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Ongoing History of New Music

Ongoing History of New Music

Author: Curiouscast

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Ongoing History of New Music looks at things from the alt-rock universe to hip hop, from artist profiles to various thematic explorations. It is Canada’s most well known music documentary hosted by the legendary Alan Cross. Whatever the episode, you’re definitely going to learn something that you might not find anywhere else. Trust us on this.
267 Episodes
Creating art is hard…if it wasn’t, everyone would do it—and everyone would be successful at doing it…even those who can create art—the people with the right stuff—have a finite supply of good stuff within them… Take Margaret Mitchell, for example…she wrote exactly one novel…but that novel was “Gone With The Wind”…Pulitzer Prize, a classic movie with multiple Academy Awards, 30 million copies sold, endless adaptations…it even got her face on a stamp…in short, “Gone With The Wind,” first published in 1937, was and still is, a cultural phenomenon… But that’s all she ever did…ol’ marge hit it out of the park on the first pitch and that was it…one novel…she is perhaps the greatest literary one-hit-wonder of all time… Maybe that’s all she had in the tank…or maybe she looked at all the success she got from just that one novel and said “right…my work is done her…anything else I do will just be a letdown…I’m stopping while I’m way ahead”…totally understand that… Other artists, though, keep trying after that one hit…but for whatever reason, the magical pixie dust that they managed to harness that one time disappears forever… Man, to get a taste of standing on the mountaintop only to be denied it ever again…but—and let’s be clear about this—at least they made it to the top of that mountain, even if it was just once…and if they’re lucky, that one trip can sustain them for the rest of their careers—the rest of their lives… This is another program featuring those who got to the top just one…its great alt-rock one-hit wonders of the 90s, part 2…. See for privacy information.
There is absolutely no need for music—speaking in terms of evolution, anyway… As far as scientists can tell, there’s no compelling reason for humans to make and enjoy music…neurologically, we could get along quite well without it…sure, our world would be very dull, but we’d be fine as a species… Yet for some reason, the human brain seems to be hardwired for music…and it looks like even the non-human brain was constructed this way…archeologists found a flute made out of bone constructed by neanderthals that was almost 90,000 years old… why?... Here are a couple of theories…music was invented because humans (or neanderthals) wanted to imitate birdsong…music was invented as part of some kind of religious ritual or ceremony…or music began as vocalizations on the way to developing spoken language…. Whatever…the origins of music are a mystery—and so is much of what goes on in our brains when it comes to these sounds… Let’s explore…here are nine things about your brain and music… See for privacy information.
I think one of the greatest gifts humans have is a sense of curiosity…the ability to question things around to learn why things are the way they are pushes us forward… Here are my three favourite questions that i think everyone should ask…are we alone in the universe?...who really killed JFK?...and what do dogs dream about when they twitch in their sleep?... But there are plenty of questions we don’t ask that we probably should…let me give you a few examples… When a prisoner about to be executed by lethal injection, why does the doctor swab the iv site with alcohol first?... Why doesn’t Tarzan have a beard?... And how about this: what’s the size of a fart … But you see what I mean…these are questions that probably should have answers?...if you must know, it ranges between the size of a bottle of nail polish and a soft drink can…you’re welcome After discussing important stuff like this with some friends, I got to thinking: can we find the same sorts of unasked questions in the world of music?...turns out we can…this is stuff we should be curious about…and are there answers to these questions?...let’s find out… See for privacy information.
So you’ve decided to go all retro and dive into vinyl…no more digital for you…you are going back to the future…it’s all about analogue, baby… Buh-bye, mp3s and digital downloads—except maybe for the songs you want to load on your phone…but that’s the one and only exception…other than the songs you want to play through your car’s entertainment system…that’s two exceptions and no more…unless we count the songs you want to send to friends…those three situations cover off everything—except for the digital tracks you’ll stream… But other than those three—four!—specific needs, you’re going to give up music encoded into zeroes and ones…binary is dead…no more pathetic sampling rates resulting in harsh-sounding square waves…not counting all the cds you own, of course…those are digital files, aren’t they?...i mean, you aren’t going to throw them out, are you?...probably just rip them into my computer… But beyond those five situations, you’re done with digital…mostly…except when you can’t avoid it…which will be 90% of the time… Still, you want to experience what everyone has been telling you about vinyl—and not only the sound but the whole experience of buying, unwrapping and playing it… If you’re of a certain age or technology persuasion, getting back into vinyl is like riding a bike…the first time you try it again, you might be a bit wobbly…but what if you’ve never ridden that bike?... Gather ‘round, friends…let’s get you started…this is your Ongoing History beginner’s guide to vinyl… See for privacy information.
RocknRoll Rehab

