Street Photography Magazine Podcast

Show Notes: Episode #168 In today’s episode, we delve into the serene and contemplative world of fine art street photographer and architect Cyrille Druart who is the featured photographer in the January 2023 issue of Street Photography Magazine. Street Photography Magazine subscribers can read Cyrille’s story and view his photographs in our feature story about in which is scheduled to publish on Sunday, January 7. Main Themes: “Plein Silence” Series: Dive into the discussion about Cyrille’s powerful “Plein Silence” series, a body of work that poignantly captures the stillness and solitude of the COVID-19 pandemic through the lens of a fine art photographer. Artistic Evolution: Follow Cyrille’s artistic journey, including his affinity for minimalistic monochrome imagery and the development of his distinct graphic series that showcase his evolving style. Methodical Approach & Self-Critique: Gain insight into Cyrille’s meticulous method of shooting and his pursuit of perfection through rigorous self-critique, a testament to his dedication to the craft. Structured Composition & Design Methodology: Learn about the intentional structure and composition in Cyrille’s work, as well as his design-oriented methodology, which guides him in curating his photography series. Stylistic Adaptations: Cyrille talks about the occasional stylistic changes in his work and how he adapts his style to convey different moods and messages. Post-Processing Techniques: Uncover Cyrille’s approach to image refinement, using Adobe Lightroom for subtle tweaks and Adobe Photoshop for more substantial graphic adjustments. Social Media Presence: Delve into Cyrille’s thoughts on social media, his preference for Instagram (@cyrilledruart) as a visual platform, and his contemplation about closing his Facebook account to maintain a thoughtful curation of content. Closing Thoughts: Cyrille Druart’s blend of architectural precision and photographic artistry creates a unique and introspective body of work. His advice on tool selection and the curation of social media presence offers valuable insights for both emerging and established photographers. Don’t forget to follow Cyrille on Instagram to witness his minimalistic, monochromatic world. Episode Timestamps: [00:01:30] – Transition from architecture to photography [00:05:45] – Exploring “Plein Silence” and pandemic-inspired art [00:12:20] – The evolution of artistic style and monochrome love [00:18:15] – Behind the scenes of Cyrille’s shooting and critique process [00:25:40] – Composition and design in photography [00:32:10] – Discussing post-processing preferences and techniques [00:38:55] – Cyrille’s advice on selecting photography tools [00:45:00] – Thoughts on social media and content curation Don’t miss an episode of “The Street Photography Magazine Podcast.” Subscribe on Apple Podcasts, Spotify, or wherever you listen to podcasts. If you enjoyed today’s show, please consider leaving us a review—it helps others discover great street photography content! Links from the show Cyrille’s Website Instagram

One of the great frustrations in the digital age is that e easy it is to make your photography available to the world, yet so difficult to get people’s attention and to take the time to look. Street and documentary photographer Chris Suspect, the Street Photography Magazine featured photographer in August 2020 issue, has figured it out. He regularly enters his work in competitions, attends festivals (at least he did when you could do that sort of thing) and just getting to know people personally. And most recently is self publishing a series of photo books, which have been very successful. After speaking with Chris I realized that he is the living embodiment of the old adage “Don’t wait for the phone to ring.” In this free sample of the interview from our most recent issue of SPM, Chris Suspect, shares the details about how he creates and promotes his self-published books. Plus he tells us the story behind his latest book, Old Customs. Links from the show Chris’ website Chris’ book Old Customs Chris’ Instagram Photos from Old Customs

When you ask Kevin Fletcher of Portland, Oregon what he does he’ll tell you that he’s an image maker. Like all good elevator speeches there’s so much more to it. Professionally he is an independent Directory of Photography who does commercial work around the world, most recently for Netflix. And he’s working towards doing more narrative work like short films. As a visual artist he is also a damn fine street photographer who applies the rigorous skills of filmmaking to his still photograph. Earlier this year he completed a personal project titled 82nd Avenue of the Roses about an urban street in Portland. That project won the Lensculture 2020 Street Photography Series award against some tough competition. We include some of the images in this article so you can see for yourself. During our discussion Kevin tells us about his motivation for creating the project and how is cinematography experience influences his street photography. In the process he gives us insight as to how filmmakers think throughcomposing and lighting scenes and how those skills apply to photographing in the moment on the street. One thought that really stuck out to me from our conversation is that Kevin says not to make editing decisions while shooting. Basically do only one thing at a time. When you are making images, don’t think about which you will keep or discard later, just keep shooting and focus only on making photographs. I hope you enjoy our conversation as much as I did. Links from the show Kevin’s Website Lens Culture 2020 Street Photography Awards Stephen McLaren Drive Lincoln Project The Third Man movie Endeavour television series Selections from Kevin’s 82nd Avenue of Roses Project

