#0008 - Meg Wade Interview - 1 - Week Critique #0008
Update: 2022-01-29
Description
Matthew Schmidt interviews poet Meg Wade about the drafting process of her poem "Field Notes" from her collection Slick Like Dark (Tupelo Press 2019).
Interview conducted 9/7/20.
The Interview Series is a production of the Iowa-based arts and education nonprofit 1-Week Critique (1WC), which provides pedagogical resources and editorial support to students and teachers of the literary arts.
You can learn more about our programs, support our work, and view Meg’s poems, first and final, visiting www.1weekcritique.com.
You can order Meg's book here:
https://www.tupelopress.org/product/s...
or here:
https://www.spdbooks.org/Products/978...
For further information on Meg's work, check out her website here:
https://megwade.com/about/
NB: Across the Interview Series, we occasionally discuss difficult issues of many kinds. While we believe that literature is one of the appropriate venues in which to speak to material that can be disturbing, we recognize not all individuals are best served by engaging all matters directly. We hope you'll view as it's right for you.
All rights to the work remain with the author.
*The Interview Series operated under the name The Critique of the Week for our first six episodes of our first season.
Interview conducted 9/7/20.
The Interview Series is a production of the Iowa-based arts and education nonprofit 1-Week Critique (1WC), which provides pedagogical resources and editorial support to students and teachers of the literary arts.
You can learn more about our programs, support our work, and view Meg’s poems, first and final, visiting www.1weekcritique.com.
You can order Meg's book here:
https://www.tupelopress.org/product/s...
or here:
https://www.spdbooks.org/Products/978...
For further information on Meg's work, check out her website here:
https://megwade.com/about/
NB: Across the Interview Series, we occasionally discuss difficult issues of many kinds. While we believe that literature is one of the appropriate venues in which to speak to material that can be disturbing, we recognize not all individuals are best served by engaging all matters directly. We hope you'll view as it's right for you.
All rights to the work remain with the author.
*The Interview Series operated under the name The Critique of the Week for our first six episodes of our first season.
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