RocknRoll Rehab


Sometimes, the pressures of life become a little too much and the methods of escape you choose to cope with them aren’t exactly the best ones…over-indulgence with and reliance upon drugs and/or alcohol is never, ever a good thing…and once you get so far down this road, you need help… When you’re a musician, you have to deal with a whole new set of circumstances…long days, weird hours, bad food, poverty…or maybe you’ve struck it rich and you can’t handle the fame… Or maybe you love the fame a little too much…you like living in your bubble of unreality where people are afraid to tell you “no” and are only too happy to let you indulge in whatever you want, no matter how crazy… Sometimes people seek help on their own…sometimes they need a little, er, encouragement to get the help they need….what you’re about to hear are some rehab stories about artists who took their lives to the edge…some were able to step back….and some—well, you’ll see… See for privacy information.
On Saturday, August 20, 2016, tens of millions of Canadians watched and listened to the final Tragically Hip concert from Kingston…given Gord Downie’s illness, we knew that was the last time we’d see the band perform together live… That was followed by one of the saddest days in the history of Canadian music…. October 17, 2017, the day Gord Downie died…one tweet summed up everything: “Canada closed: death in the family”… So that was it, then…after more than 30 years, the most Canadian rock band of all time was done…all we had were the music and the memories… But what if we were wrong about that?...what if, somewhere, there was a trove of unreleased material that no one knew existed?...and what if a strange confluence of events led to that cache of music—songs that no one (even the band) had heard for decades—being found and released?...and what if those long-lost songs were really, really good?... To answer those questions: yes, there was a stash of unheard songs…yes, their rediscovery was the result of an accident…and yes, they are really, really good… The result was essentially a brand new Tragically Hip album that brings fans back to the band’s glory years of the early 90s…it’s like a time machine…the hip are together playing great—and Gord is back… The new record is called “Saskadelphia”…we’ll hear all these once-missing tragically hip songs: how they were made, what happened to them, and how they were finally found… See for privacy information.
A Requiem for Daft Punk