Our guest this week is Montana documentary photographer Kelly Gorham is a former photojournalist, filmmaker and Director of Visual Media at Montana State University. As a filmmaker he is about to finish a PBS documentary film, titled Mavericks, about the story behind the ascendancy of Montana skiers to the heights of competitive freestyle skiing. In fact Kelly is a former competitive freestyle skier himself. Well into his career, Kelly attended the prestigious Kalish Workshop for Visual Storytelling in Rochester New York. He says it was an amazing experience that changed his life and how he approaches his work. As a lifelong resident of Montana he learned patience by photographing wildlife in Yellowstone National Park near his home. He would seek out a beautiful background and wait for hours and sometimes days for animals to wander through to make a few good frames. He uses this same approach when photographing on the street in the cities he visits while traveling. Whenever I conduct an interview, whether for our podcast or the magazine I always try to learn at least one new thing from our guest. I figure if I learn something you will too. Recently I’ve been trying to do more documentary work and I’v been looking for ways to become a better visual storyteller. I knew I was missing something fundamental, but I didn’t know what. It’s been a frustrating experience trying to figure that out on my own. Then during our conversation Kelly explained how he approaches a new documentary project I had an “aha moment.” You know the old adage says, “when the pupil is ready, the teacher appears?” That’s what happened to me. Kelly opened my eyes to something that has been in front of me all along. I didn’t quite realize it at the time. That little piece of advice means a lot to me. I need to thank him for it. So please take the time to listen to my conversation with Kelly and I hope you will benefit from it as much as I did. Links from the show Kelly’s website Kelly’s Instagram Mavericks documentary film Kevin Carter’s Starving Child and Vulture photo Kalish Workshop for Visual Storytelling Arnold Newman, portrait photographer A selection of Kelly’s street photos Street scenes in New York City. January, 2020. Photo © Kelly Gorham. Bremen, Germany ©Kelly Gorham Minneapolis Airport © Kelly Gorham

Although the Coronavirus is not currently in the headlines that doesn’t mean it’s gone away. On the contrary it’s still there and just as dangerous. Now that we’re collectively letting our guard down I fear that it will come roaring back. But I hope I’m wrong. Like you, I’m sick of hearing about it. The disease has taken it’s toll on family and friends, the economy and to a lesser extent our work as street photographers. It’s been a drag being locked up for the past few months and to be honest I’ve been in a funk. It’s caused me to put aside many of my good habits and I’ve lost interest in getting out to make new images. That’s why Ashley and I pulled together a panel of longtime street photographers to discuss how the pandemic has affected their personal work, businesses and psyche. The panel is Lauren Wellesvaler from New York, Valérie Jardin in Minneapolis, and Jens Krauer in Zurich, Switzerland. We got together in a live town hall format via Zoom on June 3. I knew intuitively that we’re all facing the same issues, but the act of talking about it with other photographers made it sink in. For me it was a cathartic experience. Valérie said that this has been a stressful experience for everyone and dealing with stress requires energy. We only have so much energy available so something has to give. Why didn’t I think of that before? For your convenience we embedded the replay video in this podcast post in case you prefer to watch it. But because this is a podcast I assume you’re on the go and not able to sit down to watch. Therefore this episode includes the audio portion of the discussion for your listening pleasure. Up next is our discussion about Street Photography during the pandemic. Video Replay

