The Business of Dance

Interview Date: May 25th,2025Episode Summary:Corynne Barron shares how a late start in dance, a ringette goalie’s grit, and a chance UK scholarship reshaped her technique and career trajectory. She walks us through So You Think You Can Dance Canada, cruise ships, and ultimately headlining as the Black Widow in Cirque du Soleil’s Mystère. Corynne opens up about saying “no” until the right “yes,” rehabbing a hip surgery, balancing motherhood with teaching and choreographing elite gymnastics floor routines, and the mindset shifts that turn nerves into fuel. Along the way: practical audition tips, backstage culture, and why confidence—and kindness—are a dancer’s best business strategy.Shownotes:(0:50) - Introduction & career highlights: RWB, SYTYCD, Cirque(3:06) - Late dance start at 12; goalie to dancer(4:10) - Year at Royal Winnipeg Ballet; classical training focus(7:00) - SYTYCD dream begins; early ambition sparks(10:02) - UK scholarship retrains technique from basics(10:18–11:06) - Secret SYTYCD audition on 18th birthday(16:18–19:39) - Cirque path: Berlin detour to Mystère lead(21:24–22:12) - Motherhood, teaching & choreographing gymnastics routines(23:06–35:06) - Q&A: auditions, cruise ships, nerves as excitement(36:09–47:27) - Final advice: confidence, kindness, and saying yesBiography:Corynne Barron – Choreographer, Performer, and Visionary ArtistCorynne Barron is a celebrated artist whose remarkable career spans dance, performance, and choreography on a global stage. Trained at prestigious institutions such as the Royal Winnipeg Ballet School and under Kate Simmons in Warrington, England, Corynne gained national acclaim as a Top 12 finalist on So You Think You Can Dance Canada. Her performance credits include the lead soloist role of “Black Widow” in Cirque du Soleil’s Mystère in Las Vegas, where she performed for three years, redefined the character, and served as Dance Captain. At Friedrichstadt-Palast Berlin, Europe’s largest theatre, she excelled as Dance Captain, soloist, aerialist, and ensemble dancer amongst a cast of over 60 dancers, with the partnering pole number created on her by Brian Friedman. Corynne has captivated audiences on America’s Got Talent, Shaq’s Fun House during the Super Bowl, the Vegas Strong benefit at T-Mobile Arena representing Mystère, and pre-show performances for the Vegas Golden Knights.In film, Corynne performed as a dancer in a project in Scotland directed by Stacey Tookey for Imagination Film. Her work with Royal Caribbean Entertainment Studios on Allure of the Seas and Liberty of the Seas showcased her versatility as an aerialist, aqua show performer, dancer, and singer. She also modeled for Mondor Danceline in Montreal, and her image can still be found on Mondor tights to this day.Now a prominent choreographer and educator, Corynne creates national-level floor routines for gymnastics and serves as an instructor at dance studios. She is a respected adjudicator for competitions such as Candance Convention and 5678 Showtime and teaches at IDance Convention Canada. Her past contributions include assisting at Nuvo Convention and teaching at Cirque du Soleil auditions, reflecting her commitment to nurturing future talent.With multiple offers from Cirque du Soleil culminating in her iconic Mystère role, Corynne’s career exemplifies her exceptional artistry. She continues to inspire through her innovative choreography and passion for the performing arts.Connect on Social Media:Instagram - https://www.instagram.com/corynnebarron/

Interview Date: December 14th, 2024Episode Summary:Vanessa Fuller, a dancer, choreographer, and the artistic director of Xcape Dance Company. Vanessa shares her inspiring journey from growing up in Eugene, Oregon, to becoming a multifaceted professional in the dance industry. She discusses her extensive career, including working with artists like E-40 and Twista, and her recent appearance on HBO Max’s Second Chance Stage. The show, which provides a platform for individuals over 30 to chase their dreams despite past obstacles, features Vanessa as one of the few dancers. Vanessa reflects on how she balanced family life, owning a dance studio, and maintaining her passion for dance, despite the challenges. She emphasizes the importance of perseverance, maintaining relationships in the industry, and building an authentic personal brand. She also shares business tips for aspiring dancers, highlighting the importance of being true to oneself and using authenticity as a key to long-term success. Vanessa encourages dancers to embrace discomfort and use challenges as opportunities for growth. Show Notes:(0:00) Introduction to Vanessa Fuller(2:00) Vanessa's early dance journey and passion for movement(5:30) Balancing family life with a dance career(10:00) Running Escape Dance Company and owning a studio(13:45) Vanessa’s appearance on HBO Max's Second Chance Stage(18:00) The concept of Second Chance Stage for dancers over 30(21:00) Transitioning from studio owner to pursuing larger opportunities(25:00) The importance of perseverance and relationships in booking work(30:00) Building an authentic personal brand(35:00) Advice on standing out in auditions(40:00) The role of community in the dance world(45:00) Managing business and family while staying connected to dance(50:00) Embracing discomfort for growth(55:00) Tips for dancers on navigating the business side of dance(60:00) Building a strong social media presence(65:00) Advice for older dancers and overcoming comparisons(70:00) The importance of persistence and passion(75:00) Closing thoughts on staying true to your journeyBiography:Vanessa Fuller is a dancer, choreographer, and artistic director originally from Eugene, OR. She is the artistic director of Xcape Dance Company, where she has produced 10 full-length shows. Her dance and choreography have graced the stages of Club Jeté—LA's premier dance experience—and concerts from New York to California with artists such as E-40, Twista, The Game, Bone Thugz-N-Harmony, Zion I, and E.T. She has also worked on industrial projects for NAPA Auto Parts, Build San Francisco, the Qwest Events Center in Seattle, and Rockstar Energy Drink. She was a winning contestant on CBS’s Let’s Make a Deal with Wayne Brady. Vanessa and her dance company filmed a casting pilot for MTV’s Made, a regional commercial, print ads for the University of Oregon, and have been featured performers in various professional events. Vanessa's choreography has won numerous awards at competitions and conventions and has won the JIGTV Brian Friedman Video Choreography Critique Contest at www.jigtv.com! Most recently, Vanessa was a dancer in the Emmy-nominated production of DanceAbility on Art Beat for OPB and choreographer and dancer for the headlining performance at the World Track and Field Festival sponsored by ASICS.Vanessa’s training background includes hip-hop, jazz funk, and contemporary. She has trained at EDGE PAC (Los Angeles), Millennium Dance Complex (North Hollywood), Dance Mission (San Francisco), Monsters of Hip Hop, and master workshops with some of the best in the industry.Connect on Social Media:https://www.instagram.com/vanessafullerdancehttps://www.facebook.com/vanessafullerdanceWebsitehttps://xcapedance.my.canva.site/vanessafullerdance