A Requiem for Daft Punk


It takes a special kind of band to obscure their appearance…but if you can do it right, then it moves from being a silly gimmick to an important piece of your identity, image, and brand.… When Kiss came along in the early 70s with their Japanese kabuki-inspired makeup, it wasn’t that far out…they came from New York where there was a glitter scene that had a lot of guys wearing make-up…kiss just took it to an extreme: The Demon, Star Child, Spaceman, and Catman… It worked--eventually…Kiss has sold 100 million albums…there was that period after 1983 when they wiped off the greasepaint and showed their faces to everyone, but that’s not what the fans wanted, and they eventually brought it all back… A more contemporary example is Slipknot…their masks have been an essential part of their identity since the band started up in 1995…it started with the clown wearing a clown mask for the band’s first gig shortly before Halloween that year…the rest of the guys thought it was dumb at first, but then they all joined in… Fans now keep close tabs on each member’s mask, parsing what each new iteration—and they can change or be updated almost yearly—might mean… There are other mask-wearing bands: the residents with their eyeball heads…any number of dark metal bands from Scandinavia like Ghost and Lordi…Pussy Riot (largely to keep their identity hidden from the authorities)…then there’s Gwar, who have taken it to a completely different level entirely with their alien costumes…and deadmaus has had his big mouse head for years…there are tons of others, but you get the idea… This brings me to Daft Punk…from 1993 until their breakup in February 2021, they acted like robots with elaborate helmets that completely obscured their identity…we knew they were French, and we knew their real names…but beyond that, they were a cool mystery that we played along with… Now that they’re done, though, it’s time to dig through their history…what the hell was Daft Punk all about?...and why did they matter so much? is their requiem… See for privacy information.
Before we begin, I am very aware that there are people listening to this program who have never, ever set foot in a record store…they came of age musical after the Internet changed everything about how we hear about, acquire, and consume music… But remember this: for over a hundred years, the only way you could hear music on-demand was to own it…you had to purchase a piece of plastic for x dollars and for that price, you could listen to that music an infinite number of times for no additional charge… You made not just an emotional investment in that music, but a financial one as well…and dammit, you were going to make sure you listened to that piece of plastic until you wrung out possible bit of enjoyment you could from it…otherwise, you’d have to come to terms with the fact that you wasted your money… There was another aspect to this emotional investment, too…in order to acquire this music, you had to leave your home, find your way to a record store, and search through all the shelves hoping the find something…if you were looking for something specific and it wasn’t in stock, you had to special-order it, which was a whole new level of emotional investment… And while you were at the record store, you interacted with records that you didn’t know about…just flipping through the racks looking at albums was an education in itself…maybe you’d go with a couple of friends, fan out across the store and then compare finds… Maybe you’d meet a stranger and strike up a conversation…and if you were a regular, it’s possible that the person behind the counter became a trusted source for recommendations…or maybe you’d go see an artist play live or for some kind of autograph session… Record stores are still with us, but there are fewer and fewer of them—certainly way less than the glory days of music shopping from the 60s through to the late 90s…and a lot of legendary stores and chains have disappeared forever… But while it lasted, it was pretty amazing…this is the story of the record store… See for privacy information.
Hobbies of Musicians