Although Debby Cole, a former business owner and corporate executive from Austin Texas, spent spent most of her adult life as a landscape photographer she never considered street photography until she attended (almost by accident) a workshop with Valerie Jardin in Paris. Debby says it changed her life. Since then Debby has traveled the world to connect with people and sharpen her skills. Even during the height of the pandemic, Debby ventures out almost daily to discover new things to photograph in Austin. Her transformation into a passionate street photographer was so profound that she was compelled to record her experience in a new book, Letting Go, How Less Becomes More. Links from the Show Debby’s Photography Website Deborah Cole Connections Valérie Jardin Website Peter Turnley Website A selection of Debby’s street photos Better Together. ©2020 Deborah Cole High Tea ©2018 Deborah Cole Generations ©2018 Deborah Cole Errands ©2019 Errands Stripes ©2018 Deborah cole SoCo At Rest ©2020 Deborah Cole Morning Stroll ©2020 Deborah Cole

Like you I’m learning how to become better at the this elusive art form we call street photography. No matter how much I know or have learned there’s always more. It’s like crossing the ocean. Once you reach the horizon, what do you see? Another horizon. So each time I interview a street photographer for the magazine, our podcast or just a regular conversation I alway try to come away with at least one lesson or insight that I can apply to my own work. I ask about things that I struggle with hoping that they are issues that may affect you to. After all we’re all on different paths up the same mountain. Recently I had a conversation with Swiss street and documentary photographer Jens Krauer. I’ve been a fan of his work for quite some time and thanks to an introduction from writer and photographer Gina Williams I had an opportunity to meet him. Several years ago Jens left a secure career in the corporate world to pursue his passion for street and documentary photography. To finance his personal projects he takes on paid commercial photography video production gigs. On the street Jens is a keen observer of not only light, but the key elements in an often chaotic scene. Then zeros in to work the scene when possible. And is extremely mindful of the photos he chooses for public display by being a ruthless curator of his own work. Rather than publishing hundreds of his images on his website and Instagram he shows only a handful of his best work. Jens says he prefers to be known for five great images rather than being famous on Instagram. I found him to be very insightful, thoughtful and willing to share his experience. I’m sure you will too. Links from the Show Jens’ website Jens’ Instagram A selection of street photos by Jens

Matt Jerrams sheltering in place. I hope you’re are enjoying yourself sheltering in place. Of course not. It has been an interesting time, hasn’t it. Because we’ve been stuck inside Matt Jerrams and I got together the other day to record an episode indulging our favorite guilty pleasure which is street photography gear. If you are a regular reader of Street Photography Magazine or listener to this podcast you probably know that we don’t talk much about gear. But that doesn’t mean we don’t like like it. In fact, I’ve found most of us have a bad case of GAS (gear acquisition syndrome). That’s why Matt and I got together to discuss some of our favorites. I know it may seem a little Fuji-centric at the beginning. That’s because we both shoot with it regularly. But Matt is such a gear head, he’s got plenty for everyone. Have a listen. Links from the show Matt Jerrams Instagram Fred Miranda Website Buy/Sell Forum KEH USCamera World UK RangefinderForum Gear Classifieds Fujix-forum Classifieds Fujixseries Classifieds Fuji-x-forum (similar name, different site): Fuji X USA Buy/Swap/Sell Facebook Group. Fuji Second Hand Market (UK/Europe) Micro 4/3 Forum Classifieds (Sorry for all the Fuji links. I had them in my bookmarks so I thought I’d share them)

I’m back from my trip to New Zealand and getting back into the swing of things. Sorry for being offline for so long. When we left the US things were relatively normal, and in New Zealand it seemed to be business as usual.  Although we watched the stock market melt down on television, out on the streets of New Zealand life was normal.   And on our ship (that’s right we were on a cruise) we were fat,  happy and almost oblivious to the rest of the world. Then all hell broke loose. Our cruise was suddenly cancelled and for a few days we didn’t know how we were going to get home. When we did finally get back (I’ll spare you the details) we landed in a world different from the one we left. Im still trying to get my head around it. I’m sure you’ve had enough Coronavirus talk to fill the rest of the year, so let’s put that aside and talk street photography. Today our guest is Shlomi Amiga. He’s a commercial photographer from Toronto Canada and very active street photographer who has just formed a new collective for Canadian street photographers. Shlomi was also the featured photographer of the month in our September 2019 issue, so be sure to check out him and his work after you finish listening to this. If you’ve ever thought of forming a collective with like-minded photographers this is a good time to do it. If you’re like everyone else you’re stuck at home for the foreseeable future. Shlomi put his group together pretty quickly by starting an Instagram account. So have a listen to my conversation with Shlomi Amiga where he tells us how he made it happen. Shlomi has very graciously offered to perform a few portfolio evaluations for free. If you’re interested you can contact him directly by email at shlomi@shlomiamiga.com or DM him on Instagram at @callmeshlomi. Links from the show Shlomi’s website SPYSPC Instagram Shlomi’s Instagram

