00 - Preface; My Purpose; My Title to Write on the Art of Song

01 - Section I: Preliminary Practice

02 - Section II: Of the Breath

03 - Section III: Of the Breath and Whirling Currents

04 - Section IV: The Singer's Physiological Studies

05 - Section V: Equalizing the Voice - Form

06 - Section VI: The Attack and the Vowels

07 - Sections VII - VIII: Nasal Singing; The Head Voice

08 - Sections IX - XII: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities

09 - Sections XIII - XIV: On Vocal Registers; Development and Equalization

10 - Section XV - XVI: White Voices; Theodor Wachtel

11: Section XVII: Highest Head Tones

12: Sections XVIII - XIX: The Tremolo; The Cure

13 - Sections XX - XXI: The Tongue; Preparations for Singing

14 - Sections XXII - XXIV: Position of the Mouth; Connection of Vowels; The Lips

15 - Sections XXV - XXVII: The Vowel Sound AH; Italian and German; Auxiliary Vowels

16 - Sections XXVIII - XXX: Resonant Consonants; Practical Exercises; The Great Scale

17 - Sections XXXI - XXXII: Velocity; Trill

18 - Section XXXIII: How to Hold One's Self when Practising

19 - Section XXXIV: Pronunciation - Consonants