Hobbies of Musicians


What do you for fun?...hobbies, pastimes—things that you do just for you, away from your job and all your other responsibilities?... I’ve got my dogs…my wife and I like to travel…and I’ve always had this thing about the JFK assassination…I’ve read all the books, seen all the documentaries…I’ve even been to Dallas and the grassy knoll, and the book depository…I can’t explain it, but I just find it interesting… Maybe you’re into sports…collecting hockey cards or wine or rare scotches…video games, Japanese anime, beanie babies, souvenir spoons…no need to justify anything…it’s just something you enjoy doing…it fulfills you somehow… Now consider this….when we think of our favourite musicians, we probably imagine them being immersed in music all the time…I mean, 24 hours a day, seven days a week…all they do is think about music and make music… But the truth is, you can’t do that…no one can…everyone needs a break from whatever it is they do…you gotta rest the brain, recharge, and go on a search for new inspiration…put down the instruments and see what else is out there…become a more rounded person…that’s one aspect… Another is, “look…you’ve had some success in your career…you’ve made some money…enjoy it…indulge in those things that you’ve always dreamed of…you can’t take it with you, so spend some of that cash”… All right, so like what?...I think you may be surprised…let’s take a look at the hobbies and non-musical passions of some very famous musicians… See for privacy information.
Let me say from the outset that I have nothing against small towns…I grew up in one myself…population: 2000…it was in the middle of the Canadian prairies…the nearest big city was Winnipeg…after that, you had to go at least 500 miles before you hit any major population centre… I also want to make sure to let you know that I think living in a small town is a not bad idea…it’s not…it can be a wonderful, low-stress, low-cost secure existence…a lot of the people I went to school with still live in my small town… But there are those who want out, people who want to experience more of the world…they find their lot dull, a dead-end, too far from where the action is…but how to escape?...that’s the problem… One way would be to just buy a bus ticket and hit the highway…you could join the armed forces…or maybe you could form a band, write song songs and become world famous…yeah, that’ll never happen…or could it?... There’s this old saying that all you need to change the world—your world—is three chords and an attitude…and it doesn’t matter where you’re from…you can be from the smallest town the map—even a town too small to be on a map—but if you get in with the right bunch of people and manage to pull together some good songs, who knows what might happen?... Here…let me give you some concrete examples…you don’t have to be from L.A. or London or some other big city…you can be from—wherever…these are some big, big bands who actually came from small, small towns… See for privacy information.
The original punk rock explosion of the 1970s was two things…first, it was a major reset for rock’n’roll…think of it as a great musical decluttering… Punk of the 70s wasn’t revolutionary…it was reactionary…the music was stripped back, and everyone went back to the basics…very important… Second, there was an attitude shift…one of the central tenets of punk was that if you had the guts to say something, then do it…and if no one wanted to help you, well, then do it on your own… Taken together, these two principles resulted in what can be described as the big bang for what would later be called “alternative music”…punk set off chain reactions of new ideas, new sounds, new attitudes, new fashion, new belief systems, and generally new ways of doing things… The gloves were off, rules were broken, concepts were explored, and unintended consequences happened…we now look back on this as the great post-punk explosion of the late 70s and early 80s, an era that created so many of the basic foundations of the music we hear today… There was new wave, technopop and all its subsets…industrial music, goth, and a revival of ska…those are the major post-punk genres…but there was more…a lot more…   See for privacy information.
Every once in a while, music enters a state of flux where the direction of everything is, shall we say, undefined…we see and hear change but we’re not quite sure what it all means just yet…something is coming—but what?... All bets are off, the rulebook has been declared invalid, and everyone is off doing their own thing… I’ll give you an example…in mid-to-late 1950s Britain, popular music was evolving and mutating very quickly…in the midst of imported American rock’n’roll records, the skiffle craze, and various flavours of folk music, some young people rejected contemporary sounds in favour of something known as “trad jazz”… This was a revival of something close to Dixieland jazz from New Orleans, which emerged around the same time as world war 1…that meant music made with trumpets, the trombone, clarinet, the banjo, upright bass, and drums…the new acts mined the more pure, more authentic sounds of the past, hoping to be inspired again… And for a while, it worked…trad jazz was a thing until sometime in the 60s…everyone from pop songs to nursery rhymes were fair game for trad jazz arrangements… I’ll give you another example—and it’s tangentially related to British trad jazz…it also has its roots in Dixieland but took a detour through the Caribbean before appearing in central Britain at the end of the 1970s… That was also a time when the direction of music seemed undefined…on the bright side, it also meant that nothing was off-limits or out of bounds…it was the post-punk era…popular music had been shaken up by punk so much that people were more willing than ever to find new paths… This is part 6 of the post-punk explosion…it’s the time of Ska… See for privacy information.
On April 10, 1815, a volcano erupted in the central part of the Indonesian archipelago…Mount Tambora blew up, ejecting nearly 200 cubic kilometres of debris into the atmosphere…all that dust circled the earth, blocking out a significant amount of sunlight… That blockage was so severe that the average temperature dropped almost a full degree…the result was that 1816 has gone down in history as “the year without a summer”… There were food shortages and famines and outbreaks of disease…and not only was it cold, but huge storms battered much of Europe… That summer, four artsy types were holed up at mansion called Villa Diodati near Geneva, Switzerland…to entertain themselves on through these dark, cold, wet, rainy days, these people drank, had sex, and took opium…and they tried to outdo each other by coming up with the best horror story… One of them, John William polidori, came up with “The Vampyre” about undead bloodsuckers 80 years before Bram Stoker wrote “Dracula”…meanwhile, 22-year-old Mary Shelley, conjured up the idea of a mad scientist who created a new being by sewing together the parts of dead people…she called her story “Frankenstein”… These two stories—imagined during the year without a summer, caused by the biggest volcanic eruption in 1300 years—created the foundation of gothic fiction, a type of horror that endures today…novels, movies, comic books, fashion styles, and yes, music… In fact, the music part of this equation has blown up to the both where Goth music culture is one of the biggest musical subcultures the planet has ever seen…and that explosion happened in the wake of the original punk era of the 1970s… This is the post-punk explosion part 5: Goth… See for privacy information.