Today our guest is Austin Texas based street photographer, Tom Chambers. Tom has been a very active street photographer since the 1980s when he began photographing in and around El Paso Texas. Since then he’s lived all over the world including India and China. He began his photographic journey while working for NASA on the Apollo project where he documented the lunar soil brought back to earth by the Apollo astronauts. Tom is also a teacher and he’s putting that experience to work to introduce photographers in his area to street photography. Most recently Tom created an intensive street photography workshop in partnership with the famous Precision Camera in Austin called Street Photography and Documentary Portraiture. The month-long program runs each weekend during the entire month of June. Tom says that it’s vital that street photographers get to know their camera inside and out so that they can be totally focused on the activity in the streets while shooting. He says when editing your photos it’s critical to evaluate each image in terms of it’s importance to you. Links from the Show Street Photography and Portraiture Workshop – Austin, TX Tom’s Website Tom’s Facebook A Selection of Tom’s Street Photos ©Tom Chambers ©Tom Chambers ©Tom Chambers ©Tom Chambers ©Tom Chambers

ON ASSIGNMENT: SEVILLE, SPAIN PILGRIMAGE TO EL ROCIO Today our guest is New York Street and Documentary photographer Lauren Welles. If you’re a regular listener or magazine subscriber then you’ve likely heard her before. She’s a former attorney, now full-time photographer who is passionate about her craft. On top of that she’s witty, articulate intelligent and just a fun person to talk to. I just had the best conversation with her about storytelling through photography that I want to share with you here. During our conversation she told me about a Leica sponsored workshop she is holding in Seville Spain in late May – Early June along with photojournalist John Kral. It’s part of the ongoing Leica Akademie Series. And Street Photography Magazine will publish some of the best images from the workshop in our August issue, so be on the look out for that. Links from the Show Lauren’s Website Seville Spain Workshop – May 26, 2020 Lauren’s Instagram John Kral’s Website A Selection of Lauren’s Stickball Project Photos @ Lauren Welles @ Lauren Welles @ Lauren Welles @ Lauren Welles @ Lauren Welles

Susanne Baumgartner and Lynn Kaplan – Miami Street Photography Festival 2018Today our guest is Susanne Baumgartner a prolific street photographer from Switzerland who’s been at it regularly for over 15 years. I had an opportunity to meet Susanne personally at the Miami Street photography festival back in December 2018. She was there as a finalist in the Singles and after seeing her body of work I was not surprised. As a pharmaceutical rep, Susanne is required to ravel to various parts of Europe. This enables her to practice street photography during her free time on the road. Many of us in the US would gladly spend thousands of dollars just to get to these places, but Susanne visits them routinely. Suzanne says that her greatest lesson from practicing street photography as it is that she’s become much more observant of the things that happen around her, whether she’s shooting or not. During our conversation she shares some very practical advice for street photographers of all levels. Bottom line, she says to make better photos and to be more comfortable shooting in public places you have to do it… a lot. Like anything else, it takes practice Although Susanne may come across as quiet and sometimes humble, her photography skill speaks for itself. And she produces some of the most humorous images I’ve seen in a long time. I learned a lot from her during our time together. And you can too when you have a listen to my conversation with Susanne Baumgartner. Links From the Show Susanne’s Website Susanne’s Instagram Siegfried Hansen’s Website A Selection of Susanne’s Street Photos