Interview Date: May 11th, 2025Houston Ballet soloist Jacquelyn Long traces her path from living-room pliés with her mom (a former pro) to summer intensives, HBII, and the main company. She shares how relationships and coachability shaped her trajectory, why modern/contemporary versatility now matters as much as classical technique, and how social media helps—but shouldn’t replace—the messy, vital process. We dig into audition materials, the “right” photos, favorite roles (Sylvia! Cinderella!), life as a working ballerina (weekly schedule, contracts, AGMA, benefits), pointe-shoe realities, nerves and mindset, longevity habits, and her growing passion for choreography. Plus: where to see her onstage next and practical encouragement for dancers finding their own path.Show Notes:(0:41) - Intro & bio; welcome Jacquelyn Long (2:20) - How she started; early training at home (2:24) - Mom steps back; Janina trains until 11 (3:14) - Houston Ballet intensives begin at 14 (5:31) - “Go where you’re liked” scholarships lesson (6:49) - Relationships, coachability, work ethic matter(12:20) - Be versatile: modern/contemporary equals ballet (14:03) - Social media’s role; process over perfection (16:03) - Audition toolkit: video, resume, show both styles (18:49) - Best photos: true headshot, first arabesque (20:32) - Favorite roles; Sylvia, Cinderella, new premieres (22:21) - Business mindset: many paths, trust timing (25:38) - Next chapter: choreography alongside performing (45:16) - Contracts, AGMA, pay cadence, key benefits(54:55) - Pointe shoes: custom Bloch, company-paid(57:46) - Final advice; where to see Houston BalletBiography:Jacquelyn Long began her ballet training under the direction of her mother, Suzanne Lownsbury, and Janina Michalski at Ballet Virginia. In 2010, she joined Houston Ballet II (HBII). After two years in the second company, Jacquelyn joined Houston Ballet as a Corps de Ballet member in 2012. Ms. Long was promoted to Soloist in 2016.Ms. Long has performed leading roles such as the title role in Stanton Welch's Sylvia; Hermia in John Neumeier’s A Midsummer Night’s Dream; Gamzatti in Stanton Welch’s La Bayadère; Myrtha in Stanton Welch’s Giselle; Sugar Plum Fairy and Clara in Stanton Welch’s The Nutcracker; Valencienne in Ronald Hynd’s The Merry Widow; Carabosse and Princess Florine in Ben Stevenson's The Sleeping Beauty; Snow Queen in Ben Stevenson's The Nutcracker; Miranda in Stanton Welch's Romeo and Juliet.  She has also danced featured roles in George Balanchine’s Serenade, Emeralds, Concerto Barocco, and Symphony in C; Jiří Kylián's Stepping Stones, Dreamtime, and Wings of Wax; Justin Peck's Year of the Rabbit and Under the Folding Sky; William Forsythe’s Artifact Suite and In the middle somewhat elevated; Jorma Elo's ONE/end/ONE; Jerome Robbin’s Fancy Free; Stanton Welch's Divergence, Paquita, Velocity, Maninyas, Tapestry, and Son of Chamber Symphony.Ms. Long was also featured in the Dancer's Spotlight of the 2013 October/November issue of Pointe Magazine and in the 2013 February issue of Dance Spirit Magazine.Connect on Social Media:Website - https://www.houstonballet.org/Instagram - https://www.instagram.com/jac_long/

Interview Date: May 4th, 2025Episode Summary:Australian dancer–choreographer–TV judge Joshua Horner traces his wildly diverse path: asthma kid → Australian Ballet soloist → West End lead in Movin’ Out → Broadway’s Billy Elliot → Disney creative in Los Angeles → Dancing With The Stars judge → reality-TV creator → and finally, a show-stopping pivot into real estate where he sells homes with full theatrical flair. Along the way he unpacks visas, networking that pays off a decade later, audition tactics, standing out without gimmicks, why technique still wins, and how to future-proof a dance career with bravery, focus, and business sense. The Q&A dives into agents in Australia, cruise-ship hustles, concert vs. commercial dance choices, and breaking into BroadwayShownotes:(0:00) — Roll call, cameras on, global intros(0:59) — Guest intro: multi-market career highlights(3:21) — Asthma leads Josh into dance(6:12) — Australian Ballet School, company contract(6:37) — Dirty Dancing understudy; Twyla Tharp notice(7:59) — London West End lead, green card plan(8:59) — Broadway debut, Billy Elliot & Tony Awards(18:05) — Disney dream: 10-year networking seed blooms(23:32) — DWTS judge role; weekly LA–Australia commute(26:03) — Reality TV pilot; shifting industry landscape(28:14 )— Breakup with dance, pivot to real estate(30:26)— Viral listings: showgirls, humor, entertainment(34:48) — Q&A: agents, cruise ships, hustling tips(45:20) — Career crossroads: commercial vs. contemporary dance(59:14) — Final advice: technique, smarts, braveryBiography:Ladies and gentlemen, meet Josh Horner – the former dance floor dynamo, Disneyland's creative wizard, and the unforgettable judge on Dancing With The Stars! Now back in his hometown, Josh is lighting up real estate with The Horner Agency and his iconic gnome sidekick. Forget record-breaking sales—it's his viral videos that have buyers and vendors lining up, all because the JOY is real with this guy! With a knack for connecting and a flair for fun, every deal with Josh is a showstopper. Get ready to experience real estate like never before!Connect on Social Media:Website - ⁠thehorneragency.comInstagram - https://www.instagram.com/joshuajhorner/

Interview Date: September 21st, 2025Episode Summary:In this inspiring conversation, Menina Fortunato sits down with Julie McDonald, the trailblazing co-founder of MSA Agency and the first dance agent in history. Julie shares her incredible journey from professional dancer to industry visionary—representing some of the biggest names in choreography and performance.She reflects on the evolution of the commercial dance world, the importance of professionalism and preparation, and what truly sets apart dancers who build lasting careers. Julie offers invaluable advice on networking, auditions, and why knowing your dance history—from Bob Fosse to Jerome Robbins—is essential for any serious artist.From agency insight to mentorship, this episode is filled with stories, wisdom, and warmth from a woman who changed the industry for dancers everywhere. Julie also shares exciting news about being honored with the Trailblazer Award at Gala of the Stars—a full-circle moment for one of dance’s greatest advocates.This episode is perfect for dancers, teachers, and aspiring professionals who want to understand the business behind dance, the art of longevity, and the power of curiosity and gratitude in shaping a meaningful career.Shownotes:(0:00) – Welcome & intro to Julie McDonald and her legacy (3:15) – Julie’s start as a dancer & transition into agency life (7:40) – Founding MSA: creating the first dance agency in the world(12:25) – Representing choreographers, dancers & industry icons(22:10) – What makes a dancer stand out to an agent(35:05) – How the dance industry evolved through the decades (50:12) – Advice: professionalism, mindset, and consistency (1:13:05) – Julie’s message: know your dance history & icons (1:16:16) – Gala of the Stars — Julie honored with Trailblazer Award(1:16:57) – Closing: gratitude, selfies, and inspiration for young dancersBiography:Julie McDonald is the visionary co-owner of McDonald Selznick Associates (MSA) and a trailblazer in dance and choreography representation. In 1985, she launched the first talent agency devoted exclusively to dance, setting a new standard for advocacy, professionalism, and artistic excellence in the industry.From the outset, Julie championed fair terms and improved working conditions for dancers and choreographers, tirelessly promoting the visibility and integrity of commercial dance. In 2000, she joined forces with Tony Selznick to found MSA, which today represents a roster of award‑winning talent. Her clients have earned Emmy, Tony, MTV, and MTV Awards—while leading the creative teams behind Broadway hits, Las Vegas spectaculars, high‑profile films, television dramas, sitcoms, and major awards shows (Emmy, Grammy, Oscar).A dedicated collaborator and industry visionary, Julie co‑created the American Choreography Awards (1994–2004), celebrating excellence in dance across media. Her pioneering work has been recognized with Lifetime Achievement Awards from both the Choreographers Carnival and McCallum’s Choreography Festival.Through her ongoing projects and continued leadership at MSA, Julie McDonald remains a powerful force in shaping the future of dance, honoring its past, and empowering the artists who bring it to life.Connect on Social Media:Instagram- https://www.instagram.com/juliemcdonaldmsa/

