, history, joy and defiance of London's Notting Hill Carnival.

John Rosenmiller didn't set out to become a photographer. In fact, it wasn't until later in life that he realized something was missing: he'd done a lot of things, but he'd never done anything purely creative. Photography changed that. And Cuba gave him a place to explore it. In this conversation, John joins Street Photography Magazine's Bob Patterson and Ashley Riffo to talk about the many trips that have taken him deep into Cuban life and eventually led to his striking Carboneros de Cuba series. When John first arrived in Havana, its chaos, characters and raw energy reminded him of the New York he knew in the 1970s and '80s. He kept going back, building relationships, following his curiosity and learning photography along the way. Upon seeing his photos one photographer wrote in to tell us, “This is more than good, this is a labor of love.” John is refreshingly candid about that learning process. He talks about the years it took him to feel comfortable calling himself a photographer, why realizing his early work wasn't very good actually helped him improve, and why photographers should be ruthless about what they choose to show. We also dig into how he creates his nighttime portraits with surprisingly simple lighting, the value of honest criticism, photographing people without turning them into a performance, and the personal rules he follows when deciding whether a photograph should be made at all. But some of the most interesting parts of this conversation aren't really about photography. John talks about what years of returning to Cuba have taught him about people, generosity and community, and how a search for creative fulfillment became something much bigger than he expected.

What can street photographers learn from an independent filmmaker? Quite a lot, it turns out. In this episode of the Street Photography Magazine Podcast, we sit down with filmmaker and professor James Choi, whose recent return to South Korea after nearly five decades inspired both a feature film and a striking body of street photography. Discovered through Trope Publishing, James brings a unique perspective to photography, one shaped by years of visual storytelling through cinema. We talked about how filmmaking and street photography overlap, why simplicity often leads to stronger work (and why keeping things simple can be a challenge), and how creative limitations can become your greatest advantage. Along the way, James shares thoughtful insights on: • Returning to his birthplace after 46 years • Photographing the feeling of a place rather than simply documenting it • Why authentic art requires vulnerability • How simplifying your gear and your process can help you grow faster • Lessons filmmakers and photographers can learn from one another • Independent film recommendations that every visual storyteller should see