Photo @Greg Burnett When it comes to the contents of Street Photography Magazine, 2019 was one of our best years yet! We had so many amazing submissions come in and we are so excited to see the quality of everyone’s work getting better and better each year. In this episode of the Street Photography Magazine podcast, Bob and I talk about some of our favorite articles and our favorite featured photographer interviews too. Listen in to find out what our 2019 favorites were and find the links below if you’d like to revisit them for yourself. A Few 2018 Favorites Bob’s and Ashley’s Favorite Article Doing the Most by Andy Hann Ashley’s Honorable Mention Article There’s No Place Like Home for Street Photography by Deborah Cole Bob’s Honorable Mention Article Salt Fever by Karl Dedolph Bob’s Favorite Featured Photographer Greg Burnett in the July issue Ashley’s Favorite Featured Photographer Julia Dean in the August issue

Every month, we receive dozens of submissions for our Street Shooters of the Month feature, which appears in each issue of Street Photography Magazine. From those images, Bob makes a careful selection and chooses six special images to be published. It can be tough to choose with so many talented photographers sending us fascinating street shots from every corner of the globe, but choose he must and choose he does. Once a year, Bob and I sit down to talk about our favorites. With over 70 images to choose from each year, making a final selection can be tough. To aid us in this endeavor, we chose a few specific categories to guide our selection: street portraits, storytelling, timing and minimalist. Check out our selections just below, and if you’d like to hear what we loved about each image, then click on the audio player below to listen in on our conversation. Also, keep those submissions coming! To submit an image to be considered for the Street Shooters of the Month feature, first register here as a user. After registering, simply click on Submissions > Photo Submission Form from the homepage to submit single images. No need to upload full size images guys, we prefer you keep each image at 1600 pixels wide and 72 dpi. Congrats to all our favorites this year, and muchas gracias to everyone who submitted their images. It’s a privilege to see work from around the globe and we are so happy we can share it with the SPM community. Best Street Shooters of the Month 2018 Street Portraits Ashley’s Favorite Old Stock by Eoin O’Neill This photograph was taken in Limerick City in April 2019, it shows an elderly man sitting on steps on the street. He is smoking a tobacco pipe and the lighter that he holds in his hand is broken. his face and his hands are weathered and his gaze is fixed firmly on the street around him. View on Website Bob’s Favorite Turban by Yasser Alaa Mobarak Turban of Sikh Man at Delhi. View on Website Storytelling Bob’s and Ashley’s Favorite Finding Myself by Rajiul Huda Dipto A barber was there in the side of street in Dhaka and I was in the traffic jam. I saw, he was showing the customer how well he has shaved and then he looked at the mirror. I think, he tried to find himself in that. Probably, he was finding the inner beautify of himself instead. View on Website Timing Ashley’s Favorite Triple portrait. Jerusalem. 2019 by Chaim Martello This picture has been taken at an open market, in the busiest hour of its busiest day. In such situations, strangers precipitate into ephemeral shapes, as if a hidden choreographer is placing them on a stage to create order from chaos, for a fraction of the second, at least. Bob’s Favorite Yellow by Francesco Gioia I took this picture near Bond Street in London. I was walking when I saw these two kids wearing yellow rubber rain boots. At the same time, a man carrying two yellow bags was walking towards me in the opposite direction. As soon as he got closer to me, I pressed the shutter. Minimalist Bob’s and Ashley’s Favorite Museum Visitors by Irina Escoffery During my visit of Vanderbilt museum I saw couple of guests standing on the balcony and looking around. I loved the way those two individuals look like. View on Website    

In this episode of the Street Photography Magazine podcast, Bob Patterson sits down with Swiss photographer Michael Eugster. Though relatively new to the street photography scene, his photos are incredibly good, and have garnered him quite a bit of recognition in festivals and exhibits around the world. When Michael began experimenting more seriously with photography, he first focused on landscapes. (I mean, how could you not if you lived in Switzerland?) But when he started photographing in Zurich, something shifted. As people entered the frame, the images felt more alive. “Suddenly, people came into the pictures,” he says. “And I realized this is definitely a more interesting element.” Street photography gave him emotions and stories that landscapes couldn’t. Once he discovered that, he committed. Michael studied online resources, listened to podcasts, and spent as much time shooting as possible. Practice became the foundation of his progress. The more he photographed real life unfolding around him, the more confident he became in anticipating moments. Today, Michael approaches street photography with the mindset of a collector. Rather than chasing a single perfect image, he looks for recurring themes that catch his attention over time. Matching colors across strangers, lost gloves abandoned on sidewalks, and even interesting backs, yes, backs, have become ongoing personal projects. These small visual puzzles give him direction while still leaving room for surprise. The street always has the final say, and part of the joy is staying open to whatever appears next. Community has also played an important role in his growth. Photography festivals introduced him to other street photographers who share ideas, encouragement, and honest feedback. Those connections have helped turn a solitary practice into a shared experience. Michael’s journey is relatable. He did not begin as an expert. He improved rapidly, simply by staying curious and practicing consistently. For anyone exploring street photography, his experience is a reminder that growth comes from intention and effort. Links from the show Michael’s Website Instagram Michael on Substack