Interview Date: June 29th, 2025Episode Summary:Menina welcomes actor–dancer Rachele Brooke Smith for a candid ride from fearful gymnast to leading roles in Center Stage: Turn It Up, Bring It On, Iron Man 2, and a new superhero film. Rachele unpacks visualization, journaling, and “do the brave thing” as career fuel; navigating post-win lows; rehabbing injuries with PT, anti-inflammatory nutrition, rest, and affirmations; and how versatility (breakdance, pointe, martial arts, stunts) opened doors. They close on boundaries, kindness, and building a brand rooted in energy, gratitude, and courage.Shownotes:(2:09) — Guest intro: dancer, actor, speaker, 45+ credits(4:28) — Gymnastics struggles, anxiety, and harsh coaching(6:27) — Center Stage sparks life-changing visualization dream(8:59) — Six auditions, three months, wins lead role(10:55) — Post-success low; tools for mindset reset(17:59) — Major injury setback; healing through PT and rest(21:31) — Affirmations, nutrition, gratitude practices in recovery(1:20:21) — Transition from stiff gymnast to fluid dancer(1:24:48) — Martial arts, breakdance, stunts expand acting career(1:26:09) — Superhero film role; theme: even heroes need helpBiography:Award-Winning Actress & Film Producer | World-Renowned Dancer & Wellness Practitioner | Magnetic Inspirational Speaker Rachele Brooke Smith, star of Center Stage: Turn It Up, Bring It On: Fight to the Finish, Atomic Shark, Popstar and 45+ other films and TV shows—and her upcoming superhero film Legend of the White Dragon, premiering later this year—seamlessly bridges the worlds of entertainment and holistic well-being. An award-winning performer, sought-after speaker, and co-founder of Relationship Renegades, she merges decades of expertise in mind-body connection with cutting-edge biohacking practices to empower individuals to reclaim their vitality, magnetism, personal freedom, and creative expansion.  Her transformative workshop, Expression Therapy, combines dynamic movement, emotional release techniques, and neuroscience-backed tools to help attendees shatter self-limiting patterns, amplify confidence, and unlock their highest potential. Drawing from her journey as a Hollywood artist and wellness advocate, Rachele’s methods blend artistic authenticity with actionable strategies for mental clarity, emotional resilience, and peak performance.  A trailblazer in experiential healing, Rachele has been featured at global wellness summits and on platforms like E! News and Access Hollywood. Join her to discover the liberating power of authentic expression—and biohack your way to a bold, unapologetic life.  Connect on Social Media:Website: www.RacheleBSmith.comInstagram: https://www.instagram.com/rbrookesmith/ https://www.instagram.com/relationship.renegades/TikTok: https://www.tiktok.com/@rachelebrookesmith?is_from_webapp=1&sender_device=pcYouTube: https://www.youtube.com/@rachelebsmith

Interview Date: April 13th, 2025Episode Summary:International choreographer, aerialist, and performer Johanna Sapakie (Cirque du Soleil, Super Bowl LIV with Jennifer Lopez, Hustlers, Dita Las Vegas) drops a masterclass in longevity and reinvention. From creating her own “scholarship program” after a studio closed, to bold networking that led to her first agent within months, Johanna shows how resourcefulness plus relentless training turn opportunities into credits. She breaks down the leap from dancer to aerialist/pole artist, how Hustlers led straight to the Super Bowl, and why the real separator isn’t trick difficulty—it’s entertainment value. We also cover working with A-list artists, targeted demo reels, practical grip/endurance tips, and her current creative leadership role revamping Ringling Brothers. If you’re an aspiring pro, this episode is your blueprint for asking clearly, training smart, and staying in the game—decades in.Shownotes:(0:00) — Introductions & career pivots during pandemic(11:46)— Builds DIY scholarship training program(18:48) — First agent & early industry mentors(23:44) — Discovering aerial work, first opportunities(30:28) — Cirque du Soleil breakthrough moment(32:33) — Pole artistry, JLo & Hustlers36:49 — Inside JLo’s work ethic & process(42:46) — Training evolution: 20s, 30s, 40s(45:23) — Creative directing Ringling & Dita Las Vegas(50:47) — Entertainment value outlasts technical tricksBiography:Johanna Sapakie is an accomplished Artistic Director, Choreographer and Performer. Johanna has been involved in many projects on stage and on camera including the Super Bowl LIV Halftime Show, Hustlers and Medicine with JLo, Cirque Du Soleil's Michael Jackson ONE and Viva ELVIS, Dancing With the Stars, So You Think You Can Dance, The Tournament of Roses Parade, RuPaul’s Drag Race Live, Shiners Nashville, the Arabesque Festival at the Kennedy Center, Songs of Soul and Inspiration with Debbie Allen, the re- release of Michael Jackson’s “Blood on the Dance Floor”, Miley Cyrus: Live in Concert World Tour, 2 tours for Madonna and Splendor by Dragone. Johanna is also an accomplished aerial acrobat and performs on many different apparatus including tissú, lyra, spans, hammock, acro & aerial pole, and aerial heart . She has just recently completed the creation of the new residency Dita Las Vegas: A Jubilant Revue as their acrobatic and associate choreographer. Johanna also proudly teaches master classes and workshops around the world in pole, aerial acrobatics and dance. She excels at artist development and act creation.Connect on social media:Instagram: Www.instagram.com/johannasapakiereal

Interview Date: April 6th, 2025Episode Summary:Eseniia is an 8-year-old dance prodigy originally from Moscow, now performing and training in the U.S., who rose to international attention after viral clips and a standout run on America’s Got Talent. In this episode Eseniia  joins the Business of Dance with her parents—both dancers and teachers—to trace how a family training method, early multistyle exposure, and fearless play helped her develop an unusual musicality and stage confidence at a very young age.The conversation covers concrete career milestones (viral social repost by Chris Brown, TV appearances, America’s Got Talent semi-final run, performances on The Jennifer Hudson Show, World of Dance, and pro sports events), and pulls back the curtain on the business realities of kid stardom: music licensing on TV, TV logistics, schooling on set, NDAs, and the pace of post-show projects. Parents describe their methodic, high-touch approach—early rhythm exposure, mixed-style training, private lessons, and a careful balance of competitions versus performance/video work. Eseniia speaks about performing fearlessly, meeting judges, and dreaming bigger (Britain’s Got Talent; creating kids-only projects).This episode is perfect for parents of young performers, dance teachers, and anyone interested in how family, training, and the modern attention economy combine to shape child performers.Shownotes:(00:00) – Host intro; meet Eseniia and family.(02:10) – How the host discovered Eseniia at Playground LA.(04:25) – Parents’ backstory: university dance training, teaching methods.(08:00) – Early signs: Eseniia’s musicality before age one.(11:40) – Family training: mixed styles, fearless play, switching.(16:10) – First viral moment: Chris Brown reshared their video.(20:00) – America’s Got Talent experience; being six on TV.(31:30) – Behind the scenes: licensing, TV production realities.(40:20) – Current life: bilingual schooling, daily 5-hour practice.(52:45) – Advice for parents: invest, set goals, nurture talent.Biography:Eseniia Mikheeva is a rising star in the world of dance, captivating audiences from an early age with her charisma, sharp technique, and undeniable stage presence. Thanks to the support of her parents, Alexander and Marina Mikheev, she has become a symbol of youth hip-hop and an inspiration to families worldwide. Eseniia was raised in a creative environment. Both of her parents are professional dancers and educators. Her father, Alexander, specializes in hip-hop and street dance, while her mother, Marina, is not only a teacher but also an active mentor who helps Eseniia refine her skills, performance style, and artistic expression.Eseniia has already performed on major stages including America’s Got Talent, The Jennifer Hudson Show, and at high-profile sports events like NBA, WNBA, NFL Games, and games for the Atlanta Hawks. She’s danced in some of the nation’s biggest arenas, with her videos going viral and receiving praise from global celebrities. Beyond dance, the Mikheev family places a strong emphasis on education. They believe that intellectual development is a key part of long-term success. Eseniia studies through a flexible international program that allows her to balance academics with her thriving creative career. The Mikheevs are a powerful example of how love, discipline, and family support can nurture extraordinary talent.Connect on Social Media: Instagram - https://www.instagram.com/esenya_miss

