In this episode (part 1 of 2), Neil and Jason talk to Oscar-winning Production Sound Mixer Simon Hayes about his demanding work on location film sets and deep-dive into Simon’s philosophy and approach to modern location recording techniques. We discuss the importance of a fully-digital signal chain, the understanding with directors he establishes at the beginning of each project and the very different considerations he applies to recording and mixing musicals such as Les Misérables, Cats and Wicked or action films such as James Bond’s No Time To Die, X-Men: First Class and Guardians of the Galaxy. Simon talks about the refreshing nature of shooting low-budget, single camera productions epitomised by the spirit of his early work on Lock, Stock and Two Smoking Barrels. This is a compelling and unique insight into film sound for experts, novices and movie aficionados alike.

 

 

You can find more about Simon and his work here: https://www.simonhayes.com

Details about Neil and Jason’s work as dialogue editors and mixers and how to contact them is here: https://www.theaudiosuite.com

Details of Neil’s 1-to-1 and Coaching Programmes for ambitious media professionals are available at: 

https://www.drneilhillman.com and  https://soundproducer.com.au/coaching and www.soundformovingpictures.com

Technical notes:

Written, produced and presented by Jason Nicholas and Dr Neil Hillman – IMDb

Recorded using the Squadcast remote recording system

Programme edited by Jason Nicholas

All original motion picture soundtrack clips are licensed through SceneClipper Inc.