In this episode, Bob and I had the chance to talk with photographer Xiomaro about a creative path that definitely didn’t start with photography. Before he ever picked up a camera, Xiomaro’s world revolved around music and law. He performed, managed artists, and built a legal career working with musicians. Photography really only entered the picture after a prostate cancer diagnosis forced him to slow down and rethink what he wanted his life to look like moving forward. What followed wasn’t some dramatic overnight pivot. It started quietly, with travel and time spent photographing national parks during his recovery. That period led to something pretty remarkable: acceptance into a National Park artist residency. Living and working in that environment gave him space to think, to create without pressure, and to reconnect with curiosity in a way that hadn’t been possible in his previous professional life. His park work grew into exhibitions and commissions, but more importantly, it helped him rediscover the joy of making something simply because he wanted to. Street photography came later, almost accidentally. While commuting to a legal job he had taken for financial stability, he began photographing daily life in New York City. Not with a grand vision or a long-term plan. Just as practice. Just to stay engaged creatively. In our conversation, Xiomaro talks about how his background in music still shapes the way he works today. There’s a strong sense of improvisation in his approach, learning the craft, putting in the reps, and then letting instinct take over. Whether he’s photographing sweeping landscapes in a national park or fleeting moments on a city sidewalk, that same mindset carries through. We also talk about how surviving cancer changed his relationship to time and to creative work itself. Photography became less about achievement and more about presence. Less about structure and more about play. It’s a really thoughtful conversation about reinvention, creativity, and how sometimes the things that start as small personal practices end up reshaping your life in ways you never expected. Links from the show Xiomaro’s Website Instagram “Street Photography of New York City: Street Haunting in the Big Apple” by Xiomaro “Free Play: Improvisation in Life and Art” by Stephen Nachmanovitch

In the latest episode of the Street Photography Magazine Podcast, Bob Patterson shares an important update about the future of the magazine, and about his own next chapter. After more than 13 years as publisher, Bob is stepping back from day-to-day leadership and passing the reins to me, Ashley Riffo. This transition has been thoughtful, intentional, and in the works for a while now. The heart and mission of the magazine aren’t changing. In this episode, Bob reflects on how what started as a six-month experiment turned into the longest role he has ever held. Over the years, Street Photography Magazine grew into a global creative community, something Bob says he’s deeply grateful for. “It’s great work. I’ve loved every minute… almost every minute,” he laughs.  But in all seriousness, this is his baby. He built it from the ground up. Now, at 72 (and a half), Bob speaks candidly about aging, health, and perspective. A prostate cancer ordeal last year became a wake-up call, prompting him to ask: What do I want to do with the time I have left? His openness is a reminder that creativity and self-reflection don’t have expiration dates. What This Means for You Let me be very clear: Street Photography Magazine is not going anywhere. You can expect the same thoughtful articles, featured photographers, podcasts, and community-driven storytelling. There are no sudden changes planned, no shift in editorial direction, and no interruption to your subscription. Bob will also continue to be involved, especially with the podcast and behind-the-scenes support, so his voice and perspective will remain part of the magazine. As the magazine naturally evolves, we’ll continue listening closely to this community. One idea we’re exploring is a possible Spanish-language edition. So if that’s something you’d like to see, we’d love to hear from you. And truly, if you have any other ideas for Street Photography Magazine, please, reach out and tell us! You can send all your ideas straight to me at ashley@streetphotographymagazine.com. Rest assured, any future changes will be intentional and aligned with the values that brought us all here in the first place. Bob’s Next Chapter Bob is returning to his own photography, writing, and personal projects, something he’s been inspired to do by the many photographers he’s met through the magazine. He’ll be sharing that journey through Substack, and I know many of you will want to follow along. I also want you to know how seriously I take the responsibility of stewarding Street Photography Magazine. This publication exists because of its community, and my goal is to honor its history while guiding it forward with care. Thank you for being here. And thank you for continuing this journey with us. Links from the show Bob’s Substack