Interview Date: March 30th, 2025Episode Summary:Florida-based trademark and contract attorney Kayla Moran joins the Business of Dance to bridge two worlds: the discipline of competitive dance and the realities of creator-economy law. Raised in Miami in a Cuban-Ecuadorian family and trained for 15+ years across ballet, tap, jazz, lyrical and hip-hop, Kayla shares how a teacher’s challenge—“Don’t be a space filler”—became a life mantra through law school and into entrepreneurship.Kayla unpacks the gap art schools and law schools share: they rarely teach the business side. She now runs a firm for creators, dancers and influencers, translating intimidating agreements into clear decisions and helping artists protect their brands with smart contracts and trademarks. We dig into networking that actually works (contacts → contracts), negotiating terms without getting steamrolled, building authentic personal brands, and running yourself like a business (LLCs, taxes, separate accounts).In the live Q&A, Kayla advises teens balancing medicine vs. dance, acting dreams vs. financial stability, and when to hire managers, agents or lawyers. She’s blunt (in the best way) about deadlines that “aren’t real,” why every contract is negotiable, and how to document your journey without oversharing.Listen if you’re: a dancer, parent, studio owner, or creator who wants to turn passion into sustainable income—without giving away your rights.Shownotes:(0:00) – Intro: Meet Kayla Moran, dancer-turned-attorney.(4:35) – Dance beginnings, magnet school, discipline from pointe.(11:22) – Injuries, teacher’s advice: “Don’t be a space filler.”(18:40) – Law school, burnout, turning to blogging.(32:41) – Contacts = contracts: power of relationships.(38:51) – Negotiation lessons & humanizing business deals.(39:19) – Creator law: brand deals, contracts, red flags.(46:13) – Treating yourself as a business (LLCs, taxes).(55:26)– When to hire an agent, manager, or lawyer.(1:19:39 ) – Every contract is negotiable—never sign first draftBiography:Kayla Moran is a Florida-based trademark and contract attorney for creators and entrepreneurs in the creator economy. Born and raised in Miami to a Cuban-Ecuadorian family, Spanish is her first language, and growing up she was a competitive dancer for 15+ years, now you can probably catch her reading a romance novel or salsa dancing on the weekends if she’s not at the beach. She loves to watch action thrillers, military movies or historical fiction shows on Netflix or sports (usually no in between). Kayla hosts her own podcast, The Let’s Get Candid Podcast where she strives to connect with and inspire young women to be the best version of themselves and find what drives them, and has been a featured guest on numerous other podcasts. She attended the University of Central Florida where she was a Kappa Delta, participated in Knight-Thon for four years, and interned for Senator Rubio before she set off for law school. In 2022, she earned her Juris Doctorate from the University of Tennessee College of Law, where she was a member of the now Transactional Clinic after passing the Florida Bar, she returned to Miami where she was a personal injury attorney for a year before opening her own firm.When she set out to become a lawyer, her goal was to be in-house counsel for a lifestyle company but during law school she discovered could combine her interests and create a career on her terms. She blogged about her law school experience and it was through blogging that she discovered being an influencer combining her passion for social media and legal training. Now she gets to help influencers promote brands they believe in as a lawyer and entrepreneurs legally protect the brands they have built.She is always open to connecting, please find her on Instagram and on LinkedIn.Connect on Social Media:Instagram - Instagram.com/kaylaaamorannWebsite- Kaylamoranlaw.com

Interview Date: March 23rd, 2025Episode Summary:This episode spotlights Robert Garland, Artistic Director of Dance Theatre of Harlem (DTH)—former principal dancer, DTH’s first resident choreographer, and a Juilliard BFA graduate. Beyond the concert stage, Garland’s work spans New York City Ballet, The Royal Ballet, Oakland Ballet, and commercial projects from Sesame Street to Nike and the NAACP Image Awards.Garland traces DTH’s roots to Arthur Mitchell’s 1969 vision and explains how Mitchell’s lecture-demonstration model built audiences and access. He folds in a vivid business/history lesson on George Balanchine—from the Ballets Russes and Coco Chanel’s short ballet skirt to the Harlem Renaissance’s jazz influence that helped shape neoclassicism and, crucially, how smart repertoire and audience-building choices drove growth. On the business side, Garland stresses that relationships power opportunities and fundraising—“contacts become contracts”—and lifts the curtain on the theater’s “cottage industry” (development, marketing, production, stage management). For dancers, he offers pragmatic guidance: cultivate musicianship and form, be multifaceted (social, lighting, admin), and understand cycles of work—pace your week so you peak for shows. He unpacks today’s video-first auditions, urging care with presentation, while affirming many legitimate pathways (college, company route, or self-directed study).Show notes:(0:00) – Robert Garland introduction & career highlights(09:41) – Dance Theatre of Harlem origin & mission(14:55) – Juilliard audition story and scholarship journey(16:56) – Balanchine, Coco Chanel, and neoclassicism explained(25:51) – “Contacts = Contracts”: relationships fuel opportunities(33:16) – Careers beyond stage: marketing, production, education(38:27) – Arts education builds empathy and compassion(42:34) – Audition process and rise of video submissions(51:41) – Transition into commercial/TV work with hip-hop artists(1:12:11) – From dancer to choreographer to creative leadershipBiography:Artistic Director Robert Garland was a member of the Dance Theatre of Harlem Company from 1985-1998, achieving the rank of principal dancer. After creating a work for the DTH School Ensemble, Arthur Mitchell invited Mr. Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization’s first Resident Choreographer. Before becoming DTH Artistic Director, he was Director of the Dance Theatre of Harlem school. In 2023, Mr. Garland was appointed the Artistic Director of Dance Theatre of Harlem. His works for the company include Higher Ground, New Bach, Return, Nyman String Quartet No. 2, and The Cookout among others, many are in his signature postmodern-urban-neo-classical style.  In addition to choreographing several ballets for DTH, Mr. Garland has also created works for New York City Ballet, Britain's Royal Ballet, Oakland Ballet and many others.  His commercial work has included music videos, commercials and short films, including the children’s television show “Sesame Street”, a Nike commercial featuring New York Yankee Derek Jeter, the NAACP Image Awards, a short film for designer Donna Karan, and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.Connect on Social Media:Instagram -https://www.instagram.com/robertgarlandWebsite - dancetheatreofharlem.org