Dancing is as old as the human race…not long after we started walking on two legs, we found a groove and have been moving to the music ever since… Fast-forward several million years and we find that wherever there’s music, there’s dancing that goes along with it…okay, maybe they didn’t exactly bust a move to medieval hymns in the gothic cathedrals, but there had to be at least some swaying going on… We can’t help but move to the music….scientists have documented connections between the aural cortex and the movement centres of our brain…the millisecond we hear music, the motor cortex lights up, indicating a relationship between music, emotion, and the need to move in time with the music…in other words, we seem to be pre-wired to dance…not dancing (or at least moving to music) is unnatural… This caused some problems with some rock fans in the 1970s…dancing was seen as uncool, unless you were pogoing or slam-dancing to a punk band…and when disco came along—the most uncool music and scene of all—dancing was almost a crime…what were you, some disco weirdo?... Fortunately, that moratorium on dancing did not last long…the music and music fans needed to evolve to another level…and when that happened, dancing became not just okay but it was cool once again… This is a look at how that happened in the years immediately following the punk rock of the 1970s…it’s part four of the post-punk explosion—and it’s all about alt-dance… See for privacy information.
By the time we got to the mid-70s, rock had organized itself so that were rules…you did things this way and not that way…then came punk… One of the great gifts of punk rock was a reminder that you didn’t always have to follow the rules…once this attitude took hold, things began to fragment, metamorphosize and mutate at an increasingly rapid rate… The stratification and segmenting was astonishing…once punk began to cool, the environment it created coalesced into what became known as new wave, an approach that redefined what rock could sound like… Then new wave itself began to fragment, thanks to technology…the new cheaper, portable, and more powerful synthesizer was a godsend…you really didn’t have to know much about music to operate one…you just fiddled around until you found some cool sounds and then organized those sounds into a song… Like the original punks, attitude and a willingness to put your music out there was more important than musical ability—except this time, you did it with this new technology…synths instead of guitars…this was the foundation of what came to be known as techno-pop, which blew up at the end of the 70s… And it didn’t take long for techno-pop to separate into different strands which appealed to different people…some burned out quickly…new variants emerged for a while and then disappeared…and then there were the mutations that turned into something robust and enduring to the point where they still exist today… This episode is about one such strand that survived the post-punk explosion of the late 70s and early 80s…we call it “industrial music”…and word of warning: this show is going to be very intense, very loud, and very heavy… See for privacy information.
For the longest time, the sounds of rock were made with voice, guitars, bass, drums, and keyboards like piano and organ…there were plenty of ways to manipulate the sounds of those instruments: effects pedals, studio tricks, happy accidents that happened when you least expected them… And for a couple of decades, this was plenty to work with…we discovered all sorts of techniques to create sounds that no one had ever heard before… But when engineers started messing with electricity in new ways, it became possible for musicians to create sounds that not only we’d never heard before but never imagined hearing…this resulted in an explosion of new, amazing music that was based mostly (if not entirely) on electronic sounds… Experimentation started in the 60s…these sounds worked their way into prog-rock in the 70s…and at the very end of that decade, the technology had become cheap enough for young musicians in the last months of the original punk rock scene to adopt these music-making machines as their own… I’m talking about synthesizers, of course…and as bands in sharp suits and skinny ties released spikey new wave pop songs, another group went all-in with synths…and in the post-punk era—which is to say the late 70s and early 80s—we had the era of era of techno-pop…here’s how that happened… See for privacy information.
If you’ve been around enough, you may remember those special times when you know  that you’re in a middle of music history being made… You might be old enough to remember the early 90s…so much new and cool music—led by grunge but supported by all manner of alternative music—came out in ’91, ’92, ’93, ’94, and ’95 that you just knew you were in the midst of a very special time… It felt that not a day went by without there being a new song, a new artist, a new sound, and a new scene worth checking out…it was the alternative revolution—and it was awesome… and so much of it seemed directed at and just perfect just for you… But that was hardly the first time something like this happened…those who were teenagers in the middle 50s knew they were part of something special during the birth of rock’n’roll… The history of the 1960s was largely written in the music of that decade…starting with the Beatles in 1964, every day seemed to bring something new, exciting, and groundbreaking… If you were tied in with punk in the 70s, there was a sense among you and your friends that it was a really special time for music… But what i want to talk about is the era that came immediately after punk…punk changed the way people looked at music, breaking down artistic, social, and demographic barriers…basically, a new generation of musicians ripped it rock and started again…that’s punk in a nutshell… But that attitude didn’t end with the original punk rock explosion…instead, we saw an unstoppable chain reaction with resulted in sounds and styles and scenes that could not have been possible without punk… These sounds weren’t punk, but you could tell by listening that something like punk had to have happened for this music to exist… We now call this the post-punk era…and this period of time—roughly from 1978 through to the middle 80s—created the foundations for the alternative revolution in the 90s and beyond… This is the post-punk explosion part 1…and we begin with this thing called “new wave”… See for privacy information.
History of Nerd Rock