James Hazelwood is a Rhode Island-based photographer who recently embraced retirement as an opportunity to pursue photography full-time. Since retiring, he’s launched an ambitious publishing schedule on Substack, where he shares photo stories that blend his street photography aesthetic with personal narratives from his travels and everyday experiences. His work can be found at jameshazelwoodphoto.com, and he’s active on the new photography app Foto. James has a refreshing approach to street photography—one that extends beyond traditional boundaries to embrace storytelling both in photographs and in written form. Rather than debating what qualifies as “street photography,” he applies the street photographer’s mindset to everything he photographs. As he explains, “The whole candidness, the spontaneousness, trying to find the different angles and ways of capturing moments wherever it happens is street photography.” This philosophy has led James to create warm and personal photo essays documenting both his travels and intimate personal projects. His Southern Crescent series, published in the January 2026 issue of Street Photography Magazine,  captures life in the Mississippi Delta sparked by a Raw Society workshop during the Mighty Roots Music Festival in Stovall, MS. For photographers looking to develop their storytelling practice, James offers a valuable lesson. Commit to showing up consistently. His photo-a-day project taught him that “if you commit yourself to a daily habit, you can get a lot done.” Second, be willing to work slowly with sensitive subjects. James acknowledges “I got to really build trust with people. They’re not just going to say, sure, come in and photograph me the first time I meet them.” Finally, overcome hesitation on the street through simple gestures. James learned from photographer Peter Turnley that a raised eyebrow and questioning look—”without saying a word”—can cross any language barrier and open doors to authentic moments. James’s work is inspiring because he’s channeling retirement into full-time creative output, proving it’s never too late to commit yourself fully to photography.Once you give the podcast a listen, I encourage you to spend some quiet time reading some articles in his Substack.   Links from the show James’s Website James’s Substack Instagram

Gear discussion alert!While we rarely discuss camera gear on this show, I made an exception with Matt because…well because it’s the beginning of the year and for some reason we both started using the same camera at the same time. So why not? It’s probably the last time you hear us discuss it on the show during the remainder of 2026. Matt’s approach to street photography is different because he’s adapted his photography to social media while maintaining his personal photographic vision. He explains, “The truth is there’s an awful lot of mediocrity around, and mediocrity doesn’t get noticed. It doesn’t matter how many hashtags you place. It doesn’t matter what filter you’re using.” His solution is consistency and quality. Rather than chasing trends, Matt focuses on posting strong images regularly which helps him build recognition over time. His perspective on creative freedom is equally instructive. When discussing the balance between personal artistic vision and audience expectations, Matt said “If somebody’s paying you or you’re doing a commission, then you have to fit certain parameters. But if you’re doing it for yourself, it can be totally free. Your personal work should be an expression of what you want to say.” This distinction helps photographers understand when to compromise and when to stay true to their personal vision. Most important, Matt stresses the value of direct human connection in street photography. He believes careful observation and the courage to engage directly with the world are qualities no algorithm can replicate. Links from the show Matt’s Instagram SPM Podcast episode with Matt discussing our recent trips to Cuba in 2018 about 2-weeks apart