Interview date: March 9th, 2025Episode Summary:Melissa McGhee, Head Coach of The Ohio State University Dance Team and owner of Lineage Dance Company. With 13 national championships and nearly two decades of experience, Melissa is a leading figure in the collegiate dance world.Melissa shares her journey from a young studio dancer in Toledo, Ohio, to becoming OSU’s head coach right after graduation, and later, a studio owner. She offers an inside look at the college dance team recruiting process, including timelines, audition requirements, and how OSU fills its highly competitive six open spots each year.Listeners will gain valuable insight into what coaches look for—technical skill, strong ballet foundation, versatility, professionalism, and a team-first mentality. Melissa discusses the importance of combining studio training with dance team experience, how to stand out in recruitment videos, and why NIL (Name, Image, Likeness) deals are helping dancers earn significant income while in college.She also emphasizes the role of character, mindset, and energy in selection decisions and offers advice for dancers navigating both performance and academics. This episode delivers essential guidance for dancers, parents, and coaches aiming for success in the collegiate dance world.Show Notes:(0:00) - Welcome to The Business of Dance Podcast & introduction to Melissa McGhee(2:10) - Melissa’s early dance beginnings in Toledo, Ohio(4:15) - Dancing through high school and joining The Ohio State University Dance Team(6:30) - Transition from dancer to head coach immediately after graduation(9:10) - Building OSU’s nationally recognized program and winning 13 championships(12:00) - Opening Lineage Dance Company in Upper Arlington, Ohio(14:20) - Balancing full-time coaching with running a dance studio(16:30) - How the college dance team recruiting model works(20:00) - Audition timelines, video submissions, and competition for six annual spots(22:45) - What OSU looks for in dancers: training, ballet foundation, versatility, professionalism(26:15) -Importance of combining studio and dance team experience(28:40) -NIL (Name, Image, Likeness) opportunities and how dancers are earning up to $20K annually(32:00) - Core values Melissa instills: hard work, maturity, consistency, kindness(35:30) - Tips for standing out in recruitment videos and following instructions(38:20) -Scholarship opportunities for dance team members(41:10)- Managing training schedules, academics, and performances(44:00) - Guest choreographers and style diversity in team training(47:30) - Career paths for dancers after graduation(50:00) - Current challenges in the dance team industry and collaboration solutions(54:15) - Final advice: character matters, the dance world is small, be a good human(57:00) - How to connect with Melissa McGheeBiography:A native of Toledo, Ohio, Melissa McGhee is a graduate of The Ohio State University where she obtained a B.S. in Business Administration. She is the current Head Coach of The Ohio State University Dance Team. Under her direction, the team won the program's first ever National Championship in 2018 and has thirteen total to date.After sixteen years of studio training, she now consults for dance studios and teams nationally and judges for numerous dance competitions including NDA, UDA, AmeriDance, Showcase America, Stage 8, OASSA, and USASF Dance Worlds. Melissa has been a speaker at the Varsity Dance Coaches Conference, National Dance Coaches Association Conference, CLI Studios and Intricate Training for Dancers. She was named National Dance Coaches Association (NDCA) College Coach of the Year in 2020 and served as the NDCA College President from 2020-2022. In 2022, Melissa opened doors to a dance studio in Upper Arlington, OH, Lineage Dance Co.Connect on Social Media:https://www.instagram.com/mmcghee65https://www.facebook.com/melissa.mcghee.39

Interview Date: February 16th, 2025Episode Summary: This episode features Khalid Freeman—body percussionist, choreographer, and field team director—known for merging musicianship and movement. A veteran of STOMP (nine years), Cirque du Soleil, and five Super Bowl Halftime Shows, Khalid translates drummer-level musicality onto the body, treating the performer as the instrument itself.Khalid retraces his path from tap (inspired by Gregory Hines) to stepping and finally to body percussion, unpacking how “you are the drum set.” He explains the difference between stepping’s militant power and body music’s nuance, and shares how STOMP honed his dynamics, phrasing, and counting. Highlights include being an original cast for Michael Jackson: The Immortal World Tour and later contributing choreography to MJ ONE (“Wanna Be Startin’ Somethin’”). On the Super Bowl side, he demystifies the field team role—executing KP’s vision, staging giant formations safely, and problem-solving live.Khalid encourages dancers to develop a musician mindset (ghost notes, sustains, phrasing), break the fourth wall to connect with audiences, and cultivate versatility by training across styles and teachers. He contrasts film (repeatable, permanent capture) with live events (one shot, controlled adrenaline) and reminds performers to be coachable, patient, and fully present. Above all, find your authentic “grocery-cart/shower/kitchen dance” so industry work doesn’t erase your voice.Show Notes:(07:43) – Formal intro and career overview (08:48) – Body percussion explained; stepping vs. body music(12:35) – Nine years in STOMP; musicality and dynamics(17:01) – Triple-threat: breaking the fourth wall(24:09) – MJ Immortal cast experience & callbacks(25:09) – Adding body percussion to MJ ONE(41:27) – Five Super Bowls overview(42:20) – What a field team director actually does(51:19) – Super Bowl auditions: artist team vs. field cast(58:29) – Film vs. Super Bowl: nerves, capture, and focusBiography:Khalid brings versatility to the Body Music world with his unique percussive dance style. Putting his stank and flava in various shows and groups such as (Stomp, Stomp the Yard, Stomp Out Loud, Molodi, LXD, Cirque Du Soleil’s Michael Jackson Immortal tour and ONE and Beatles LOVE, Usher, Spiegelworld, 5 Super Bowl Haltime shows, European Games closing ceremony and more). Khalid took his instrument/art form on 17 world tours, 46 countries and all 50 states over 26 years so it’s clearly his passion and career mission to expand the love of body percussion.Connect on Social Media:Instagram - https://www.instagram.com/khalidfreeman/Youtube - https://www.youtube.com/khalidfreeman?app=desktopWebsite -  https://profile.jamargig.com/khalidfreeman/

Interview Date: February 2nd, 2025Episode Summary:Jason Pickett, a dance educator, choreographer, and the creator of the No Starving Artists brand. Jason shares his unique journey, from starting his dance career at 14 by self-teaching and getting inspired by YouTube and movies, to now traveling the world teaching at conventions and judging competitions.He emphasizes the importance of building genuine relationships, networking, and having a clear personal brand. He shares lessons learned from his own experience, such as the significance of embracing a bold, confident approach and trusting the process.Jason also discusses how his background in marketing has shaped his approach to content creation, stressing the need for consistency and authenticity. Towards the end of the episode, Jason offers valuable advice to dancers, including the importance of embracing freestyle, making connections with others, and constantly pushing forward. Show Notes:(0:00) Introduction to Jason’s dance journey (3:00) Starting dance at 14 and self-teaching (6:30) Early inspirations: YouTube, music videos, and Stomp the Yard (10:00) Teaching at 16 and growing a hip-hop program (13:00) Building connections and transitioning to professional gigs(17:00) Content creation’s role in Jason’s career (21:30) Securing teaching gigs at conventions (25:00) How networking and mentorship opened doors (30:00) Full-time teaching and judging at conventions worldwide (34:00) Using videography to expand his reach(38:00) Building a personal brand for success (42:00) Consistency in social media content creation (46:00) The importance of having an opinion and clear audience (50:30) Balancing work, family, and content creation (55:00) Authenticity in building trust with followers(58:30) Lessons learned from setbacks (1:03:00) Using AI in dance business and content creation (1:07:30) Advice for dancers navigating the industry (1:10:00) Jason’s vision for No Starving Artists’ future (1:12:00) Final thoughts on relationships, challenges, and staying authenticBiography:Professional dance educator, choreographer, adjudicator and international artist, Jason Pickett strives to help dancers grow to the next level of their artistic journey.With over a decade of performance, choreography and teaching experience, the Utah native has performed live on shows like Americas Got Talent, collaborated with global brands Hermès, Icon Fitness, Toys-R-Us, Crocs, Bud Light and more, and been featured in viral YouTube videos Stormtrooper Twerk and High School Dance Battle – Geeks vs. Cool Kids! (4k), just to name a few.In addition, Pickett has toured internationally throughout Germany and Israel with Odyssey Dance Theatre as company artist. Jason Pickett is the creator and host of No Starving Artists - a dance media company that provides mentoring, coaching & peak performance strategy to dancers, parents & teachers & is currently a full time faculty member with Reinforce Dance Experience.Connect on Social Media:https://www.instagram.com/heyitspicketthttps://www.facebook.com/jasonpickettdance

