Disney shares big profits + a streaming boost; Director Edward Berger talks ‘Conclave’

'English Teacher' creators on the perfect office comedy setting (from The Sam Sanders Show)

Clint Eastwood’s ‘Juror #2’ out performs Warner Bros.’ investment; ‘The Penguin’ showrunner Lauren LeFranc talks crafting a Gotham crime boss

Will Greta Gerwig’s ‘Narnia’ bring big changes to Netflix?; Roy Wood Jr. ‘pledges allegiance to the joke’

Netflix’s strong Q3 + what’s next for its films; ‘The Wild Robot’ director talks CG vs. tradition

Game planning for Paramount; The accidental ‘Apprentice’ financier

Inside the ‘Joker’ sequel flop; The sprint to bring ‘The Apprentice’ to theaters

Sony Pictures enjoys a smooth succession; Kate Winslet gets candid about creating her new film ‘Lee’

AI enters the Hollywood chat in major ways + Demi Lovato’s ‘Child Star’ cautionary tale

Disney’s messy succession story; Overcoming the production challenges of ‘Strange Darling’

SAG-AFTRA is urged to protect Pro-Palestine members; Documentarian Maciek Hamela on ‘In The Rearview’

The Murdoch family’s own private ‘Succession?’; Encore: Writer Justin Kuritzkes on ‘Challengers’

The Journey of ‘Inside Out 2;’ Bronfman backs down

Gary Oldman on ‘Slow Horses’; Edgar Bronfman Jr. enters the Paramount chat

Justin Simien’s ‘Hollywood Black’ chronicles the pioneers of African American cinema; Phoenix and Paramount bail

‘Sing Sing’ director Greg Kwedar models pay equity; streamers still struggle

Jordan Klepper on surviving “bonkers” political news; Apple TV+ tightens its belt

How ‘Survive until 2025’ became Hollywood’s new mantra

FX’s Emmy domination; ‘Shōgun’ makes awards history

Muta’Ali on his documentary ‘MoviePass, MovieCrash’; CNN and Paramount step into the future