Watch The Video on YouTube Each year, we publish hundreds of street and documentary photographs in Street Photography Magazine. Some hit right away. Others stick with us long after we’ve closed the issue. In this episode, Ashley and I look back at 2025 and share 10 images (plus a few others) we keep coming back to. These are a few of the photographs that held our attention, raised questions, or felt worth spending more time with. Below, you’ll find each image with our thoughts on what drew us to it, along with the full audio conversation. Ashley’s Selections France Leclerc Untitled This photo is immediately surprising (unless you deal in camels probably). But what I love is the tension in this photo. Don’t anybody psychoanalyze me, but it reminds me of an ugly divorce, two men fighting, a camel, distressed dangling in the middle, other camels nearby gawking. It’s tense, but the camels make it almost comical. From France Leclerc – Staying for the Story Pat Callahan “Lost in the Moment” This is a beautiful moment but it’s made so much more beautiful by the composition and the sets of three. J’adore.From At Home Everywhere with Pat Callahan Billy Dinh Untitled So many of Billy’s photos leave me slack jawed, thinking “how did he even see that?” This is one of them. It’s like the magic of street photography wrapped up into a single image. Things familiar, things unfamiliar, gorgeous light, and PERFECT timing. From Conjured Off a Canvas Brad Jones “The Vacation Effect” Seriously. Who can turn a Whataburger into a renaissance art? Brad Jones can.From Brad Jones: Unlimited Good Pictures Andrew Stark “Eddy Avenue Central This photo takes that “multiple layers” approach we see a lot in street photography and makes it better. Not only are the subjects layered well, there’s just so many emotions going on here. Amazing capture. I really admire Andrew’s observation skills. He’s super skilled at seeing emotions and capturing them at just the right second. From Stark Reality: The Second Coming Dean Hinnant Untitled I talked about this one on The Crit House, but besides it being a lovely photo, I love the way Dean captures his adolescent siblings in the presence of his father, with his dad always in the periphery – you never see his face, but he’s often there on the edges. It’s that moment in life where you’re aching for independence, planning out your life without your parents, but you still desperately need them, in a picture. You don’t see this phase of life documented through photography very often, which I think makes it super valuable. From Dean Hinnant: Seeing the World Wide Open Michael O. Snyder Untitled This is just so weird. And I love weird stuff. It’s a photo of the remains of Presidents Park, where forty-two monumental busts of the nation’s presidents were constructed to draw in tourists visiting nearby Colonial Williamsburg. The park didn’t work out and the busts have been dumped in a field and left to decay. It’s weird but it’s so easy to find metaphors for government and society in these photos. That makes it more meaningful than just snapshots of a random oddity. From Placing Bets on Mosquitos Bob’s Selections Dean Hinnant “Victoria” Although this is actually a documentary photo, I chose it due to the intimate story Dean tells us about his youngest sibling, Victoria as he makes a candid image of her having a quiet moment in her bedroom. The warm tones reveal a feeling of closeness between the siblings while the multiple mirror reflections pull the viewer deeper into the frame to reveal her melancholy mood.From Dean Hinnant: Seeing the World Wide Open Alaya “Diagonal” I’m attracted by the shapes, particularly triangles. I also like that it is not a typical “street” image. The combination of shapes creates an abstract whole. Alaya has arranged the elements so the compositional relationships become more important than the literal subject matter. The image functions almost like an abstract painting that happens to use real-world elements.From Street Shooters of August 2025 Pat Callahan “The Pilgrimage” Pat Callahan made this photo with his iPhone which brings to mind the work of Henri Cartier-Bresson.The parallel diagonal lines of the bannisters create a sense of depth and movement, which pulls the eye down and around the corner where to the nuns. 
From At Home Everywhere with Pat Callahan Hillary Greene-Pae  “Little Joe Mclerran and Family at the Cat Head, Clarksdale, Mississippi” I was first drawn in by the image of the father watching over his son stretching his small fingers to make a difficult cord as his daughter dances to the music. Hillary’s choice of a slow shutter speed perfectly captures the motion of the girl’s dress. Then while spending more time in the image I noticed the painting of the singer above the group in the background as if he’s part of the performance.

This scene of a family doing something they love together made me wish I was there.From Street Shooters of September 2025 Larry Veltman “Through the Plastic Curtain” At first I almost passed on this photo due to the foggy nature of the plastic curtain. Then, after pausing for a closer look I was drawn in by the impressionistic texture created by the semi-opaque curtain. The Sticky Fingers logo from the Rolling Stones album in the upper left hand corner of the frame gives to overall image balance that would not exist in its absence. The muted tones mirror the sense of peace of the resting man in the center of the frame.From Street Shooters of September 2025