Interview Date: January 26th, 2025Episode Summary:Rebecca Lampiasi, a dance agent at CESD in New York City. Rebecca shares her journey from growing up in a family of artists in New Jersey to discovering her true passion for supporting artists during her time at NYU Tisch. Initially involved in theater and acting, Rebecca shifted her focus to agency work, starting at a commercial casting office before joining CESD. She discusses her role as a dance agent, representing clients in theater, TV, film, and commercial work.Rebecca explains how the dance industry in New York differs from the commercial scene in LA, emphasizing that New York’s work is more theater-focused, with significant opportunities in Broadway and national tours, while LA is known for its high volume of commercial work. She highlights the importance of building relationships and knowing your career goals when approaching an agent, and shares tips for dancers submitting to agencies, such as having a diverse dance reel and being mindful of social media presence.Show Notes:(0:00) Introduction(3:30) Rebecca’s journey from theater to agency work(10:00) Transitioning to CESD(14:00) Differences between New York and LA dance industries(20:00) Tips for submitting to agencies(28:00) Building relationships with clients(35:00) Social media for dancers(42:00) Essential submission materials(50:00) Understanding clients' career goals(55:00) Q&A with Rebecca(1:01:00) ConclusionBiography:Rebecca Lampiasi is an agent in the Dance Department at CESD Talent, a NY-based department of the bi-coastal agency. She grew up in New Jersey, a theater nerd from day one, in a family of artists and art lovers. While attending NYU Tisch, she realized that her real love and talents lay in supporting other artists' journeys. After graduating with her BFA in Drama and a minor in Producing, she began working at a commercial and print casting office.The experience taught her so much about the business of the arts, the process of booking a job, and what casting teams look for. The experience also taught her that while casting allows a CD to be artistically creative, her passion was in supporting individual artists. With that in mind, she made the move to CESD as an assistant in the Dance Department, where she has been and has grown ever since.The department has an absolutely thrilling roster of talent across all media, including theater, tv/film, commercial, print and live events. CESD Dance is focused on individually tailored representation of each client as an individual - not just as an artist, but as a human being, and prides itself on open communication and intentional strategy.Connect on Social Media:https://www.instagram.com/rebeccalampshttps://www.instagram.com/cesdtalentWebsite:https://cesdtalent.com/

Interview Date: January 5th, 2025Episode Summary:Larke Hasstedt, a talented dancer who transitioned from classical ballet to the commercial dance world. Larke, who was born into a dance family, began her training at a young age and eventually joined prestigious ballet companies like Pacific Northwest Ballet and Oregon Ballet Theater. However, her journey took a pivotal turn when she moved to Los Angeles to pursue a career in commercial dance.Larke shares her story of moving to LA with nothing but a dream and a self-imposed deadline to make it work. Through persistence and dedication, she landed an agent and went on to work with major artists like Beyoncé, Britney Spears, Usher, and more. Larke talks about the challenges of transitioning from ballet to commercial styles like hip hop and heels and offers insights into how dancers can make a similar shift in their own careers.She also shares advice on the importance of versatility, mental resilience, and hard work in the dance industry. Larke’s teaching style, which blends her classical ballet background with commercial dance techniques, has gained recognition for creating beautiful lines and fluid movement. This episode is filled with valuable lessons on adapting to different dance styles, developing your unique career, and staying dedicated to your craft.Tune in to learn more about Larke’s journey and the lessons she’s learned along the way.Show Notes:(0:00) Introduction to Larke’s dance background(5:00) Growing up in a dance family and early ballet training(10:00) Joining prestigious ballet companies like Pacific Northwest Ballet and Oregon Ballet Theater(15:30) The pivotal moment: transitioning from ballet to commercial dance(22:00) Moving to Los Angeles with a dream and a year to make it work(28:00) Securing an agent and booking jobs with top artists like Beyoncé, Britney Spears, and Usher(35:30) Adjusting ballet technique to fit commercial dance styles like hip hop and heels(42:00) Challenges faced and lessons learned in the commercial dance world(47:30) The importance of versatility and mental resilience in building a dance career(53:00) Creating a signature teaching style blending classical ballet and commercial dance(59:00) Advice for dancers looking to make a similar transition into commercial dance(1:05:00) How to balance ballet and commercial dance and maintain growth in both area(1:12:00) Larke’s experience teaching and the evolution of her heels class(1:18:00) Reflecting on the different worlds of ballet and commercial dance(1:23:00) Larke’s favorite career highlights and unforgettable moments (Super Bowl, Coachella)(1:30:00) Advice for aspiring dancers: believing in yourself and staying focused(1:36:42) Closing thoughts and inspiration from LarkeBiography:Larke Hasstedt started her dance training out very early, as both of her parents were professional ballet dancers. She trained with Pacific Northwest Ballet,San Francisco Ballet,Boston Ballet,and eventually joined Oregon Ballet Theater when she was only 17 years old.She did 8 seasons with them before leaving for Los Angeles.Once moving to LA, she had a dance career of over 20 years dancing for such artists as Beyonce, Chris Brown, Usher, Britney Spears, Jlo, Ariana Grande, Missy Elliot, Ciara, Miley Cyrus, Neyo,Cardi B, Snoop, Pitbull, Nicki Minaj, Christina Aguilera,Tinashe, Pharell, Rihanna and many more. She has been on shows such as The Voice,Ellen, Jimmy Kimmel, America's Got Talent and performed at The VMAS, American Music Awards,The Superbowl, Coachella, Bet Awards, Billboard Awards, Latin Grammys, Dick Clark's Rockin NYE and the Grammys.Currently she is teaching and sharing everything she has learned from the Ballet world to the industry with the next generation.Connect on Social Media:https://www.instagram.com/alottalarkehttps://www.facebook.com/larke.hasstedt