History of Nerd Rock


Nerd…noun…a foolish or contemptible person who lacks social skills or is boringly studious…definition 2: a single-minded expert in a particular technical field...example: a computer nerd… It’s an old word, too…the, er, nerds at google have a thing called “the ngram viewer” which scans the text of books going back to 1500…in other words, pretty much right back to the inventing of the printing press… According to these nerds, “nerd” (the word) shows up for the first time in an book called “a true discourse of the assault committed upon the most noble Prince, Prince William of Orange, County of Nassau, Marquesse De La Ver & C,” by John Jarequi Spaniarde: with the true copies of the writings, examinations, and letters for sundry offenders in that vile and diuelifh (i have no idea what that word is) attempt”… I can’t tell you what “nerd” referred to in that book because it’s written in old Spanish and i couldn’t be bothered to find a translation…I’d need a real etymological nerd for that… The word fell into disuse after about 1725 returning into the popular lexicon thanks to Dr. Suess in 1950…to him, a “nerd” was some kind of creature found in a zoo… But the following year, Newsweek magazine reported that “nerd” was being used in Detroit to describe an awkward sort of dude who wasn’t very cool…it kind of lingered in the slang world for the rest of the 50s and into the 60s before it really took off in 1974 with the TV series “Happy Days”…Fonzie was always calling Richie and Potsie “nerds” for being uncool dorks…so props to Henry Winkler… By the end of the 70s—and coinciding with the rise of the culture around the personal computer, consumer technology and “Star Wars” and other science fiction pursuits—the use of “nerd” became even more widespread…remember the “Revenge of the Nerds” movies in the 80s?... But now in our technological society, being called a nerd is a compliment…people aspire to be like Bill Gates and Elon Musk and Mark Zuckerberg…look at shows like “The Big Bang Theory” and “Silicon Valley”…we’re actually celebrating nerddom…people want to be nerds ‘cause—well, it’s kinda cool…the geeks have truly inherited the earth… This brings me to music…nerdishness is now so widespread that nerds even have their own genre of music…and as you might guess, it falls squarely in the world of alternative music… This, then, is a short history of what we unreservedly, unashamedly and unironically call “nerd rock”… See for privacy information.
50 Years of CanCon

50 Years of CanCon


Fifty years ago, there was no such thing as a Canadian music industry…well, at least not compared to the U.S. or the UK…we had bands that played gigs and recorded singles and albums…but there wasn’t much of an infrastructure to support a domestic scene… Too few recording studios…a lack of experienced promoters, managers, and producers…there was a tiny collection of domestic record labels…and there was a steady drain of talent to the united states…if you wanted to make it really big, you had to leave the country…that’s kind of discouraging, right? And Canadian radio stations weren’t helping…there was a perception that audiences did not want to hear much of this domestic music because, well, it wasn’t very good…it was inferior to all the music coming from America and England…this contributed to the overall opinion with the general public that Canadian music just wasn’t worth anyone’s time… At the same time, though, it didn’t seem right that our musical culture and our music scenes (such as they were) be overwhelmed by foreign powers…Canadian artists were getting smothered in the crib…something needed to be done…and five decades ago, something was done, beginning on January 18, 1971… It was difficult, expensive, and, in some quarters, wildly unpopular…but it turned Canada into a global musical powerhouse…this is fifty years of CanCon… See for privacy information.
The Diversity Show 2021