Interview Date: September 17th, 2023Episode Summary:Megan, a former rhythmic gymnast turned dancer, actress, and stunt performer. Megan’s journey from a national-level gymnast to a successful career in entertainment showcases the power of leveraging one’s skills in unexpected ways. Starting with rhythmic gymnastics at the age of nine, Megan became a national silver medalist before transitioning into dance while pursuing a business degree at the University of British Columbia. After moving to Los Angeles to further her dance career, she discovered her love for acting and later stunt work, leading to impressive roles in feature films and TV series like Kung Fu and Deadpool 2. Megan shares her unique path, the challenges she faced, and how dance opened doors to acting and stunt performances.Throughout the episode, Megan offers valuable insights into the versatility of a dancer’s skill set, emphasizing that dance can be a springboard to other areas in the entertainment industry. She encourages dancers to explore various creative avenues, from acting to stunt work, and highlights the importance of honing skills like acrobatics, martial arts, and acting for dancers looking to expand their careers. This episode is a testament to the power of exploration, resilience, and seizing opportunities, and is sure to inspire aspiring dancers and entertainers to take bold steps toward their dreams.Show Notes:(0:00) Introduction to Megan’s background(3:15) Megan’s gymnastics career(7:45) Transition to dance(12:00) Moving to LA to pursue dance(18:30) Discovering acting and stunt work(24:45) Dance skills in stunt work(30:15) Advice for aspiring dancers(35:00) Exploring new skills(40:00) Closing thoughts and inspirationBiography:Megan Hui was born and raised in Vancouver, B.C, Canada. At the age of 9, Megan began rhythmic gymnastics and soon became the national silver medalist after which qualified her to compete at the 2003 Pan American Games and World Rhythmic Gymnastics Championships as part of Team Canada. Following her retirement from rhythmic gymnastics, Megan started taking dance lessons while attending the University of British Columbia where she attained her degree in business. After graduating, Megan moved to Los Angeles to continue dancing and study acting. Since then, she has studied with numerous coaches at studios including Joe Palese at The Actors Space, Upright Citizens Brigade (UCB Theatre), Andrew McIlroy at McIlroy & Associates, Crystal Lowe at VADA, Crichlow Actors' Studio, Lyric School of Acting, and more. It was then that she fell in love with acting and has since been cast in the feature films The Before Time, Other Halves, and Alison's Choice as well as several television series including iZombie, Kung Fu, Legends of Tomorrow, and Siren.In 2016 Megan began adding martial arts to her training and in combination with her rhythmic gymnastics and dance background, was able to pursue a career as a stunt performer alongside acting. Over the years she has been given the opportunity to perform as the lead stunt double for Olivia Liang (CW Kung Fu), Haruka Abe and Ursula Corbero (Snake Eyes), Gugu Mbatha-Raw (Madeline), Chelsea Zhang (DC Titans), and others. You can also catch her on the big screen in the opening action sequence of Deadpool 2!Connect on Social Media:https://www.instagram.com/meganhuihttps://www.facebook.com/meganhui16Websitehttps://www.meganhui.com/

Interview Date: October 1st, 2023Episode Summary: Christie Lee Manning, a versatile dancer, choreographer, actress, and educator. Christie shares her journey from growing up on the West Coast of Canada to moving to London, where she established herself in both the commercial and theater dance scenes. With notable projects like Wicked, Dance Monsters, and her work with House of Jazz, she discusses the unique opportunities London offers dancers, blending the best of Broadway-style theater and commercial dance.She emphasizes the importance of pursuing one's true passions, staying motivated through rejection, and cultivating self-love and confidence. She offers valuable advice for aspiring dancers, stressing that success comes from consistency, knowing your "why," and building meaningful relationships in the industry. She also touches on her role in creating an immersive theater show from scratch, which became one of her proudest accomplishments.Through candid insights, she encourages dancers to embrace their individuality, pursue diverse opportunities, and trust that success will come from staying authentic and persistent. This episode provides inspiration and practical wisdom for dancers looking to carve their own paths in the competitive world of dance.Show Notes:(0:00) – Introduction to the episode and Christie Lee Manning(5:40) – Christie's early dance journey and transition to the UK(10:50) – The London dance scene: comparing it to New York and LA(14:30) – Advice for aspiring dancers and staying open to opportunities(24:50) – Christie's proudest accomplishments in dance and theater(34:30) – Overcoming rejection and staying motivated in a competitive industry(44:00) – Q&A with mentees(53:00) – Christie's advice on balancing authenticity, consistency, and career growth(1:00:00) – Final thoughts on authenticity, motivation, and creating a lasting dance careerBiography:Christie Lee Manning is a London-based Canadian actor, dancer, educator and creative director. She is the founder of House Of Jazz, Jazz House Theatre, and UnCorked Theatre Company.Theatre: Christie’s latest role was playing Queen Elenora in UnTitled Dance Company’s third full length production, ‘Astoria’. Prior to that she played the iconic Shirley MacLaine in the premiere of ‘Welcome To The Grand’, a new jazz theatre production taking London by storm. Christie recently had the pleasure of workshopping a new West End Theatre production entitled 'House Of Dance' directed by Dame Arlene Phillips.Commercial: Christie has worked commercially with artists as Jack Whitehall, Sergei Polunin, Lenny Kravitz, Michael Buble, Nelly Furtado, Mike Snow, and Suzie McNeil. Other credits include The Voice, Netflix, New Balance, Telus, Nickelodeon, Ikea, Equinox, ‘Package Deal’ (TV), ‘Warehouse 13’ (TV), and Sky 1's 'Got To Dance' Season 5, where she was mentored by celebrity judge Adam Garcia and finished as a semi-finalist. Christie has also choreographed for a new Netflix series entitled 'Dance Monsters' due out late fall 2022. She is currently filming feature film 'Apartment 7A' as 'Hattie' alongside actress Julia Garner and choreographed by Ashley Wallen,Company: Christie has worked extensively with Lukas McFarlane’s contemporary company, UnTitled. In the past three years, Christie has been a principal dancer in the company’s last four major projects, ‘Got To Dance’ Season 5, ‘Exposed’,  ‘The Suffocating Truth’, and ‘Astoria’.  Before that she spent two years working with Canadian company Lamondance, touring Brazil for two seasons and performing annually in Vancouver, BC. Christie has also worked with UnCorked Theatre on their last five theatre productions, making herself an irreplaceable and invaluable member of the company. Her latest role is a principal artist with Jazz House Theatre.Connect on Social Media:https://www.instagram.com/christieleemanninghttps://www.facebook.com/christie.manningWebsitehttps://www.christieleemanning.com/

Interview date: October 29th, 2024Episode Summary:Nika Kljun, a renowned dancer, choreographer, and life coach, to discuss her extraordinary journey from Slovenia to Hollywood. Nika shares insights on her humble beginnings in her parents’ dance studio and how her early success in Europe led to major international opportunities. She talks about her experience working with A-list artists like Beyoncé, JLo, and Britney Spears, and the importance of resilience in the dance industry. Nika also opens up about her transition into life coaching, offering holistic support to dancers and non-dancers alike.Throughout the conversation, Nika discusses the value of perseverance, the impact of social media, and how dancers can handle comparison and negative self-talk. She encourages dancers to trust the process, stay grounded, and embrace their true selves.Show Notes:(00:00) - Introduction to Nika Kljun(04:15) - Nika’s Early Dance Journey in Slovenia(08:00) - Transition from Slovenia to LA and the O-1 Visa Process(15:40) - The Struggles and Successes of Starting in LA(24:30) - The Role of Social Media and Comparison in Dance Careers(30:45) - Nika’s Transition into Life Coaching and Helping Dancers Mentally(36:20) - The Importance of Self-Care, Mental Health, and Physical Wellbeing(42:00) - Advice for Dancers: Resilience, Forgiveness, and Personal Growth(50:00) - Final Thoughts and Closing RemarksBiography:World renowned choreographer and professional dancer Nika Kljun was born into a family of respected dance pioneers in Ljubljana, Slovenia. The apple didn’t fall far from the tree, and Nika shone from a young age. A national and international champion herself, by the time she was a teenager, she coached and choreographed dancers from her family’s studio, Bolero, to new heights and world titles. Meanwhile, she built her professional resume and impressive reputation across Europe and the world. Soon enough, Nika moved to Los Angeles, California to further pursue her dreams. It was not long before she had worked with the likes of Beyonce, Jennifer Lopez, Justin Bieber, and appeared on mainstream televised award shows such as the MTV Video Music Awards, the Latin Grammys, X-Factor, and more. All the while, Nika continued to fulfill her passion for education, teaching often sold out classes to dancers at Millennium Dance Complex in Los Angeles, and touring the country and world teaching master classes, both individually, and with elite dance convention programs. She is currently on faculty at Jump dance convention. Nika’s choreography can be seen on prime time television shows such as Fox TV’s So You Think You Can Dance and The Masked Singer, CBS’s Come Dance With Me, and more, and in both live and virtual arenas across the world - to name only two of many, Nika choreographed for Taiwanese “Queen of C-Pop” Jolin Cai’s Ugly Beauty World Tour in 2019 and J. Balvin’s Live TikTok Concert Performance in 2021. In 2018, Nika was a choreographer for Britney Spears’ Las Vegas Residency “Domination”, a full circle moment following Nika’s portrayal of the megastar during the 2011 VMA Vanguard Britney Spears Tribute Performance. Notably, not only has Nika choreographed for pop culture, music, and dance legend Paula Abdul, but she has been her creative right-hand-woman for six years. Her work on Paula’s “Forever Your Girl” Las Vegas Residency in 2019, and her outstanding performance at the Billboard Music Awards in 2019. Their collaborative power continues to flourish throughout current projects. Throughout it all, Nika deeply understands and intently spreads the value of wellness. Now a certified life coach, Nika recently and successfully launched “Shaped By Nika” - a professional-level dance intensive marked by an emphasis on how the mind, body, and spirit can work together towards one’s dreams. Connect on Social Media:https://www.instagram.com/nikakljun/profilecard/Website: https://nikakljun.com

Interview date: May 19, 2025Episode Summary:Dan Galpern, CEO of Dance One, and Mike Minery, VP of Dance One. They discuss the creation and growth of Dance One, a leading organization in the dance industry that produces over 500 events annually through 21 brands. Dan shares how his background as a dance dad led him to invest in the dance industry, culminating in the formation of Dance One, which combines competition events, conventions, and educational opportunities for dancers. Mike, with his extensive experience as a tap dancer and choreographer, talks about his transition into an executive role and his work to bridge the artistic and business sides of the dance world. The episode highlights Dance One’s mission to elevate the dance community through world-class events, global expansion, and creating opportunities for dancers to develop both their skills and careers.Show Notes:(00:00) Introduction to today’s guests: Dan Galpern and Mike Minery from Dance One (05:00) Dan’s journey into the dance industry and the creation of Dance One (10:30) The merging of 21 dance brands to form Dance One and its impact on the industry (15:00) Mike Minery’s background as a tap dancer and his transition into an executive role(20:00) The vision behind Dance One’s global expansion and investment in dancer education (25:30) How Dance One is enhancing its conventions with technology and innovative experiences (30:00) The importance of combining artistic and business knowledge in building a successful dance career (35:00) Dan and Mike’s insights on the future of ballroom dance with the launch of Ovation (40:00) Creating opportunities for dancers in various industries beyond performance (45:00) Advice for young dancers on building a sustainable career in dance (50:00) The power of community and collaboration in the dance industry (55:00) Closing thoughts from Dan and Mike on their roles in shaping the future of dance (55:12) Conclusion of the episode and Menina’s closing remarksBiography:Mike Minery is a Vice President at DanceOne and Executive Director of DanceOne’s Break The Floor Tours. A New Jersey native, he has established himself as one of the finest tap dancers and choreographers working today. Most recently, Mike has been a top faculty member on JUMP for more than 20 years, including six as tour director. Additionally, he was named the 1997 World Tap Champion and was a recipient of a Princess Grace Dance Fellowship Award. He toured the world as a soloist with the internationally acclaimed Manhattan Tap company and has been featured at The Supper Club on Broadway, in the '40s revue This Joint is Jumping. He has also created his own tap company, "Tapaholics", which debuted at the famed Duke Theatre in New York City and has performed in countless theatres and on television as a feature guest on The Tony Danza Show.Dan Galpern is the CEO of DanceOne, the premier producer of more than 500 yearly elite educational and competitive dance events and largest family of dance brands in the world. Before joining DanceOne, Dan was a senior partner at TZP Group, where he helped lead the initial strategic investments that created DanceOne in 2023. His extensive background includes his role as the Chief Operating Officer and Head of Strategy at CurtCo Media Labs, LLC, a holding company for the Robb Report Family of media brands, which Dan helped to expand from just two magazines to an international integrated media platform with fifteen media brands, producing over 60 live events annually, as well as his ongoing commitment to child welfare through his service as Chairman of the Board of Children’s Rights, Inc.Connect on Social Media with Dance One:https://www.instagram.com/danceonehttps://www.facebook.com/profile.phpWebsite:http://dance.one/

Interview date: December 8, 2024Episode Summary:Liz Imperio, a renowned choreographer, director, and educator with an extensive career working with superstars like Jennifer Lopez, Madonna, and Gloria Estefan. Liz shares her personal journey from a young dancer struggling with body image in ballet to becoming a leading figure in the dance industry. She discusses pivotal moments, including her discovery of flamenco, working alongside Kenny Ortega, and choreographing her first world tour at the age of 20.Liz emphasizes the importance of resilience and the mindset required for longevity in the dance industry. She offers invaluable advice on finding your unique voice, trusting your creativity, and staying true to your craft despite the pressures to conform. Throughout the conversation, she highlights the significance of self-worth and the role of personal relationships in advancing a dance career.This episode is a treasure trove of wisdom for aspiring dancers looking to break through the barriers of self-doubt and achieve success in a competitive and evolving field.Show Notes:(0:00) Introduction to Liz Imperio’s background(2:30) Liz’s early dance experiences and discovering her passion for movement(5:45) Overcoming rejection in ballet and transitioning to other dance styles(11:00) Liz’s first professional dance company at age 14(16:30) Working with Kenny Ortega and becoming his associate choreographer(20:00) Liz’s journey to choreographing her first world tour at age 20(25:15) The power of trusting your creativity and overcoming self-doubt(30:00) The role of mindset and belief in a dancer’s career success(35:00) Liz’s work as the artistic director of Hollywood Vibe Dance Convention(40:30) Building a culture of teamwork and trust in dance environments(45:00) Liz’s journey with Success Dance and creating programs for dancers(50:00) Networking and standing out in the dance industry(55:00) Advice for dancers on navigating the business side of dance(60:00) Liz’s perspective on being Latina in the industry and embracing cultural uniqueness(65:00) Closing thoughts on passion, self-worth, and perseverance in danceBiography:Liz Imperio is a highly acclaimed director and choreographer in the entertainment industry with an impressive list of achievements. Born and raised in Hollywood, California, she has worked with some of the biggest names in music and entertainment, including Jennifer Lopez, Madonna, Gloria Estefan, Cher, and Michael Jackson.She has directed and choreographed Jennifer Lopez's world tour, Dance Again, as well as Gloria Estefan's last three world concert tours. Liz also directed and choreographed two of Madonna's world tours: the Re-invention Tour and the Confessions Tour. Her work has been seen in various television shows and specials such as American Idol, Dancing with the Stars, American Music Awards, and Disney Channel's Gotta Kick It Up. Liz has also directed and choreographed for movies and commercials.In addition to her impressive resume, Liz was recently named Honorary Artistic Director and was commissioned to set new works to celebrate Giordano's Jazz Dance Chicago's 50th Anniversary. The piece, La Bellaza de Cuba, premiered to rave reviews and toured throughout Europe in the summer of 2022.Liz is known for her creativity and unique style, which is heavily influenced by her Cuban-American heritage. Her work has been praised for its fusion of various dance styles, from contemporary to Latin, and her ability to tell stories through movement. Her innovative choreography has earned her several awards, including an Emmy for Outstanding Choreography for the television special, Great Performances: Miami City Ballet Dances Balanchine and Tharp.Connect on Social Media:https://www.instagram.com/lizimperiohttps://www.facebook.com/liz.imperioApphttps://success.dance/