The Diversity Show 2021


Here is a truth that some people find very uncomfortable: rock, alt-rock and indie rock are predominantly white…why is that?...the answers—and there is more than one—are complicated…there has actually been a quite a lot of study on this question… Perhaps it’s because non-white people don’t choose this music as part of the way they project their identity to the world…culturally, they just don’t identify with these forms of music, so they naturally gravitate somewhere else… Others ask how this is different from someone choosing the music of their culture and ethnicity over that of another?...if you’re Italian, for example, the chances are you will have a greater affinity to Italian music than you would, say, gamelan music of bali… Here’s another truth: any form of music tends to reflect the shared sentiments of a particular community…. compare indie attitudes with hip hop…an indie band wouldn’t think of singing about drinking Cristal in the back of a Maybach while discussing the size of the diamonds in their new grillz…. neither would a hip hop artist rhapsodically describe their new pickup...neither would a rock band, for that matter… Each form of music has its own aesthetics…if they don’t mean anything to you on a cultural or emotional or personal level, then you’re not going to be into that music… Others don’t buy into this, seeing the non-whiteness of rock as a status quo barrier to people of colour who would like to participate but feel excluded, an outsider, unwelcome…they also see countless microaggressions, covert expressions of racism and continued cultural appropriation… We’re not going to solve any of these issues on this program…but I would like to acknowledge the contribution people of colour have made to the evolution of alt-rock…alt-rock is pretty white, yes—but not always… See for privacy information.
Comments (57)

Phil Elliott

Did he say No Effect!?

Jun 10th

DJ Dar

As a retired on air personality, and club dj, I cant express my appreciation enough.for this pod......Thankyou

May 27th

Brady Prenzlow

iugd54sgggllllft yfftDrrr tu1gr1w51sdfft5rdfsrfr

May 1st

gary fowler

no mention of Toots Hibbert. wow.

Apr 18th

Jacqueline M

I've been waiting on an episode like this for a long, long time. Thank you :)

Feb 23rd

M Morr

this was so amazing. thank for the work that went into this. I really enjoyed thi podcasts. may even listen a second time.

Nov 1st

Stanley Pon

Great Podcast

Sep 5th

blue boot

great pod sir. love the alt rock history

Apr 9th


I love this podcast! This one was filled with random fun facts!

Feb 27th

Adam Greenwold

interesting show, I enjoy these 'join the dots' shows. We could do with another punk revival, music is a bit soft at the moment. Even listening to The Edge Alternate music station music seems to have lost it's edge, or I'm listening in the wpmg places so feel free to suggest of to new music with a bit more bite. Bad Religion's latest offering Age of Unreason is good, but what about new bands?

Feb 26th

Michael George

Joe Satriani is metal??? bwahahahaha

Dec 29th

Bruce Taylor

this is awesome, I have learnt so much thank you

Nov 21st

Keith Dowling

Absolutely love this podcast. Thank you Mr. Cross.

Nov 18th

Mathew Gehlsen

Could you do a part on the life of Joe Bonmassa? He has worked and collaborated with great musicians. Love the podcast. Running out of stuff to listen to😃

Oct 12th

Glen Culbert

You've done so many genres.... What about Oi ???

Aug 25th


05:42 Wood died in 1990.

Aug 16th

Adam Greenwold

love the etymology programs. good fun

Jul 30th

Dorsey Mathison

repeated content/mistake. In one of the history of indie and the 00's history episode you seemed to have copy pasted calling the New Pornographers the Mass Pornographers.

Jul 18th

Chris Weiss

please put out the whole Lydon rant.

Jul 17th
Reply (1)

Jeff Capener

Why the fuck are you doing all this bullshit advertising in ur shows, never listening again Cross, fucking ridiculous

Jul 10th
Reply (1)
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